The Advanced Pianist

Sheet Music Review

Karen Marshall’s Piano Trainer Series for Faber Music, which includes The Foundation Pianist (with David Blackwell, reviewed here) and The Intermediate Pianist (with Heather Hammond, reviewed here), has reached its conclusion with the publication of The Advanced Pianist (Books 1 and 2, with Mark Tanner).

Taken as a whole, the complete series of seven books can be used as a core curriculum that can be interspersed with the eight grades of the UK examination boards, or used standalone by those not interested in taking exams.

In this review I will firstly take a look at The Advanced Pianist before drawing a few conclusions about the Piano Trainer series as a whole…

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A Rising Crescendo of Hope

The Fermata Series

Walking in Linford Wood this morning, it was such a joy to hear the blazing chorus of birdsong, and among it all the unmistakable sound of a determined woodpecker tapping in the trees.

Birdsong seems to me the sound of life continuing as usual, the forces of nature and energetic cycles of the universe triumphing over turmoil. And at this time of year, as spring arrives in the forest, there is daily new life, fresh growth and ever-present hope.

Yes, Hope.

And how precious is that, as we find ourselves embroiled in incessant change and entangled in our transient insecurities?

Just as birdsong can convey hope, connection and continuity in an uncertain world, so too can our music. As we sit to play at the piano, we tap into the song of generations, and there is a sense of connectedness which can be palpable.

Continuity: because whether alone or playing for others, we can explore and keep alive the music of former generations. Their music is a bridge across time and space, allowing communication, empathy and a sense of connection to endure and to thrive.

All music belongs indelibly to the great human narrative, but we are required as players and listeners to step onto that bridge in our imagination, discerning and joining with the voices of the musicians of old, sharing in and recreating their thoughts, experiences and emotions.

New music, whether our own improvisation or the compositions of others, joins humanity’s own Dawn Chorus, fanning the flames of mankind’s song until they grow into a deafening crescendo of hope and lasting connection.

I appeal to readers and all my musician friends: let’s each of us embrace positive intentions as we play the piano, eschewing doubt and keeping vanity at bay, ensuring that our music is empowered by a sense of connection and continuity.

Let’s be the creators and sustainers of hope.


Fermata Series

The Fermata Series offers short reflective posts, and a chance to PAUSE.
Read more from The Fermata Series here.


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Tidings of Joy and Goodwill

In a special Christmas message for Pianodao, Karen Marshall offers generous words of encouragement and advice for musicians, teachers and parents during this busy season…

Continue reading Tidings of Joy and Goodwill

Slow Progress

The Fermata Series

”Often we find ourselves in trouble simply because we are going too fast, disregarding signs of trouble that we would have seen if only we had been going a little slower.
All too often we get caught up in the rush; our whole culture is based on it.  Get ahead!  Do it now!
Sometimes the right thing to do is not to do anything.”

Solala Towler, Cha Dao (Singing Dragon, 2010)

These comments (which are taken from a book about the preparation and consumption of tea) offer golden advice which can be applied to pretty much any aspect of our lives. No wonder so many of us feel completely worn out most of the time!

For our purposes, I want to touch on the value of taking our time in two areas:

•  firstly teaching and learning
•  and then our personal piano practice

Continue reading Slow Progress

The Way We Believe

The Fermata Series

“It is not so much what you believe in that matters, as the way in which you believe it and proceed to translate that belief into action.”

Lin Yutang (1895-1976)
The Importance of Living (1937)

I have long subscribed to the view that, as the old saying goes, “as a man thinks in his heart, so he is”.

It makes absolute sense that our beliefs about ‘life, the universe and everything’ will significantly impact and mould our daily behaviour. Indeed, self-esteem and understanding of our place in the world must surely have a huge impact on our reflexes, responses, and attitudes.

Lin Yutang offers a more nuanced, deeper insight. He points out that it is not so much what we believe as how we believe it: the way we go about acting out our beliefs.

It is easy to see how this idea might apply to our religious, political and social beliefs. Do we use our beliefs to divide, or as a means to bring people closer together? What action, if any, results from our beliefs?

But I think that Lin’s words are still more profound – can they not to be applied to any and all aspects of our lives, including our piano journey?

•  What do we believe about ourselves as piano players?
•  How about our beliefs about our teachers and teaching?

Could it be, for example, that we think our personal approach to piano playing favours certain composes or styles?

If so, does this belief help us to select Active Repertoire,
or does it limit our willingness to try new music?

Or could it be that we believe our talent is limited, and that our playing will never rise above the mediocre?

If so, does this belief help us enjoy playing without competing,
or does it limit our fulfilment and leave us frustrated?

There are perhaps no ‘right or wrong answers’ here, but taking time to consider Lin’s words, and to question the way in which our beliefs are manifest could prove fruitful as the starting point on a fresh journey of reflection and discovery.

Fermata Series

Garreth Brooke’s “Upright” Project

“Upright” is a piano project with a difference …

I spoke to project coordinator, Garreth Brooke to find out more…

Continue reading Garreth Brooke’s “Upright” Project

Your Stories: Paul Harris

Your Stories

Paul Harris is one of the world’s most respected music educationalists. His compositions have delighted players and audiences around the world, and he has over 500 publications to his name. Paul is in great demand as a workshop and seminar leader in the UK, USA and the Far East.

Here he shares the story of how he discovered the piano as a child …

Continue reading Your Stories: Paul Harris

The Pianist’s Motivations

The Pianist’s Reflections Series

  • What is it that motivates us as pianists?
  • Why did we start learning to play the piano? ..
  • And why do we continue to play?
  • What are our piano goals for the future? ..
  • And how do they excite us?
  • How can we motivate and inspire our students?

Ask these questions to a hundred pianists, and there’s a good chance you will hear a hundred different answers – but some common themes will most likely emerge.

In this article I am going to consider the many and complex motivations we all experience in life, focussing in on the difference between intrinsic and extrinsic motivations, and how each pertains to our piano playing.

Continue reading The Pianist’s Motivations

The Pianist’s Kindness

The Pianist’s Reflections Series

As I write this I am in India on a two-week yoga retreat, in which each day has started with a reflective discourse on the ethics outlined in the Yoga sutras of Patanjali, the classic text from which yoga theory subsequently developed.

The first, foundational ethic presented by Patanjali was ahimsa, which can be literally translated no harm, and intrinsically means be kind. Without kindness, there can be no true yoga. And yet, as our teacher rather decisively noted:

“There are plenty of people in this world who can touch their toes – but who are still basically arseholes!”

As usual, what is true in one field can equally apply in another, and certainly from my own observations of pianists – both in online forums and the ‘real world’ – there are plenty of very fine piano players and teachers who, it would seem, somewhat lack kindness.

So how can we encourage the piano community to be a kinder one? As always, the answer must begin with ourselves …

Continue reading The Pianist’s Kindness

The Pianist’s Perseverance

The Pianist’s Reflections Series

January is for many a time of resolutions, grit and determination. Whether it’s a fresh commitment to healthy eating and exercise, or a renewal of discipline, setting aside time to practise the piano – this is a month where many make a decision to turn a new leaf.

I hope that as many as possible who make a commitment towards self-improvement in its many forms will succeed in their freshly stated aims. But what are the ingredients of perseverance which will foster that success? Here’s my theme for this month’s reflection!

And I will try to explain that Perseverance is never simply a matter of grim resolve and self-discipline, and that Progress is a Process

Continue reading The Pianist’s Perseverance