Wolfgang Amadeus Mozart

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Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire.

A couple of years ago, a newly resurfaced section of the lost autograph prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece, which appeared as edition BA 9186.

Now, another source has surfaced with the appearance of a previously unknown contemporaneous copy of the complete manuscript, which has prompted the esteemed publisher to update their urtext edition again.

The newly discovered source by a professional Viennese copyist sheds new light on the numerous discrepancies between autographs and first editions of many Mozart sonatas. It supports the assumption that the revision of the text for the first edition resulted from the change of target group from Mozart’s inner circle to an audience of connoisseurs and amateurs, but that this did not render the original autograph text obsolete; rather, both versions of the sonata represent historical realities.

According to the publishers,

“To achieve a truly faithful scholarly-critical performance edition of Mozart’s sonata, the editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time by presenting the musical texts of the autograph and the original print separately without merging the sources editorially to a new text. On the basis of the newly discovered source, it is possible for the first time to reconstruct the autograph of this famous sonata and offer it to the performer as a self-contained playable version.”

Exciting stuff, so let’s take a closer look!

THE PIANODAO MUSIC LIBRARY

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The Music Book for Maria Anna “Nannerl” Mozart (compiled by Leopold Mozart in 1759) and Wolfgang Amadeus Mozart’s London Sketchbook (1764) are surely established at the very pinnacle of the pedagogic keyboard repertoire, their status secure alongside Bach’s Anna Magdalena Notebook, Schumann’s Album for the Young and Bartók’s For Children.

And yet, honestly, how many piano teachers are truly familiar with the contents of these collections, beyond the few favourites that are regularly cherry-picked for exam syllabi and educational repertoire collections? I’m certainly willing, if hardly happy, to plead guilty to the charge of somewhat overlooking this music.

But it turns out that there is a good reason why most of us don’t know these pedagogic collections inside out: while many selections of pieces from these notebooks are available elsewhere, most collections limit themselves to those written by Wolfgang Amadeus and, remarkably there isn’t a full published edition on the market.

Well thankfully Bärenreiter Urtext Edition are now rectifying this situation with a new complete publication based on the New Mozart Edition. According to the publishers,

“Until now the edition The Music Books of Mozart and his Sister has only been available as part of the boxed set of Mozart’s oeuvre for piano (BA 5749) which has gone out of print. Now for the first time, it can be purchased separately.
Based on the New Mozart Edition, this is the only publication to contain all the pieces, sketches and fragments found in the notebooks. The Foreword by the great Mozart scholar Wolfgang Plath provides valuable information on the pieces themselves and on the question of their authorship; besides Mozart’s earliest juvenilia, some of which formed the basis of later compositions, the notebooks also contain works by Leopold Mozart and other composers.”

This sounds plausibly irresistible, but as always, we’ll take a closer look …

Tag: Wolfgang Amadeus Mozart

Is this the definitive KV 331?

The Music Books of Mozart & His Sister