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Pianodao is the piano music, education, and wellbeing site of teacher, writer, consultant, and composer Andrew Eales.



Summer Repertoire Project

The summer months provide plenty of shared opportunity to celebrate our Active Repertoire pieces with others. Join the Project here…

How to Practise Music

Accessible and authoritative, HOW TO PRACTISE MUSIC is Andrew’s highly acclaimed book of tips for anyone who wants to get more out of their practice.

LCME Piano Syllabus 2026

LCME’s 2026 syllabus is out today, and I’ll not hesitate to declare this one of the most educationally rewarding and musically inspiring piano syllabuses I’ve seen, which is high praise indeed. Find out more here…


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Summer Repertoire Project

Supporting Your Piano Pathway
Written by Andrew Eales


Summer is here, and as John Kirkwood puts it in his book The Way of the Five Seasons (2016):

As nature “reaches outwards to fill as much space as it can”, we too step into a larger vista, embracing the season with outdoor events, barbecues, social gatherings with family and friends, summer courses, camps and festivals.

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Why not share student images and videos?

Supporting Your Piano Pathway
Written by Andrew Eales


Scroll through your social media feeds, and if you’ve ever taken an interest in piano education it’s likely you will come across videos of children receiving tuition, students performing in events, and celebratory photos of them with certificates or trophies. The desire to share such media online is understandable from a number of angles.

Firstly, and most obviously, it seems entirely appropriate for parents to celebrate their children’s musical achievements on their private page in this way, and potentially for teachers and schools to do the same.

As the NSPCC put it,

Secondly, there are good reasons for teachers to share videos on forums when seeking advice from colleagues: what better way to explain a technical challenge or developmental issue when seeking an expert second opinion?

Thirdly, some teachers use pupil videos to promote their teaching. I am less comfortable with this, concerned it could skew our attitude towards learners who don’t enjoy performing, and lead to prescriptive teaching in which we might tend towards cloning our interpretation of music rather than nurturing our pupils’ own response. Nevertheless, as a colleague explained to me recently, she sees videos of pupils as her “professional portfolio”.

We should note that there’s a big difference between

  • public publishing: for example, on YouTube, Instagram, Facebook, or a teacher’s public website, and
  • private sharing: such as in a secure, password-protected web space, or a private WhatsApp group.

This article pertains particularly to publishing on public platforms. Why are many professionals opposed to the practice of sharing images and videos of piano students publicly online?

And what are the legal, ethical, and professional concerns that teachers and parents should understand and consider carefully before we post or share media online?

These are questions that I have had to grapple with over recent years, and look into from a number of angles: as a teacher, business and website owner, and online forum moderator. In this article I will outline what I’ve found…

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LCME Piano Syllabus 2026

Selected and Reviewed by Andrew Eales
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In the rapidly changing landscape of graded piano exams, the regular appearance of new syllabus and varied repertoire publications has remained a positive constant, so when LCME’s 2021-24 piano specifications expired, it was a surprise that they were extended pending a replacement.

This appears to be because the board has undergone considerable change during and since the pandemic. With new leadership and systems now in place, LCME are firmly back, and have this week published the long awaited new piano syllabus, wisely billed as being “valid for examinations from 2026 until further notice”.

Although the new syllabus is immediately valid from 1st September 2026, the previous 2021 syllabus will also remain valid until 31st July 2027 (but mixing the two is not allowed).

In this extended review, I will consider the new repertoire selections and ‘Piano Handbook’ publications, offer insight into other significant syllabus changes and options, and reflect on LCME’s continuing place within the piano exam market.

So to answer the big question many will have, has the wait for the new LCME piano syllabus been worth it? Let’s find out…

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Phillip Keveren • Jazz Preludes

Selected and Reviewed by Andrew Eales
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The Phillip Keveren Series remains one of Hal Leonard’s notably popular successes, bursting at the seams with his collections of jazz and popular piano arrangements as well as original and fresh educational music.

The latest addition to the series is Jazz Preludes for Piano, which offers:

The book is suitable for late intermediate players, around UK Grades 5-6, and delivers an enjoyable introduction to playing in a variety of jazz styles, all cunningly embedded in attractive new pieces that leave the player wanting more!

So if you (or a student you teach) have an interest in developing a more instinctive grasp of jazz grooves and repertoire, this publication is very much aimed in your direction. Let’s find out more about it…

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Who really needs mnemonics?

Supporting Your Piano Pathway
Written by Andrew Eales


Long established as a memory tool for note reading, well-worn mnemonics such as All Cows Eat Grass and Every Good Boy Deserves Football seem to have fallen out of favour in piano teaching circles these days.

Some suggest mnemonics should be avoided altogether, claiming that they are detrimental because:

  • they add an extra step for the learner decoding notation
  • they mitigate against the development of intervallic reading, harmonic understanding, and pattern recognition
  • they don’t scale for reading ledger lines, different clefs, etc
  • they can create a level of dependency that makes the transition to fluent reading harder

These are certainly important points to consider.

But when we explore the research into the use of mnemonics, a very different picture emerges. And teachers may notice that they are often recommended for learners who are dyslexic or with neurodiversity such as ADHD.

So what is the truth of the matter: are mnemonics useful, and if so for whom? Perhaps a balanced reassessment of the topic, grounded in academic and scientific research, is overdue. So let’s begin with the science bit…

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Piano Tales for Winnie-the-Pooh

Selected and Reviewed by Andrew Eales
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With the popularity of her OUP collections, and her many contributions to the ABRSM piano and jazz syllabus, Nikki Iles has become a near ubiquitous voice in contemporary music education, her distinctive writing a permeating presence in piano publications.

Fans of her music (of whom I am certainly one) will give a warm welcome to the truly delightful pieces in her latest collection from EVC Music, Piano Tales for Winnie-the-Pooh. The book follows in the footsteps of her previous Piano Tales for Alice (UK Grades 1-3, reviewed here), and Piano Tales for Peter Pan (Grades 3-5, reviewed here).

Rather than rounding off her trilogy with an advanced collection as might have been predicted, Piano Tales for Winnie-the-Pooh delivers a selection of new compositions suitable for elementary to intermediate pianists. Let’s find out more…

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Piano Player • Anime

Selected and Reviewed by Andrew Eales
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Faber Music’s Piano Player series has been a welcome success of recent years, each handsome collection in the growing set showcasing the distinctive artwork of Edward Bawden (1903-1989) while offering an appealing variety of music within.

For information about previous titles, read my reviews here.

The cycle appeared to run its course with the release of all titles originally announced, but now enters a new era with two new collections. These no longer sport Bawden’s artwork, but otherwise retain the series aesthetic.

Likely to be particularly popular, Piano Player: Anime curates nineteen themes from Japanese anime soundtracks, arranged for solo piano…

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Echoes of the Orient

Selected and Reviewed by Andrew Eales
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In the last three years, I have reviewed five collections of intermediate piano music by the UK-based Malaysian piano teacher Angeline Bell, during which time she has quickly established her name as an educational composer. Her accessible pieces have also begun to feature on streaming sites and on the radio, where their warm, relaxing vibe is proving popular.

Bell’s sixth and latest publication is Echoes of the Orient. The score again appears from Editions Musica Ferrum, with cover artwork by Rebecca Harrie to match Bell’s previous Notebooks, but this time there is also a CD recording of the music by upcoming concert artist Katie Yao Morgan on the ARC Music Productions label, distributed by Naxos World.

These pieces were composed with early advanced performers in mind, and evoke Bell’s nostalgic reflections and personal recollections of growing up in East Asia. As such, this is a very different collection to its predecessors, so let’s take a look…

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