Exploring the Piano Music of Nikolai Kapustin

Kapustin’s extensive catalogue of solo piano music is increasingly recognised as one of the significant landmarks of the contemporary recital repertoire.

In an earlier review, Discovering the Piano Music of Nikolai Kapustin, I had a look at two contrasting works, the fiendishly difficult Sonata No.6 Op.62 (1991), and the more accessible (and now highly popular) Sonatina Op.100 (2000), new editions of which Schott Music had recently released.

Since then, Schott have been continuing to refresh the Kapustin catalogue (theirs since 2013) with new editions of his solo works appearing at regular intervals.

In this follow-up I will be giving a quick round-up of all the latest arrivals. Of these it must be noted that even the least assuming pieces here are rightly classified as “virtuoso”, being at least Diploma level in difficulty.

In all cases, these works are fully scored-out compositions in the classical vein, but heavily imbued with the language, techniques and aesthetics of contemporary jazz, leaning on influences that encompass modern jazz piano icons from Thelonious Monk to McCoy Tyner and beyond.

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Rachmaninov: Second Sonata

Sheet Music Review

Rachmaninov’s Sonata No.2 in B flat minor Op.36 is one of those gargantuan masterpieces generally only attempted by those with a truly titanic technique.

But for anyone interested in playing, studying or getting to know the work, Dominik Rahmer’s brand new edition for Henle Verlag will be of profound interest.

As connoisseurs of the Sonata will probably know, there are two versions: the original 1913 version published in 1914, and the composer’s major revision published in 1931.

For this Henle publication, Rahmer has produced not one but two brand new urtext editions, printed one after the other for comparison.

Adding further enticement, fingering is provided by none other than the revered concert pianist Marc-André Hamelin. So let’s have a look…

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