The Makings of a Superstar

An interview with teenage piano sensation Eva Gevorgyan.

At the tender age of just 14, Russian pianist Eva Gevorgyan has astonished audiences across Europe, Israel and the USA with her deeply felt musicality, dazzling technique and mature musical intelligence.

A student at the prestigious Central Music School for Gifted Children at the Moscow Conservatory since she was six years old (where she studies with Natalia Trull), Eva is gaining recognition as one of the brightest stars to emerge from Russia in recent years.

In 2019, Eva became the Discovery Winner at the ICMA (International Classical Music Awards). She is among 24 pianists who went through to the 1st round of The Cliburn Competition, and was named a piano student-in-residence at the Verbier Festival this year.

Here she is performing Liszt’s Rhapsodie espagnole, S.254:

Eva has performed for the Italian President, and recently quizzed Russian President Vladimir Putin in a live TV debate about possible reforms for the Specialist Music education in her homeland.

It was a privilege to witness her first UK performance, recently held in the Elgar Room at London’s prestigious Royal Albert Hall, and one of the highlights of this year’s Elena Cobb Star Prize Festival.

Afterwards, with Elena’s support as a translator, I was able to chat with Eva backstage…

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EVC @ the RAH

Pictured (from the left) – Andrew Eales, Elena Cobb, Lindsey Berwin and Heather Hammond.

We often hear of a decline in music education within UK state schools – and without doubt, over the last 25 years of teaching I have witnessed a steady but undeniable diminuendo in the musical life of local schools here, often despite best intentions.

How wonderful, then, to see buoyant evidence of enthusiasm for music among young people – as was most certainly and robustly the case when I attended the Elena Cobb Star Prize Event at the Elgar Room in London’s prestigious Royal Albert Hall last week.

Here was a showcase of great playing delivered by young people from around the UK and beyond, each performing and clearly relishing music by a host of living writers, and in many cases in the very presence of those composers.

Continue reading EVC @ the RAH