Early Intermediate Repertoire

Piano Music of Black Composers

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“For far too long, the contributions of Black composers in the piano repertoire have not been brought to the forefront. Despite a persistent wave of great scholarship to bring awareness of these composers to light, only recently has there been deliberate inclusion of their works. Even with more awareness and attempts for inclusion, the myth that there is only piano music by Black composers for advanced pianists remains…
Finally there is a pedagogical piano collection that celebrates Black composers as pedagogues and gathers together piano music that can be enjoyed by the most novice beginning piano students through their musical progress.”

So writes Leah Claiborne in the compelling introduction to her two new music collections, Expanding the Repertoire: Piano Music of Black Composers, published worldwide by Hal Leonard.

Leah Claiborne

Let’s take a look…

Calming Piano Solos

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Hal Leonard recently issued two editions (respectively offering 35 “Piano Solo” pieces and 19 arrangements for “Easy Piano”) of the unambiguously named collection Calming Piano Solos.

I can guess what some readers are thinking, and yes, I Giorni and Una Mattina are present and correct. But before you jump to the wrong conclusion and give up reading further, it’s worth noting that these books are something of a surprise, offering a wealth of fresh and appealing titles.

The first clue that these books would be different was, for me, the front cover promise which reads,

“…beautiful solos including:
The Approaching Night • Butterfly Waltz • Love’s Return • Sea Change • When Morning Comes • Winged Melancholy…”

Hmm, excuse my ignorance, but… say what?

Sam Wedgwood’s Project

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I am just back from the Elena Cobb Star Prize Festival, an event organised each year by EVC Music and held in the Elgar Room at London’s iconic Royal Albert Hall. Young players from around the world are invited to take part, performing music predominantly handpicked from the EVC catalogue, this year including performances from youngsters from as far afield as Canada, the USA, Colombia, the UK, Ukraine, and even Australia.

From a personal perspective, the Festival offers a golden opportunity to hear music from the many EVC publications that I have reviewed here brought brilliantly to life in superb performances, many accompanied by a professional house band, which further adds to the sense that this is a uniquely brilliant and life-changing event for families taking part.

For 2023, the programme included several pieces composed by Sam Wedgwood, whose Next Level collection I previously reviewed here, but who has previously also published two books under the title Sam Wedgwood’s Project, which I will retrospectively introduce and review now.

Simply put, I really enjoyed the performances of these pieces. So let’s find out more about Sam Wedgwood’s Project…

Naoko Ikeda • The Graded Collection

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Following the success of my series of three Graded Gillock collections published by Willis Music last year, I was delighted to be asked to compile a companion collection showcasing the wonderful music of Japanese composer Naoko Ikeda. The collection, now available from Willis Music, can be purchased from the Musicroom website here.

Naoko Ikeda: The Graded Collection includes 24 of Ikeda’s best solo piano pieces, organised in approximate order of difficulty and appropriately grouped according to the UK Grade system from Grade 2 to Grade 5 level.

These stunning pieces would make wonderful selections as “own choices” in Performance Grades, and with six pieces for each of the four grades covered, they provide a rich feast to enhance the player’s development throughout their intermediate playing years.

The pieces have been chosen to offer a flavour of the musical range of this fine composer, ranging from jazz and pop ballads to emotive pieces infused with the musical language and imagery of Japanese culture.

In the introduction that follows I will offer background to the collection in greater depth, as well as including my own piano recordings of 8 of the 24 pieces, which give a varied, representative preview of the collection.

You will also hear from Naoko Ikeda herself, as she shares about her creative journey in her own words…

Piano Music by Women Composers

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After several decades in which music by women composers was largely overlooked by those compiling piano anthologies, concert programmes, exam and festival lists, the recent renaissance of interest can be warmly welcomed as a necessary recalibration, and one which continues to bring to light many wonderful treasures.

Gail Smith’s pioneering Women Composers in History anthology (2013, Hal Leonard, available here) paved the way for more recent collections from Melanie Spanswick (reviewed here) and Karen Marshall (reviewed here). These ‘voices in the wilderness’ certainly piqued our interest, introducing piano enthusiasts to many names that we had been unaware of.

If those collections were the harbingers of change, two new anthologies compiled by Immanuela Gruenberg (again published by Hal Leonard) deliver a confident musical consummation of that promise, a tour de force of truly stunning classics.

Delivered with mature confidence and polished professionalism for a mass global market, these slick collections herald a watershed moment. Join me as I discover Piano Music by Women Composers…

The Jazzin’ About Anthology

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When I began teaching in the 1990’s, Pam Wedgwood’s Jazzin’ About books were very much the rage, the latest thing that every student wanted to play. The series (as it then was) comprised just a handful of books, but over the years it has burgeoned and in the process clocked up more than half a million sales. Wedgwood’s pieces have become perennial favourites.

Latest addition, The Jazzin’ About Piano Anthology, brings together 41 of Pam’s favourite pieces from across the series, presented progressively in one volume from early elementary to intermediate level (UK Initial to Grade 5). Publishers Faber Music tell us that the book includes six new pieces specially composed for this edition, plus duets and online demonstration audio performed by the composer.

“So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz!”

Let’s dig in…

Discovering Burgmüller

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Burgmüller’s three collections of piano etudes, Op.100, Op.105 and Op.109 have been cornerstones of the piano pedagogy literature for over a century and a half, and remain as popular today as ever.

In this short article I will look at each of the three, share my own recordings of Op.100, compare and recommend good editions for those wanting to study these brilliant pieces.

Piano Grades Are Go! Grades 2-3

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I was genuinely excited by the arrival of the first book in Victoria Producer’s Piano Grade Are GO! series from EVC Music, writing in my review that the collection was:

“that rarest of beasts: a genuinely stunning music book for elementary players.”

My enthusiasm for the book remains undiminished, and I suggest you read that review before progressing to this one: many of the points I wrote about the goals and content of the first book equally apply to the second…

So what about this second collection? Well, it offers 21 new pieces suitable for players at UK Grades 2 and 3 level. Read on to find out more…

Kassern • Candy Music Box

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MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing educational piano music by Polish composers. Captivated by my new musical discoveries, I have continued to independently explore and review the music of Chopin’s land…

PWM Edition continue to revive outstanding pedagogic piano music from their rich archives, most recently bringing us a colourful new edition of Kassern’s wonderful Słodki Kramik, or Candy Music Box.

Appearing in PWM’s superb CAT series and in landscape format, the book delivers 12 character pieces with a confectionary theme, suitable for early intermediate players, around UK Grades 3-4…

My Quirky & Lyrical Notebooks

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It is always great to discover a new composer whose music makes an immediate and impressive mark. As reviewers, it’s perhaps these moments we look forward to the most.

In this review, I am happy to recommend two recently published music books by Angeline Bell, a Malaysian piano teacher based in the UK, who only discovered her gift for composing in March 2022 when, having contracted Covid she was forced to take time away from her usual teaching schedule.

Encouraged by her friends, Bell approached Editions Musica Ferrum owner Nikolas Sideris, who agreed to publish her music. Further spurred on by his enthusiasm, Bell quickly composed 40 pieces which she and Sideris have divided into two contrasting piano collections (suitable for intermediate players at around UK Grades 3-6), the subject of this review…