SHEET MUSIC REVIEW • Written by ANDREW EALES
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Since the late 1960’s, when he become the doyen of the experimental music scene, Howard Skempton has carved a unique place for himself in British musical life.
Skempton’s influences include Eric Satie, Morton Feldman, John Cage and La Monte Young. His own music resists lazy categorisation, but is characterised by pared-back textures, focused economy of expression, clarity of melodic line, and the avoidance of dissonance even when most determinedly resisting the pull of tonality.
These qualities remain an integral hallmark of the latest entry in his significant solo piano catalogue, the 24 Preludes and Fugues recently published by OUP.
Continue reading Howard Skempton: 24 Preludes and Fugues
Sheet Music Review
The name Vsevolod Petrovich Zaderatsky (1891-1953) may be a new one to most readers; if so it is perhaps because the authorities of the Soviet Era condemned this extraordinary composer to be “deliberately forgotten”.
But with the first edition of his 24 Preludes and Fugues (1937-9) – which were composed while Zaderatsky was a prisoner in the dreaded Kolyma forced-labour camp – newly published worldwide, his fortunes may be posthumously about to change…
Continue reading The ‘Deliberately Forgotten’ Composer
Sheet Music Review
June Armstrong (see Your Story: June Armstrong) has proven not only to be one of our more imaginative contemporary educational composers, but also to have a keen eye for gaps in the existing pedagogic repertoire.
Her many excellent and innovative publications via her business Pianissimo Publishing (see my reviews of Safari, Stars and Rayan’s Duet Book) fill a wide range of such gaps, and between them comprise a genuinely important body of work. Every collection, too, is a joy to explore and a delight to own.
June’s latest collection is Six Little Preludes and Fugues, and looks set to continue this trend, living up to the high standards of previous publications.
Continue reading Six Little Preludes & Fugues