Fazil Say has established himself as one of the leading pianists and composers of his generation, but his multifaceted talent has sometimes left critics as perplexed as audiences are thrilled. He’s a hard man to categorise!
Say is equally at home performing and recoding the complete Sonatas of Mozart (released by Warner Classics in 2016 and available here) as he is when playing his own highly distinctive and imaginative compositions.
It is the latter which in my view confirm Say’s place in the upper echelons of the classical tradition, however. I love pieces such as the scintillating 1001 Nights in the Harem (a four-movement Violin Concerto), and the Hezarfen Concerto for Ney and Orchestra.
These have recently been joined on the top shelf by the stunning Troy Sonata, a near-40-minute solo piano work in ten movements, included as the centrepiece of his latest release, Fazil Say plays Say.
Say’s music has a vivid cinematic approach to storytelling, and draws on a smorgasbord of influences, from late Romanticism through to experimental modernism, while incorporating the colours of modern jazz: all unmistakably and decisively shot through with the spirit and culture of his native Turkey.
It makes for a unique and intoxicating blend with which, like his greatest composing forebears, Say’s personal voice emerges from an accomplished fusion of musical reference points.
Fazil Say Plays Say brings together a thrilling selection of Say’s most recent (and I believe finest) solo piano works. It’s an easy choice for Recording of the Month…Continue reading Fazil Say Plays Say