Welcome to Pianodao

Pianodao is the piano music, education, and wellbeing site of teacher, writer, consultant, and composer Andrew Eales.



Summer Repertoire Project

The summer months provide plenty of shared opportunity to celebrate our Active Repertoire pieces with others. Join the Project here…

ABRSM Piano Syllabus 2027-28

As ABRSM publish their 2027-28 Piano Syllabus, the big question is whether the latest pieces will live up to the board’s high standards. That’s the question I hope to answer in the Pianodao review…

LCME Piano Syllabus 2026

LCME’s 2026 syllabus is out today, and I’ll not hesitate to declare this one of the most educationally rewarding and musically inspiring piano syllabuses I’ve seen, which is high praise indeed. Find out more here…

The Three-Dimensional Pianist

Understanding the importance of the three dimensions of musical learning, Musical Mind, Body, and Soul, empowers us to teach, learn and practise music holistically, making effective and lasting progress.


Pianodao offers over 700 articles and reviews that are FREE to access.
If you appreciate this content, please support and follow the site:



ABRSM Piano Syllabus 2027-28

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


It’s that time again: right on cue, ABRSM have published their latest piano grade exam syllabus, accompanied as usual by a raft of resources to support players and teachers. With their 2027 & 2028 piano syllabus, they promise:

  • Refreshed repertoire for Practical and Performance Grades, Initial Grade to Grade 8, with new Piano Exam Pieces books for each.
  • A separate, 68-page Teaching Notes booklet.
  • A new online Piano Learning Hub with video demonstrations and learning resources.
  • Audio recordings, available on all major streaming platforms.

They also confirm the following useful information:

  • There are no changes to the scales and arpeggios or sight-reading and aural tests for Practical Grades.
  • You can continue to use repertoire from the 2025 & 2026 Piano Syllabuses until 31 December 2027. During this overlap period you must choose all your set pieces from the same syllabus.  

The first of these points may be disappointing for educators, but given the shift towards digital performance grades won’t perhaps come as a surprise. You can read about the pedagogy problems with their scales syllabus here, and significant concerns about the validity of their aural tests here.

My coverage of ABRSM always aims for balance and impartiality, and while critical of their support tests, my reviews of their Piano Exam Pieces books have regularly heaped praise on the board. Rightly so, because in recent years they have brilliantly balanced returning favourites with new commissions and inspiring discoveries.

So the big question is whether the latest Piano Exam Pieces will live up to the board’s high standards, delivering diversity, musical quality, educational value, and genuine appeal. And having had three weeks to live with and play through all these pieces ahead of their publication, that’s the question I hope to answer.

Continue reading ABRSM Piano Syllabus 2027-28

Post-Pandemic Piano Teaching

Opinions • Guest Posts • Interviews


In this insightful guest article, best-selling author and teacher KAREN MARSHALL points to the continuing challenges faced by those whose childhood and education were disrupted by the pandemic, and offers powerful hope that through piano lessons, we can help rebuild that generation…


Back in 2023, when the dust was finally beginning to settle on those surreal lockdown years, I wrote a series of blog posts about “Post-Pandemic Piano Teaching” for the previous Musicroom site.

At the time, many of us hoped, and I was definitely one of them, that by 2026, the phrase “things will never be the same again” would have been a distant memory. Perhaps we imagined we would be back to business as usual, with the fallout of those disrupted years safely behind us?

Yet, standing here today in 2026, the reality on the ground, both as a classroom music teacher and a private piano teacher, tells a very different story. The landscape didn’t just temporarily shift; it permanently fractured.

When I first examined “lost learning” a few years ago, I focused on immediate, obvious gaps: the physical absence of live performance, the technical difficulties caused by internet lag during online lessons, and a sudden drop-off in fundamental musicianship due to the rise of performance-only digital exams.

Personally, I treated it like an emergency to be managed with quick-fix, pattern-dense repertoire, and short-term interventions. What I perhaps didn’t fully anticipate was just how long the shadow of the pandemic would be, or how unevenly its impact would be felt across society.

Continue reading Post-Pandemic Piano Teaching

Music Teaching for Special Educational Needs

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Faber Music continue to produce outstanding books to support instrumental teachers, the latest of which is Music Teaching for Special Educational Needs: a guide for instrumental teachers, written by David Baker. According to the publishers,

This is undoubtedly a timely book, and one which promises to usefully fill a significant gap in the market for an accessible introduction to these topics, so let’s take a closer look from a piano teaching perspective…

Continue reading Music Teaching for Special Educational Needs

Summer Repertoire Project

Supporting Your Piano Pathway
Written by Andrew Eales


Summer is here, and as John Kirkwood puts it in his book The Way of the Five Seasons (2016):

As nature “reaches outwards to fill as much space as it can”, we too step into a larger vista, embracing the season with outdoor events, barbecues, social gatherings with family and friends, summer courses, camps and festivals.

Continue reading Summer Repertoire Project

Why not share student images and videos?

Supporting Your Piano Pathway
Written by Andrew Eales


Scroll through your social media feeds, and if you’ve ever taken an interest in piano education it’s likely you will encounter videos of children at their piano lessons, students performing in events, and celebratory photos of them with certificates or trophies.

The desire to share such media online is understandable from a number of angles. Firstly, and most obviously, it seems entirely appropriate for parents to celebrate their children’s musical achievements on their private page in this way, and potentially for teachers and schools to do the same.

As the NSPCC put it,

Secondly, there are good reasons for teachers to share videos on forums when seeking advice from colleagues: what better way to explain a technical challenge or developmental issue when seeking an expert second opinion?

Thirdly, some teachers use pupil videos to promote their teaching. Personally, it concerns me that doing this could easily skew a teacher’s attitude towards learners who don’t enjoy performing, or result in them enforcing their own interpretation of a piece rather than nurturing the player’s own response. Nevertheless, as a colleague explained to me recently, she sees videos of pupils as her “professional portfolio”.

So why not share student images and videos online? When considering this question, we need to firstly understand that there’s a big difference between:

  • public publishing: for example, on YouTube, Instagram, Facebook, or a teacher’s public website, and
  • private sharing: such as in a secure, password-protected web space, or a private WhatsApp group.

This article pertains particularly to publishing or sharing media on public platforms, explores the reasons that so many professionals are opposed to this practice, and highlights the legal, ethical, and professional concerns that parents and teachers should all understand and mitigate if sharing student videos or images online publicly.

These are thorny and sometimes complex issues that I have had to grapple with over recent years, and investigate from a number of angles: as a teacher, business and website owner, and online forum moderator. In this article I will outline what I’ve found…

Continue reading Why not share student images and videos?

LCME Piano Syllabus 2026

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


In the rapidly changing landscape of graded piano exams, the regular appearance of new syllabus and varied repertoire publications has remained a positive constant, so when LCME’s 2021-24 piano specifications expired, it was a surprise that they were extended pending a replacement.

This appears to be because the board has undergone considerable change during and since the pandemic. With new leadership and systems now in place, LCME are firmly back, and have this week published the long awaited new piano syllabus, wisely billed as being “valid for examinations from 2026 until further notice”.

Although the new syllabus is immediately valid from 1st September 2026, the previous 2021 syllabus will also remain valid until 31st July 2027 (but mixing the two is not allowed).

In this extended review, I will consider the new repertoire selections and ‘Piano Handbook’ publications, offer insight into other significant syllabus changes and options, and reflect on LCME’s continuing place within the piano exam market.

So to answer the big question many will have, has the wait for the new LCME piano syllabus been worth it? Let’s find out…

Continue reading LCME Piano Syllabus 2026

Phillip Keveren • Jazz Preludes

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


The Phillip Keveren Series remains one of Hal Leonard’s notably popular successes, bursting at the seams with his collections of jazz and popular piano arrangements as well as original and fresh educational music.

The latest addition to the series is Jazz Preludes for Piano, which offers:

The book is suitable for late intermediate players, around UK Grades 5-6, and delivers an enjoyable introduction to playing in a variety of jazz styles, all cunningly embedded in attractive new pieces that leave the player wanting more!

So if you (or a student you teach) have an interest in developing a more instinctive grasp of jazz grooves and repertoire, this publication is very much aimed in your direction. Let’s find out more about it…

Continue reading Phillip Keveren • Jazz Preludes

Who really needs mnemonics?

Supporting Your Piano Pathway
Written by Andrew Eales


Long established as a memory tool for note reading, well-worn mnemonics such as All Cows Eat Grass and Every Good Boy Deserves Football seem to have fallen out of favour in piano teaching circles these days.

Some suggest mnemonics should be avoided altogether, claiming that they are detrimental because:

  • they add an extra step for the learner decoding notation
  • they mitigate against the development of intervallic reading, harmonic understanding, and pattern recognition
  • they don’t scale for reading ledger lines, different clefs, etc
  • they can create a level of dependency that makes the transition to fluent reading harder

These are certainly important points to consider.

But when we explore the research into the use of mnemonics, a very different picture emerges. And teachers may notice that they are often recommended for learners who are dyslexic or with neurodiversity such as ADHD.

So what is the truth of the matter: are mnemonics useful, and if so for whom? Perhaps a balanced reassessment of the topic, grounded in academic and scientific research, is overdue. So let’s begin with the science bit…

Continue reading Who really needs mnemonics?