A Common Approach 2022

Supporting teachers • Promoting learning
Written by Andrew Eales


Originally published in 2002, A Common Approach is perhaps the ultimate instrumental music teaching manual, offering a complete curriculum and extensive lesson activities for most instruments, including separate schemes of work for piano and electronic keyboard.

Now it has just been fully revamped and made available as an updated, free online resource to support instrumental teachers everywhere. Whether working privately or in a school, all piano and keyboard teachers would do well to have a look at this extensive and superb material.

According to its publishers Music Mark,

“A Common Approach is an online resource to support music educators in their teaching practice and help develop a holistic approach to music education. Relevant to all vocal and instrumental teaching, including individual, small-group, large-group and whole-class lessons, music educators at all stages of their career can use the support and shared learning found in A Common Approach.”

Music Mark Chief Executive Bridget Whyte tells us,

“Twenty years after the original version of A Common Approach was published, Music Mark has worked with a skilled team of music tutors from across the UK to update and enhance this valuable teaching tool. Containing both universal guidance and instrument-specific content, this online resource not only provides a great starting point for trainee and early-career tutors, but also gives those who are more experienced the opportunity to reflect on their practice.”

This has particular interest to me because back in 2002, I was a member of the national steering group who put together the original version of A Common Approach which provides the ongoing foundation of this update.

It’s therefore time both to take a short stroll down memory lane, and to consider how the updated version of this milestone resource can help piano teachers today…

Continue reading A Common Approach 2022

Leon McCawley: Haydn Sonatas

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Artist photo: Anna Paik

Haydn’s Piano Sonatas (he composed more than 50, but academics lack certainty about the provenance of some) must be of all the great bodies of “core repertoire” still one of the least programmed. Respected by all but advanced by fewer, the Sonatas perhaps suffer from being perceived as too intimate for larger concert halls, too athletically lacklustre for the endless competition circuit, and thus difficult to market.

Whatever the justification for this neglect, the Sonatas have fared better on disc. In particular, John McCabe’s celebrated complete survey for Decca in the 1970’s has long been, for me at least, not simply a benchmark interpretation but one of my most treasured piano boxed sets.

There have been some fine recordings of Haydn in more recent years, too, notably from Jean-Efflam Bavouzet, Yevgeny Sudbin and Paul Lewis, but none so far that have compelled me to loosen my grip on my beloved McCabe set. Until now.

SOMM have just released the fourth volume in British pianist Leon McCawley’s ongoing cycle, and in my view it is shaping up to be a new milestone, The One to go for in this increasingly populated field…


Continue reading Leon McCawley: Haydn Sonatas