Hal Leonard – Pianodao

Eugénie Rocherolle’s Reflective Piano Solos

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When I recently reviewed Mona Rejino’s Reflections and Relaxations collection (you can read the review here), I noted that the cover image and title suggested it to be part of the current trend for books of calm, relaxing music in the popular ambient classical style, but that in the event it proved to be something different.

It’s therefore with a sense of déjà vu that I now bring you my review of another Hal Leonard title that appeared around the same time. Here, again, the title perhaps implies a relaxed book of soothing adagios, a lovely cover photograph seems to underline this expectation, and the book promises “11 Beautiful Moods and Styles”.

But once again, this proved to be a different (but no less enjoyable) collection to the one I initially expected. Let’s dip in…

Piano Music of Black Composers

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“For far too long, the contributions of Black composers in the piano repertoire have not been brought to the forefront. Despite a persistent wave of great scholarship to bring awareness of these composers to light, only recently has there been deliberate inclusion of their works. Even with more awareness and attempts for inclusion, the myth that there is only piano music by Black composers for advanced pianists remains…
Finally there is a pedagogical piano collection that celebrates Black composers as pedagogues and gathers together piano music that can be enjoyed by the most novice beginning piano students through their musical progress.”

So writes Leah Claiborne in the compelling introduction to her two new music collections, Expanding the Repertoire: Piano Music of Black Composers, published worldwide by Hal Leonard.

Leah Claiborne

Let’s take a look…

22 Nocturnes for Chopin

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A few months ago I brought exciting news of a project developed by Elena Cobb of EVC Music and RNCM final-year student Rose McLachlan. A “Call to Women Composers” was extended worldwide, with a brief to compose a new piano piece inspired by the beloved Nocturnes of Chopin.

You can read all about it here. And you will learn in that post that I was subsequently invited to Chair the Selection Committee which also included the concert pianist and teacher Kathryn Page, recording artist Anna Heller, and ISM President Vick Bain.

Having played a role in this project, I cannot of course review the resulting publication with the same independence of perspective that I usually offer.

Nevertheless, I am pleased to let you know that the resulting publication is now available worldwide, and makes an exciting addition to the Pianodao Music Library…

Impressions of New York

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in my recent review of Texan composer Mona Rejino’s excellent Reflections and Relaxations (which you can read here), I both mentioned and praised her Impressions of New York, another fairly recent publication in Hal Leonard’s ‘Composer Showcase’ series.

In this review I am returning to that 2021 title to tell you more about it, having intended on reviewing it here and introducing it to the Pianodao Music Library for some time.

Subtitled A Jazz Sonatina, the three movement work was originally commissioned as a trio for viola, cello and piano, and by the Music Teachers National Association in the US for their 2019 National Conference.

Encouraged by its reception, her editor and husband, Rejino subsequently arranged Impressions of New York as the solo piano Jazz Sonatina reviewed here…

Reflections & Relaxations

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There has been a spate of music books offering calming, relaxing piano music of late, and this new title from Dallas-based piano pedagogue Mona Rejino looks, on the surface, to be another addition to that growing trend. However, it proves to be something a little different, as we’ll discover in this review…

Brian Davidson’s Music Box

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The Music Box is a new collection from Scottish composer Brian Davidson, published by Kevin Mayhew, and suitable for late intermediate players. The tastefully produced book is described by the publishers as offering,

“9 beautiful and original pieces for piano.”

Fair play. These pieces are certainly lovely, for player and audience alike, and sufficiently original to merit the phrase “distinctive voice” and carve their own space in the library of late intermediate repertoire.

With an appropriately warm recommendation, I could happily sign off here with these very words. But I am sure you would like to know more, listen to one or two of the pieces, and get more of a flavour of what this collection offers… so here goes.

Uplifting Piano Solos

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I recently reviewed a series of seven books of arrangements of popular religious songs by Glenda Austin, an esteemed pedagogue, composer and arranger from Missouri USA. As I mentioned in my conclusion to that review, Solos for the Sanctuary offer their own masterclass in how to take a simple melody and create an engaging piano solo, rich in musical substance.

Now Austin is back with a brand new secular collection from The Willis Music Company. Uplifting Piano Solos offers “ten inspiring arrangements” suitable for intermediate to early advanced players, and I would suggest that the collection would suit players at around UK Grades 5-7 level.

I am thrilled to welcome this, a collection that showcases Austin’s brilliant skill to a potentially broader audience. So let’s take a quick look…

Naoko Ikeda • The Graded Collection

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Following the success of my series of three Graded Gillock collections published by Willis Music last year, I was delighted to be asked to compile a companion collection showcasing the wonderful music of Japanese composer Naoko Ikeda. The collection, now available from Willis Music, can be purchased from the Musicroom website here.

Naoko Ikeda: The Graded Collection includes 24 of Ikeda’s best solo piano pieces, organised in approximate order of difficulty and appropriately grouped according to the UK Grade system from Grade 2 to Grade 5 level.

These stunning pieces would make wonderful selections as “own choices” in Performance Grades, and with six pieces for each of the four grades covered, they provide a rich feast to enhance the player’s development throughout their intermediate playing years.

The pieces have been chosen to offer a flavour of the musical range of this fine composer, ranging from jazz and pop ballads to emotive pieces infused with the musical language and imagery of Japanese culture.

In the introduction that follows I will offer background to the collection in greater depth, as well as including my own piano recordings of 8 of the 24 pieces, which give a varied, representative preview of the collection.

You will also hear from Naoko Ikeda herself, as she shares about her creative journey in her own words…

Eugénie Rocherolle’s Romantic Stylings

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Widely respected as a leading contemporary American composer of piano repertoire, Eugénie Rocherolle was born in New Orleans in 1936. A music graduate of Tulane University (Louisiana), she spent her Junior Year in Paris, where she attended classes with Nadia Boulanger.

Rocherolle has composed works for solo voice, chorus, orchestra, musical theatre, and chamber music. Success as a piano composer came with the publication of her first solo collection in 1978, since when she has added dozens of educational and recital works to her catalogue, many now appearing in The Eugénie Rocherolle Series from Hal Leonard.

Though less well known here in the UK, Musicroom nevertheless list more than a hundred piano publications, many of which comprise Rocherolle’s arrangements of popular, film and show tunes. Now in her 80’s, she still composes original music too, and a new collection is imminent.

In this review, I revisit her most recent (at the time of writing) collection of original pieces. Appearing in 2019, Romantic Stylings offers 8 original piano solos suitable for the intermediate player.

Piano Music by Women Composers

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After several decades in which music by women composers was largely overlooked by those compiling piano anthologies, concert programmes, exam and festival lists, the recent renaissance of interest can be warmly welcomed as a necessary recalibration, and one which continues to bring to light many wonderful treasures.

Gail Smith’s pioneering Women Composers in History anthology (2013, Hal Leonard, available here) paved the way for more recent collections from Melanie Spanswick (reviewed here) and Karen Marshall (reviewed here). These ‘voices in the wilderness’ certainly piqued our interest, introducing piano enthusiasts to many names that we had been unaware of.

If those collections were the harbingers of change, two new anthologies compiled by Immanuela Gruenberg (again published by Hal Leonard) deliver a confident musical consummation of that promise, a tour de force of truly stunning classics.

Delivered with mature confidence and polished professionalism for a mass global market, these slick collections herald a watershed moment. Join me as I discover Piano Music by Women Composers…