Can we really trust educational research?

Supporting Your Piano Pathway
Written by Andrew Eales


I recently came across an article by Elizabeth Gilbert of the University of West Virginia and Nina Strohminger of Yale University presenting their findings that only a third of published psychology research is reliable.

Another article confirms that in the field of biomedicine less than 50% of research proves reliable when the “reproducibility factor” is applied. And astonishingly, we read elsewhere that “just 11% of preclinical cancer research studies could be confirmed”.

We might well speculate as to why such a body of inaccurate “research” is being published. And let’s be clear that it is academics themselves who are drawing attention to the problem, and expressing frustration.

And if research in medicine and psychology are this unreliable, shouldn’t we equally be concerned about the research that informs educational theories and methods?

Continue reading Can we really trust educational research?

Rote Learning: a waste of time?

Supporting Your Piano Pathway
Written by Andrew Eales


“Very young beginners, of five years or under, sometimes appear to make remarkable progress at first, and can be taught up to a point by imitation or ‘rote’. A large part of their lesson is taken up with rhythmic training and singing.
In actual piano-playing they progress a certain way and then they appear to stand still and, very often, to lose interest.”

Joan Last
The Young Pianist (Oxford University Press, 1954, 1972)

Rote learning seems to be very back in vogue, and the remarkable progress which Joan Last writes of is something many teachers are familiar with. Indeed, it is perhaps because of this ‘quick win’ progress that a number of prominent writers and trainers recommend teaching by rote.

The benefits would seem to include:

  • Building pupil confidence and ongoing enthusiasm;
  • Playing more advanced, expressive, interesting and impressive music than the pupil can presently read;
  • Exploring keyboard geography and developing physical freedom;
  • Developing musical memorisation ability;
  • Providing an inclusive option for students who struggle with reading;
  • Focussing more on technique and ear training;
  • Delivering quick results that impress parents and encourage students.

With such wonderful benefits, shouldn’t we all embrace rote learning as a core element of our teaching practice?

Certainly there are many who would answer that question with a resounding “yes”, but Joan Last points to a significant fly in the ointment: after progressing a certain way, players “appear to stand still and, very often, to lose interest”.

Martha Beth Lewis, a US pedagogue with more than 50 years experience teaching children, puts it far more bluntly on her advice page for teachers:

“Position playing and rote learning are mostly wastes of time. I think such methods are used by teachers to convince the parents that the teacher is doing a good job because the child can “play a tune” very soon. Such systems do NOT serve the student.”

So let’s take a deeper look at the subject, and consider why such esteemed writers and experienced teachers have spoken out against this approach…

Continue reading Rote Learning: a waste of time?

Sound before symbol: lessons from history

Supporting Your Piano Pathway
Written by Andrew Eales


Educators often debate the relative merits of aural-based learning versus a notation-driven approach. Seeing the topic wheeled out for discussion again recently, I was reminded of a brilliant quote by legendary concert pianist Andor Földes, from his book Keys to the Keyboard written in 1950 :

“There is no such thing as a proper age for a child to start playing the piano. I avoid saying ‘to start his musical education’ because I believe that an education in music should start very early, perhaps years before the child ever actually learns how to read notes, or can find his way among the black and white keys.”

Földes’ basic point, made some four decades before George Odam’s seminal book The Sounding Symbol (1995) re-popularised the phrase “sound before symbol”, is that music is essentially an aural language, and that playing and reading must build on that foundation.

Continue reading Sound before symbol: lessons from history