The Easiest Gillock Pieces

Selected and Reviewed by Andrew Eales
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When I compiled the Graded Gillock series for The Willis Music Company, a decision was made early on to focus on three books covering Grades 1-6, two grades per selection. You can read about those collections here, which have already become popular with teachers and students alike.

William Gillock (1917-1993) also composed a wealth of music for beginners, so it is a special joy to welcome a new collection from Willis Music. The Easiest Gillock Pieces brings together a careful selection of 31 of his pieces for pre-Grade 1 players.

This new collection complements the Graded Gillock series by covering the earlier stages of learning and opening up the prospect of players discovering the composer’s beginner music.

Better still, it includes brand new duet parts: optional accompaniments which have been newly composed by Gillock’s famous protégé Glenda Austin, whose own music I have reviewed here. So is this now an indispensable book for younger beginners?

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Pianoworks • Meditations

Selected and Reviewed by Andrew Eales
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Janet and Alan Bullard’s Pianoworks series of older beginner books have long been a staple within my teaching studio. The two method books provide a solid introduction to musical understanding, piano technique and creative musicianship, while the supplementary repertoire collections are among the most popular I have ever used, whether alongside the method or independently.

It’s been a while since the series expanded, but the Bullards are back with a new collection, sporting a fresh new look which I am told will be adopted by the whole series as each title goes to reprint. According to the publishers,

Pianoworks Meditations is a brilliant collection of gentle and reflective pieces for the older beginner. Written with a focus on playing for enjoyment, these 24 original pieces guide the player through a range of styles, while aiding in relaxation and mindfulness.”

Having played through the collection I am happy to confirm that they are as beautifully crafted as the original music which the Bullards previously sprinkled throughout the Pianoworks series, but let’s take a closer look…

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Piano Tales for Winnie-the-Pooh

Selected and Reviewed by Andrew Eales
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With the popularity of her OUP collections, and her many contributions to the ABRSM piano and jazz syllabus, Nikki Iles has become a near ubiquitous voice in contemporary music education, her distinctive writing a permeating presence in piano publications.

Fans of her music (of whom I am certainly one) will give a warm welcome to the truly delightful pieces in her latest collection from EVC Music, Piano Tales for Winnie-the-Pooh. The book follows in the footsteps of her previous Piano Tales for Alice (UK Grades 1-3, reviewed here), and Piano Tales for Peter Pan (Grades 3-5, reviewed here).

Rather than rounding off her trilogy with an advanced collection as might have been predicted, Piano Tales for Winnie-the-Pooh delivers a selection of new compositions suitable for elementary to intermediate pianists. Let’s find out more…

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First Steps Piano

Selected and Reviewed by Andrew Eales
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Darragh Gilleece is an Irish pianist, composer, and educator. His distinguished career includes serving as an examiner for the Royal Irish Academy of Music (RIAM). His original music appears in their grade syllabus, bespoke method books, and now in two collections published by Forsyth Music.

The first book includes 16 original pieces suitable for students from around (UK) Initial to Grade 2, while the second ranges from around Grades 2-5.

Gilleece’s music in these collections is traditional with a modern twist. Pieces are highly appealing in their tone, packed with valuable learning content, imaginative, and well-crafted. My review below includes the composer’s recordings of a couple to give a flavour.

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Piano Music of Latin American Composers

Selected and Reviewed by Andrew Eales
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A couple of years ago, Hal Leonard launched a new series of repertoire collections under the banner of ‘Expanding the Repertoire’, the first two books being a couple of volumes edited by Leah Claiborne called Piano Music of Black Composers.

Reviewing them at the time, I concluded that although the two volumes could be welcomed simply as an inclusive diversification of the pedagogy literature, nevertheless,

I am glad to see that the series has now itself been expanded, with two complementary volumes of music by Latin American composers. Once again, the Level 1 book will suit elementary to late elementary players (UK Initial to Grade 2), while Level 2 caters for early to late intermediate (Grades 2-5).

Compiled and edited by Desireé González-Miller, Piano Music of Latin American Composers is an eye-catching resource, so let’s take a look…

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The Beatles • Graded Pieces

Selected and Reviewed by Andrew Eales
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With last year’s publication of Calming Christmas Carols for Graded Piano, Willis Music Company introduced the fresh and rather neat idea of curating an anthology of popular music, presented in arrangements suitable for players from Grades 1-5, divided into sections that progress accordingly.

In my review, I noted:

I’m not surprised to see Hal Leonard visit this useful and inspiring concept, this time delving into the enduring songbook of The Beatles for material, and with ace arranger Christopher Hussey on board, whose name you may recall from the brilliant Gradebusters! series, which I have reviewed here.

From me to you, here’s my review…

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Mélanie Bonis • Children’s Albums

Selected and Reviewed by Andrew Eales
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The superb Schott Student Edition series has recently grown to include two very welcome volumes of music for children by the Late Romantic French composer Mélanie Bonis.

The Album pout les tout-petits Op.103 includes 20 pieces suitable for elementary players (around UK Grades 1-3), while the eight pieces that make up Scènes enfantines Op.92 will suit intermediate players (UK Grades 4-6).

Both books are edited by the indomitable Melanie Spanswick, who has also written an excellent introduction which includes a composer biography, and several pages of in-depth teaching notes.

These excellent volumes are an important addition to the pedagogy repertoire, and in this review I will consider each of the two sets after first briefly introducing the composer…

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Kristina Arakelyan’s ‘Musical Vegetable Patch’

Selected and Reviewed by Andrew Eales
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Armenian-British composer Kristina Arakelyan is rapidly gaining recognition as a leading voice in contemporary classical music, with works performed by top artists in concert halls worldwide. She is also an accomplished concert pianist, and in my view her 2025 album Dreamland, featuring her own solo works, confirms her as an important pianist-composer for our time.

Readers may recognise Arakelyan from the updated Piano Time method series reviewed here, and be familiar with her beautiful piece Daydream, which appeared in the ABRSM Grade 2 syllabus in 2023-24. In this review I will consider her latest foray into piano education, a slim publication from publishers Stainer & Bell.

The Musical Vegetable Patch bears the lofty subtitle ‘introducing the classical music periods to early-grade pianists’, and includes at its heart six elementary pieces suitable for players at around UK Grades 1-2. Each showcases a different musical style, and is blessed with a title that mixes the name of a famous composer with, erm, a vegetable.

This highly imaginative and educational collection aims to enthuse youngsters while gently introducing them to music periods, styles, and composers. And each page includes a quirky, hand-painted ink and watercolour illustration by Rosie Brooks (also of Piano Time fame). Let’s find out how this distinctive and nutritious concept plays out…

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