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Jean Sibelius (1865-1957) is best known for his seven Symphonies, ever-popular Tone Poems and brilliant Violin Concerto; many pianists are unaware that he also wrote prolifically for our instrument.
Although Finland’s greatest composer famously declared that he didn’t like the piano and only composed for the instrument to generate income, he wrote more than 150 solo works, predominantly miniatures, and in many cases works of tremendous musical value and appeal.
Among these many works, the Three Sonatinas Op.67 are later pieces which fully embody the compressed craftsmanship and musical language of the mature Sibelius.
Published by Breitkopf & Hārtel, the benchmark edition is the Complete Edition of Jean Sibelius Works, series V Works for Piano, edited by Karl Kilpeläinen and published in 2008. Happily, Breitkopf have now released the Three Sonatinas as an individual folio, the subject of this review…
Continue reading Sibelius: Three Sonatinas Op.67
Supporting Educators • Promoting Learning
Written by ANDREW EALES
An article on the BBC News website last weekend highlighted an interesting controversy from the world of education: Do we need to teach children joined-up handwriting? The issue is back in the news because the US state of Illinois has passed a law requiring school students to learn “cursive” (joined-up handwriting), overriding the governor’s veto.
Elsewhere in the US and in some other countries schools have dropped the skill from the curriculum, or made it optional.
Certainly some teachers and parents are concerned that the introduction of joined-up handwriting can prove to be a significant roadblock in childrens’ education.
And the BBC article points out that few adults ever use joined-up handwriting; most of us rarely write by hand at all, except for the occasional shopping list or post-it note. The block hand-writing of a young child is sufficient for this, given that most of us use electronic devices, apps and software for any serious written communication.
The same arguments about educational roadblocks and 21st-century relevance might be made with regard to teaching music pupils to write fluent, accurate and detailed music notation by hand:
Continue reading Should we still teach students to hand-write music?
Should we be teaching students to write music by hand at all?