Debussy: Préludes pour piano


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The two books of Préludes by Claude Debussy (1862 -1918) are undoubtedly among the most important and popular piano compositions of the early twentieth century, and have exercised a truly seminal influence on the piano music of subsequent generations.

Published in 1910 and 1913 respectively, each book contains 12 pieces, each one of them an invitation to another unique, fully imagined world. In many ways a summation of Debussy’s extraordinarily vivid piano writing, these miniatures are self-contained miracles of sonority, impressionistic and colourific effect; they are equally a lesson in taut compositional clarity and structural genius.

Originally published by Durand, the Préludes are now available in various combinations and editions from most of the major publishing houses, including Henle Verlag, Wiener Urtext, Edition Peters, Schirmer, Alfred and Dover.

In this review I am looking at the new urtext edition by Thomas Kabisch, published by Bärenreiter in two volumes; both volumes are exemplary in their scholarship, also including helpful editorial fingering supplied by the pianist Martin Widmaier.

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Frédéric Chopin: Trois Nouvelles Études


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In my recent post Discovering Chopin I included two editions of the complete works, both brought to us by PWM Edition: firstly the celebrated Paderewski Edition beloved by performers, and secondly the more recent scholarly Chopin National Edition, edited by Jan Ekier.

The latter has established itself as a benchmark urtext edition by which other versions are presently judged, although sources of Chopin’s music are so many and surprisingly varied that, often, definitive readings are elusive.

Further underlining this point, were it in any doubt, comes the Complete Chopin New Critical Edition from Edition Peters, prepared under the watchful eyes of editor-in-chief John Rink.

Joining the first six volumes in this work-in-progress series, the latest addition is the Trois Nouvelles Études of 1840, edited by Roy Howat.

I will start with a full review of this new publication, EP 73229, and then gracefully segue into a more detailed consideration of Edition Peters’ Complete Chopin New Critical Edition, and take a quick look at the solo piano issues in the series so far.

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