Phillip Keveren’s Three-Minute Encores

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


“As the last note hangs in the air, there is a magical moment when an audience will, once in a while, decide they want to hear more! Not a lot more, mind you. The clock is ticking and the babysitter can only stay until 10 pm. But, can we make this evening last just a little longer?”

So enthuses ace arranger Phillip Keveren in the preface to his latest collection from Hal Leonard, the cunningly conceived Three-Minute Encores.

Keveren will be known to regular Pianodao readers from my reviews of his superb Piano Calm (reviewed here) and Circles (reviewed here), both of which have become absolute studio essentials here, favourites with multiple students, and are among the most-used collections I have ever reviewed.

One of America’s leading arrangers, Keveren has also delivered literally dozens of other books for Hal Leonard, collectively The Phillip Keveren Series, to which this new issue belongs. And it’s another corker, so let’s investigate…

Continue reading Phillip Keveren’s Three-Minute Encores

The New, Improved Microjazz

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


It has been four decades since Christopher Norton’s remarkable Microjazz series practically reinvented piano education in this country and beyond with its infectious cocktail of classical technique and popular contemporary stylings.

Microjazz quickly won recognition the world over as a landmark series, sold over a million copies, and spawned a plethora of spin offs that included More Microjazz, Microstyles, Improvise Microjazz, Microjazz Duets and collections for a wider range of instruments.

The repackaging of the piano solo materials as the Microjazz Collections in 1997 simplified the brand, and made the progression through levels more obvious. Those Collections were again rebranded in 2011, and are receiving another facelift from this year. This time, the Microjazz Collections are also joined by two wholly new, more advanced music books.

In this review I will introduce these new stars in the Microjazz galaxy, and consider the latest updates to the existing books.

But first, let’s celebrate this incredible publishing phenomenon by recapping its extraordinary history…

Continue reading The New, Improved Microjazz

Martin Doepke: Piano Tales

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Born in Cologne in 1957, Martin Doepke has made a big name for himself in Germany as a collaborative keyboard player, recording musician and, since the late 1980’s, composing for theatre and TV productions. He has also taught popular music at the Rheinische Musikschule in Cologne since 1990.

Piano Tales is Doepke’s first published collection of solo piano music from Universal Edition. The book includes three pieces adapted from his hit German musical version of Beauty and the Beast (not to be confused with the Disney one!) as well as ten other original pieces about which the composer writes,

“The pieces in the present volume were written at different times over the years and in various places. They reflect my love of classical music and my passion for film music and musicals. Apart from the three taken from my musical Beauty and the Beast the pieces are not connected.
Each tells a short story. Some are playfully romantic, others are rather mystically melancholic or have a pulsing rhythm. Their styles span today’s music genres and call for a love of musical variety and diversity.”

This is certainly a good summary, but let’s take a closer look and listen…

Continue reading Martin Doepke: Piano Tales

Sam Wedgwood’s ‘Next Level’

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Sam is the latest member of the Wedgwood clan to be making a big name for himself as a composer of well-crafted and catchy piano pieces suitable for intermediate students.

Following the popularity of the two Sam Wedgwood’s Project books from EVC Music, the publisher’s latest release is his new collection of solo and duet pieces, Next Level.

Here’s the Pianodao review…

Continue reading Sam Wedgwood’s ‘Next Level’

Trinity Rock & Pop Keyboards

EDUCATIONAL RESOURCES • review by ANDREW EALES
Supporting Your Teaching • PATHWAYS FOR TEACHING


I recently reviewed the Rockschool 2019 Piano syllabus (please refer to that review here), and now have the opportunity to tell you about an alternative I mentioned in that review, offered by Trinity College London’s Rock & Pop Keyboard exams.

The disclaimers I made when reviewing Rockschool equally apply here: I haven’t entered myself or a student for the actual exams, and this review is based on the syllabus, publications and resources.

I also had the chance to chat to Trinity’s Head of Product Management Julia Martin and Product Support Manager for Music Govind Kharbanda, to whom I am most grateful for talking me through their syllabus and answering my plethora of questions.

As we shall see, the Trinity Rock & Pop offering has much in common with the Rockschool Piano syllabus, but there are also some significant points of departure. Together they occupy a unique space in the market; comparisons are inevitable, but I will aim to keep them for my conclusion!

Continue reading Trinity Rock & Pop Keyboards