Graded Anthologies

The Beatles • Graded Pieces

Selected and Reviewed by Andrew Eales
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With last year’s publication of Calming Christmas Carols for Graded Piano, Willis Music Company introduced the fresh and rather neat idea of curating an anthology of popular music, presented in arrangements suitable for players from Grades 1-5, divided into sections that progress accordingly.

In my review, I noted:

“Cleverly, and rather uniquely positioned as the progressive collection to which learners can reliably return each year throughout their Elementary to Intermediate piano journey, and thus maximising the book’s continuing value to teachers, learners, and parents, the concept is certainly attractive.”

I’m not surprised to see Hal Leonard visit this useful and inspiring concept, this time delving into the enduring songbook of The Beatles for material, and with ace arranger Christopher Hussey on board, whose name you may recall from the brilliant Gradebusters! series, which I have reviewed here.

From me to you, here’s my review…

Edition Peters Piano Classics

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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In recent years, Edition Peters have published biennial Piano Anthology collections of exam pieces linked to each new ABRSM syllabus, recently adding Grade 5, 6, and 7 volumes to their popular, long-standing Grade 8 series.

These offer great value, and a broader range of music than the exam board’s own Selected Exam Piece publications. You can read my review of the 2025-26 Edition Peters Piano Anthologies here. I have often recommended these useful collections, and it is only a pity that due to regular syllabus changes, they have a short shelf life.

Sound the trumpet, strike the drum, and give a warm welcome to the recently arrived Edition Peters Piano Classics. Unshackled from any specified syllabus, this sturdy anthology has been designed for longevity, and offers a compelling selection of repertoire that will surely have wider international appeal, beyond just those taking UK grade exams.

Presenting a judicious selection of 32 “selected examination and performance pieces“, with scores revived from their past and present Edition Peters Piano Anthology publications, this bumper compendium offers a broad range of core classics suitable for the advancing player at around Grade 8 level.

Read on for a full list of pieces (including their previous ABRSM grading), and my general thoughts about this hugely rewarding anthology…

Junior Performer

Educational Resources

Selected and Reviewed by Andrew Eales
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Pam Wedgwood’s Up Grade! series from Faber Music has been a fixture of the piano education library for many years, and one of her most understandable successes. Based on a simple concept of offering “light relief between the grades”, the books have proved a popular step in the pianist’s development.

Entering the same space, The Willis Music Company have just released a new set of books from Christopher Hussey which give the concept of “between grades” repertoire a welcome update. Junior Performer includes three books, each covering two grades, thus bridging the gaps from Beginner to Grade 5.

Rather boldly describing itself as “The Perfect Resource for Between Piano Grades”, the series clearly has ambitions, and I have already heard from Pianodao readers keen to know how well it succeeds…

Edition Peters Piano Anthologies

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Following the launch of ABRSM’s 2023-24 syllabus, Edition Peters built on the success of their regular Grade 8 Piano Anthology series by issuing anthologies for Grades 5, 6, 7, and 8. At the time, I noted:

“Whatever one thinks of graded exams, there’s no denying that the ABRSM piano syllabus offers a stunning and helpfully progressive view of the rich and varied piano repertoire. And if their own publications open too small a window through which those wondrous joys might be discovered, the widescreen presentation Edition Peters offer with these anthologies must surely be welcomed with the broadest of smiles.”

With the advent of the 2025-26 ABRSM syllabus, which I have reviewed in depth here, Edition Peters (now under the roof of Faber Music) have returned with a new set of anthologies to supplement the latest syllabus.

It should be noted that there is a one-year overlap of syllabi, meaning that the older anthologies will (alongside ABRSM’s own piano exam piece books for 2023-24) remain valid until December 2025.

But what of the new anthologies? Here as always is my first in-depth look at them, including a detailed comparison between the ABRSM and Edition Peters books. For those on a budget, which is the better purchase, and why? Let’s find out…

The Gradebusters Series

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Grade exams getting you down?
Who are you going to call?… GRADEBUSTERS!!

Gradebusters is a cheekily-titled series from Hal Leonard, which launched in 2019 with Grade 1 books for piano, violin, cello, flute, clarinet, trumpet, alto and tenor sax.

The series now encompasses five solo piano books, respectively for Grades 1 to 5, each delivering “15 awesome solos”, and together serving up a rich feast of 75 universally popular and neatly arranged songs that piano players everywhere will be keen to play.

The Joy of Graded Piano

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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The Joy of Graded Piano is a set of five deluxe repertoire collections newly published by Yorktown Music Press, and heralds the return of one of the most iconic piano series of all time.

The five books cover Grades 1-5, offering an enjoyable and well-rounded introduction to the astonishing riches and greatest composers of the piano repertoire.

“Attractively presented from cover to cover, these are among the best graded collections currently available.”

Pianist Magazine

Denes Agay’s original Joy of… piano books are one of the great achievements of music publishing. They began to appear in 1955, and he went on to produce more than 50 titles for the series, collectively selling millions of copies. These books remain popular with piano students, players, and teachers around the world to this very day, although much else has changed.

This new series of graded piano anthologies builds on that remarkable legacy with care, drawing together new titles to reflect developments in piano education and musical preferences that have occurred within the intervening decades.

It is a pleasure and a privilege to have worked with the publishers on the development of this series over the last three years:

selecting the 120 included works
editing them afresh, looking to the most authoritative sources, and adding new fingering where needed
writing background notes and practice tips for each and every piece across the series

Using the UK grade exam system as a guide, I have tried to ensure each book in the series offers a wide selection of repertoire, including many of the “greatest hits” of the Baroque, Classical and Romantic piano literature, alongside brilliant newer pieces composed by women and men from all around the world, right up to the present day.

ABRSM • Piano Inspiration

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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ABRSM Publishing continue to focus on bringing out superb anthologies for different instruments and levels, widening the scope of developing players’ musical engagement. Their recent publishing successes for piano have included the three jazz collections Nikki Iles and Friends and the superb Pop Performer books which arrived last year.

Now they bring us two new anthologies of solo piano repertoire, curated by concert artist Isata Kanneh-Mason. These are notable collections which, for reasons I will unpack in this review, immediately rise to the top of my pile of recommended piano publications.

The first book is suitable for intermediate players in the Grade 4-6 bracket, the second for more advanced players, Grades 7-8+ (ARSM). Refreshingly, but potentially frustrating for some, the specific grade levels of the individual pieces are not stipulated, even though ABRSM twice suggest on the covers that the pieces can be used as own-choice repertoire in their Performance Grades.

Kanneh-Mason’s selections mix surprise with delight, novelty with familiar favourites, delivering an intoxicating and diverse blend of music that quite simply belongs on the piano of every player working at these levels.

Having already given a rough outline and positive verdict, I will shortly go on to list the musical contents of each book, describe the publications for the benefit of those unable to inspect them in a music store, and attempt to frame these volumes in their broader context…

Why use Graded Anthologies?

Pianodao Articles • Full Archive

Supporting Your Piano Pathway
Written by Andrew Eales

It’s no secret that I have a somewhat ambivalent attitude towards graded music exams. Certainly, many of my students have found them positive, and over the years it’s been a joy to watch players that I have taught getting distinctions, with plenty of success stories across all eight ABRSM grades and beyond.

But while supporting independent assessment for its recognition and celebration of achievement, I am less enthusiastic about the extent to which a syllabus can skew the curriculum and compartmentalise learning. Worse, pressure (explicit or implicit) to take regular exams can for some cast a long shadow over what should be a joyous journey.

When it comes to graded anthologies however, I am absolutely a fan! These seem to me to offer most of the benefits of a progressive graded system, with few of the problems that mitigate against effective musical learning, and none of the exam-based issues that can so easily discourage and demotivate players.

Here are four key benefits of using graded anthologies which I value, and which students have clearly found helpful over the years, followed by recommendations of some of the very best graded anthologies available today.