Kapustin’s extensive catalogue of solo piano music is increasingly recognised as one of the significant landmarks of the contemporary recital repertoire.
In an earlier review Discovering the Piano Music of Nikolai Kapustin I had a look at two contrasting works, the fiendishly difficult Sonata No.6 Op.62 (1991), and the more accessible (and now highly popular) Sonatina Op.100 (2000), new editions of which Schott Music had recently released.
Since then, Schott have been continuing to refresh the Kapustin catalogue (theirs since 2013) with new editions of his solo works appearing at regular intervals.
In this follow-up I will be giving a quick round-up of all the latest arrivals. Of these it must be noted that even the least assuming pieces here are rightly classified as virtuoso, being at least Diploma level in difficulty.
In all cases, these works are fully scored-out compositions in the classical vein, but heavily imbued with the language, techniques and aesthetics of contemporary jazz, leaning on influences that encompass modern jazz piano icons from Thelonious Monk to McCoy Tyner and beyond.
Yuja Wang’s meteoric rise to global stardom has been one of the most extraordinary stories of the piano world over the last decade.
When her debut CD for Deutsche Grammophon was released back in 2009 she was barely in her 20’s and many (me included) raised their eyebrows at her choice of programme, opening with Chopin’s monumental B flat minor Sonata and squeezing in performances of Scriabin’s 2nd Sonata and two Ligeti Etudes before finishing with Liszt’s Sonata in B minor. As it turned out, she performed all these with aplomb, her Liszt in particular being among the very best readings recently committed to disc.
Since then, the Chinese virtuoso has recorded concerti by Rachmaninov, Prokofiev (perhaps the most emotionally gripping performance I’ve yet heard of his grief-ridden 2nd Concerto), Ravel and Mendelssohn. Her solo discs Transformation and Fantasia have delighted fans, and she has lit up the world’s greatest concert halls with her technically explosive and musically rapt playing.
Now she’s back with a new recording. The Berlin Recital was recorded live at the Berlin Philharmonie Kammermusiksaal in June 2018, and features a bedazzling programme of music by Rachmaninov, Scriabin, Ligeti and Prokofiev.
My wife Louise and I recently visited my cousin and her husband for a delightful evening meal. At some point in the evening, conversation turned to footwear, and my cousin was appalled to learn that I often wear slippers when teaching in my home studio.
Inevitably, I was quickly ganged up on, the object of much mirth. To be honest, it was a bit harsh. Jibes included:
“How old did you say you are again – 87?”
“Do you wear pyjamas and a dressing gown too?”
And even …
“Are you trying to look like Hugh Heffner?”
Now I ask you, what kind of question is that?
Gamely, I tried to defend myself with:
“…but slippers are really comfortable when playing the piano…”
But of course this quickly led to:
“So do all your pupils bring slippers to wear too?”