Pathways for Teaching
We all have a “teaching philosophy”, whether we realise it or not. Mine strongly advocates holistic, personalised, life-centred education, and my model of The Three Treasures of Musical Learning is a key component which complements these values.
In this article I will explain what the Three Treasures are, and offer some tips on how reflecting on them can help us develop as effective teachers.
Continue reading The Three Treasures of Musical Learning
The work of the independent piano teacher can be as varied as it is rewarding, and this throws up innumerable challenges on a regular basis.
Every student is unique, and each lesson different from the previous or next one. Holistic teaching requires not only a deep subject knowledge combined with pedagogic expertise, but also psychological insight, access to multiple teaching strategies and resources, tactful diplomacy and administrative efficiency.
It’s little wonder that many piano teachers struggle to be equally adroit in all these areas, or to have well-honed skill-sets to meet all these varied demands. And while answers to many of the questions we face – and situations which arise – are probably to be found in our previous knowledge, experience and common sense, it is nevertheless a huge asset to go through each day prepared for what may arise, and thoughtful of the ways in which we can improve as well-rounded teachers.
Help is at hand in a recent book written by Penny Stirling and Karen Marshall, and published by Collins Music.
Continue reading 100 Inspiring Ideas!
When Liz Giannopoulos contacted me about a month ago to offer a guest post about GDPR, my initial response was, “what’s that?”
It is a response that was echoed by many when Liz’s post was published here just a few days later. It quickly became apparent that many instrumental teachers, like me, didn’t know the first thing about GDPR, even though it comes into effect on May 25th 2018. I know that many are hugely grateful to Liz for her very clear introduction to the subject.
In the weeks since then, there has inevitably been a huge debate about GDPR, and no small amount of activity on the part of those of us who are concerned to run our teaching businesses on a professional and legal footing.
This post will consider some of the biggest questions teachers have been asking and – with further help from Liz and from piano teacher Joanne Snowden – will offer some updated and accessible answers to these practical concerns:
- Do I need to register as a data controller with the ICO?
- What do I get for the £35 registration fee?
- Do I need to seek consent from data subjects?
- How do I write a Privacy Notice, and what should be included?
There has been much confusion about these issues, and often the ensuing debate between teachers has seemed to miss the core value that data privacy is a basic right for us all.
GDPR is ultimately about caring for our students and clients.
It is about respecting their basic rights.
It is an act of kindness.
Alongside putting my students’ and clients’ needs first, taking time to reflect on how I use other peoples’ personal information (and why) has proven to be a genuinely helpful professional development exercise.
As piano teachers we often enjoy considerable autonomy – and don’t always welcome challenges to our independence – but taking time to reflect on our compliance to external professional standards is worthwhile in and of itself.
With that in mind, let’s now turn to some big questions that teachers have been asking…
Continue reading Simplifying GDPR for Piano Teachers
Pathways for Teaching
When I started teaching full time back in the 1990s, the best known teacher in my neighbourhood was Sidney Pope, a venerable older gentleman who tuned pianos by day and taught the local children once the schools turned out in the afternoon. Sidney continued teaching until his health finally gave out, and was a much loved and very able teacher.
I was a tuning client of Sidney’s, and when he learnt that I was entering the fray as a teacher he couldn’t have been more encouraging, referring pupils he couldn’t personally fit into his busy schedule, and generously sharing a lifetime’s advice.
This perplexingly included his list of rules for student conduct; rules which were certainly very thorough…
Teachers today tend to provide contracts that for the most part relate to parental behaviour – paying on time, not cancelling at the eleventh hour, and so on. Sidney’s rules pertained to the children themselves, outlining his expectations of practice, attitude in lessons, and even the clothing they wore.
In this regard, Sidney’s demands were crystal clear: boys’ shirts must be tucked in, and dresses or skirts were compulsory for the girls – no trousers!
Why, I wondered in my professional naivety, should girls not be allowed to wear trousers to their piano lessons in 1992?
Sidney patiently explained that piano lessons must be regarded as a special occasion, and that students benefitted from making an effort to dress up accordingly…
Continue reading Making Every Lesson a Special Occasion
Collins Music have just made available a brand new FREE resource to accompany and support the Get Set! Piano series, written by Karen Marshall and Heather Hammond.
The latest additions to the stunning range of materials are a set of “Character” posters featuring the books’ popular Louis Legato, Suzie Staccato, Patrick Piano and Francesca Forte, as wonderfully illustrated by Julia Patton.
Each poster can be printed off as an A4 sheet to display in your teaching studio and use as a teaching and learning resource.
The complete set comes as a PDF file which Collins Music are generously offering on their own site, and by special permission, right here via Pianodao:
And many thanks indeed to the creators of Get Set! Piano and the lovely people at Collins Music.
You can also still find the full range of the Get Set! Piano downloads here.
And my review of the method books is here.