Martin Doepke: Piano Tales

SHEET MUSIC REVIEW • written by ANDREW EALES
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Born in Cologne in 1957, Martin Doepke has made a big name for himself in Germany as a collaborative keyboard player, recording musician and, since the late 1980’s, composing for theatre and TV productions. He has also taught popular music at the Rheinische Musikschule in Cologne since 1990.

Piano Tales is Doepke’s first published collection of solo piano music from Universal Edition. The book includes three pieces adapted from his hit German musical version of Beauty and the Beast (not to be confused with the Disney one!) as well as ten other original pieces about which the composer writes,

“The pieces in the present volume were written at different times over the years and in various places. They reflect my love of classical music and my passion for film music and musicals. Apart from the three taken from my musical Beauty and the Beast the pieces are not connected.
Each tells a short story. Some are playfully romantic, others are rather mystically melancholic or have a pulsing rhythm. Their styles span today’s music genres and call for a love of musical variety and diversity.”

This is certainly a good summary, but let’s take a closer look and listen…

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Sam Wedgwood’s ‘Next Level’

SHEET MUSIC REVIEW • written by ANDREW EALES
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Sam is the latest member of the Wedgwood clan to be making a big name for himself as a composer of well-crafted and catchy piano pieces suitable for intermediate students.

Following the popularity of the two Sam Wedgwood’s Project books from EVC Music, the publisher’s latest release is his new collection of solo and duet pieces, Next Level.

Here’s the Pianodao review…

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Trinity Rock & Pop Keyboards

EDUCATIONAL RESOURCES • Review by ANDREW EALES
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I recently reviewed the Rockschool 2019 Piano syllabus (please refer to that review here), and now have the opportunity to tell you about an alternative I mentioned in that review, offered by Trinity College London’s Rock & Pop Keyboard exams.

The disclaimers I made when reviewing Rockschool equally apply here: I haven’t entered myself or a student for the actual exams, and this review is based on the syllabus, publications and resources.

I also had the chance to chat to Trinity’s Head of Product Management Julia Martin and Product Support Manager for Music Govind Kharbanda, to whom I am most grateful for talking me through their syllabus and answering my plethora of questions.

As we shall see, the Trinity Rock & Pop offering has much in common with the Rockschool Piano syllabus, but there are also some significant points of departure. Together they occupy a unique space in the market; comparisons are inevitable, but I will aim to keep them for my conclusion!

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