Sheet Music Review
Paul Harris’s series of A Piece a Week books have been appearing at regular intervals over the last three years. As Faber Music now bring us the Grade 5 book, it seems appropriate to consolidate my thoughts into a single review.
I’ll start with a reminder that the books appear within the best-selling ‘Improve Your Sight Reading’ series. That said, these are not sight-reading practice books per se. While useful in the practice of sight-reading as a discrete skill, the books aim to assist in the broader development of music literacy.
In the review which follows, I will first explain the concept behind A Piece a Week, before then commenting on the actual material included in the books, including a few observations about their effectiveness based on my extensive use of them within my own studio.
Continue reading Paul Harris: A Piece a Week
Pathways for Teaching
Over the years I’ve repeatedly encountered the suggestion that music should be taught in much the same way as we have tended to assume language is acquired.
Advocates of this theory point out that:
- Firstly as babies we hear words;
- Soon we start to mimic them;
- In time, we learn to speak fluently;
- Later (perhaps several years later), we are taught to read;
- And then to write.
I’m not a linguistics expert, but I suspect that this linear sequence is somewhat over-simplistic. In any case, it is adapted by some to propose this music education equivalent:
Hear → Sing → Play → Read → Write
It has long seemed to me that finding any direct or useful equivalent between musical learning and theories of language acquisition is more difficult than some suggest. And like many experienced teachers, I have observed that those taught according to this notion don’t always develop into good music readers.
In this short article I will flirt with the complexities here by asking three important questions:
- How do music and language seem to behave differently?
- How does informal learning prepare us for formal tuition?
- Does learning always follow the same one-way sequence?
As with the initial proposition, direct answers to such questions are elusive; perhaps it is sufficient to simply acknowledge their existence. But let’s take a brief trip to this hinterland together…
Continue reading Hear, Sing, Play, Read, Write?
Sheet music Review
“When pupils can sight-read, not only do they do well in exams but (rather more importantly) it allows them to learn pieces more quickly, which frees up much of our teaching time, allowing us to concentrate on developing the musician. Ultimately, it gives them independence: they are able to learn music on their own – the greatest gift we can give.”
So says best-selling author Paul Harris in the introduction to Improve your sight-reading: Teacher’s Book – latest addition to his ever growing Improve Your Sight-Reading series, just published by Faber Music.
Written to work alongside the well-known, long-published Improve your sight-reading ‘pupil’ books, the Teacher’s Book mirrors the introduction of keys and concepts in those, as well as offering useful tips for teachers.
Most important of all, the Teacher’s Book includes dozens of new progressive practice tests for each of Grades 1-5, which can be used in lessons to complement the use of the pupil books for home practice.
As such, the book offers the potential to elevate what was already a great resource into a more complete sight-reading system which bridges both lesson and home use.
Let’s find out how well it succeeds in this aim…
Continue reading Improve your sight-reading!