Karen Marshall and David Blackwell have created some superb, FREE carol arrangements and Christmas lesson resources to accompany Get Set! Piano Christmas Crackers, which publisher Collins Music has generously agreed to host here on Pianodao!
Some of these resources appeared here in 2018, when Get Set! Piano Christmas Crackers was also published, while others are brand new for 2019…
Here’s a fabulous opportunity for teachers to come and explore some of the many great piano methods currently available and in wide circulation…
EPTA UK have organised a special event at which some of the world’s leading method book writers and publishers will present an overview of the most popular books on the market, answering the questions you may have.
Hosted at the Schott Music London store, the event is FREE, but you will need to reserve a place using the link below.
I’ll be there too, chairing discussion and introducing the day, so I look forward to seeing you there if you can make it!
As autumn nears its end, the thoughts of musicians everywhere are no doubt turning to the coming season, likely to be a musically rich one for many.
Piano players and teachers are always on the look out for fresh material, and I’m happy to remind you of two excellent collections co-written by composers Alison Mathews and Barbara Arens, Capturing the Joy of Winter, and Capturing the Spirit of Christmas.
Both were positively reviewed here when they appeared in 2016 and 2017 respectively, and it’s high time to consolidate my thoughts into a single review. So here goes…
Known professionally as Hauschka, composer Volker Bertelmann has catapulted himself into the top tier of composers. Perhaps best known for his compositions for prepared piano, Haushka has also excelled as a film composer, receiving an Oscar nomination for his soundtrack to the 2016 film “Lion”.
Hauschka’s latest album A Different Forest, a solo piano recording (with some electronic elements and treatments), was released back in February on the Sony Classical label.
There is now also a supporting sheet music publication from Bosworth Edition, distributed by Hal Leonard, the subject of this review…
Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:
“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”
It probably hasn’t escaped your notice that 2020 marks the 250th Anniversary of the birth of Ludwig Van Beethoven (1770-1827), without doubt one of the greatest composers of all time.
Inevitably, concert programmes, air waves and the media will be suitably saturated throughout the year. And the celebrations start here…
The Beethoven 2020 Diary from Bärenreiter is a simple idea, brilliantly executed. Essentially this handsomely presented pocket diary offers an overview of the man and his music, presented in daily bite-sized chunks.
And for the record, generally I chuck pocket diaries straight in the bin.. this one, however, is a definite keeper!
As is often mentioned here on Pianodao, learning to play the piano is the journey of a lifetime! And the further we travel, the more insight we gain, and the deeper our skills develop.
But… suppose you could turn the clock back to when you were a teenager… What do you really wish you had known and understood about piano playing back then?
This was the latest question I posed in the Pianodao Tea Room community, and as I suspected the answers given were many and varied. Each member contribution is, complete in itself, a heartwarming and insightful story…
Here for your interest are a selection of those contributions…
And please feel free to leave your own answer as a comment below!
“Is it possible to learn to improvise? The acclaimed jazz pianist Julia Hülsmann answers this question with a resounding ‘yes’. In volume 1 of her Modern Piano Improvisation series she presents an easy and inviting introduction to this skill. Songs are the main focus of her approach: easy arrangements of 15 jazz classics and original compositions by the internationally-renowned composer Hülsmann. Ideas and themes are given for each piece to help you to create attractive piano solos. Demo recordings and play-along backings are available as MP3 files to download.”
So reads the blurb on the rear cover of an attractive new publication from advance music, brought to us by Schott Music.
Adding excitement to the mix, author Julia Hülsmann is indeed one of the most distinguished pianists of the contemporary European jazz scene, with a string of albums on the ECM and ACT labels, including the award-winning Scattering Poems.
Undertaking a complete recording of the 32 published Piano Sonatas of Ludwig Van Beethoven (1770-1827) remains one of the monumental challenges for any concert pianist, and with the 250th anniversary of the composer’s birth next year it’s likely that the many accounts on disc will come under greater comparative scrutiny than ever.
Enter Igor Levit, who has previously impressed critics and audiences around the world both in recital and on disc. A Sony Classics artist, Levit is flying the flag for one of the world’s largest labels with his new 9CD set of the Sonata cycle, released this month.
These are interpretations which inevitably face comparison with the legendary recordings by such luminaries as Artur Schnabel, Wilhelm Kempff and Friedrich Gulda, beloved cycles by Stephen Kovacevich, Alfred Brendel and Claudio Arrau, and the more recent accounts by Paul Lewis, András Schiff, Jean-Efflam Bavouzet and (revelatory on fortepiano) Ronald Brautigam.
With such high stakes, let’s find out how Levit’s cycle fares …
You’ve surely spotted the rise-and-rise in popularity of so-called ‘new classical’ music, as championed by Ludovico Einaudi, Max Richter, Yiruma and others.
Their music seems to travel from TV shows to school concerts, and from adult piano clubs to the studios where those of us who teach students of all ages are routinely asked to help them learn River Flows in You, The Heart Asks Pleasure First, Nuvole Bianche and more.
And why not? These are expressive, melodic and reflective pieces that seem to have struck the perfect chord in our otherwise often turbulent times.
How happy, then, to find a single collection that includes so many of the genre’s top titles in one tastefully presented bumper compendium!
Contemporary Piano Masters may just offer a one-stop-solution to your ‘new classical’ needs, bringing together 40 pieces from 20 of “the world’s leading piano composers”.