When East Meets West


A short pause for thought and reflection
Written by ANDREW EALES


Charles A. Moore

These words come from the foreword to Wing-Tsit Chan’s A Source Book in Chinese Philosophy, published in 1963 by Princeton University Press, and still one of the outstanding collections of Chinese philosophical writing in English translation.

In the six decades since Moore wrote these inspiring words, I wonder how far we have come. Here in the 2020’s, have our continents, countries and communities become more tolerant, more open to the ideas and culture of others? It seems to me that, perhaps, we still have quite a distance to cover.

Ever since my very first post to launch the Pianodao site back in 2015, I have continued in my efforts to apply the wisdom of Eastern philosophy to piano playing and education. As a music reviewer, pianist and teacher, I have also increasingly discovered the wonderful benefits of developing a more inclusive, extended core performance and pedagogy repertoire.

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Naoko Ikeda Graded Collection


Selected and reviewed by ANDREW EALES
Find out more: ABOUT PIANODAO REVIEWS


Following the success of my series of three Graded Gillock collections published by Willis Music last year, I was delighted to be asked to compile a companion collection showcasing the wonderful music of Japanese composer Naoko Ikeda. The collection, now available from Willis Music, can be purchased from the Musicroom website here.

Naoko Ikeda: The Graded Collection includes 24 of Ikeda’s best solo piano pieces, organised in approximate order of difficulty and appropriately grouped according to the UK Grade system from Grade 2 to Grade 5 level.

These stunning pieces would make wonderful selections as “own choices” in Performance Grades, and with six pieces for each of the four grades covered, they provide a rich feast to enhance the player’s development throughout their intermediate playing years.

The pieces have been chosen to offer a flavour of the musical range of this fine composer, ranging from jazz and pop ballads to emotive pieces infused with the musical language and imagery of Japanese culture.

In the introduction that follows I will offer background to the collection in greater depth, as well as including my own piano recordings of 8 of the 24 pieces, which give a varied, representative preview of the collection.

You will also hear from Naoko Ikeda herself, as she shares about her creative journey in her own words…

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8 Great Duet Books 2022


Selected and reviewed by ANDREW EALES
Find out more: ABOUT PIANODAO REVIEWS


My review of 8 Great Piano Duet Books published back in 2016 has been a popular post with readers ever since, proving that there’s plenty of interest in piano duet books.

Since then I have reviewed a trickle of other duet books, but ground to a halt during the pandemic. Meanwhile, more duet books have been amassing in my review backlog, and in this new round up I’ve got my paws on another 8 Great Duet Books for 2022.

For ease, I will introduce them in approximate order of difficulty…

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Willis Music’s ‘Strange Sounds’


Selected and reviewed by ANDREW EALES
Find out more: ABOUT PIANODAO REVIEWS


With autumn well upon us, and a new school year firmly underway, many teachers and players will no doubt be looking for repertoire to enjoy as we approach Halloween.

Each year I am asked to recommend suitable music for the annual spook-fest, and for elementary to early intermediate players, around UK Grades 1-4, a recent compilation of “10 Bewitching Piano Solos” from The Willis Music Company could be just the ticket.

Intrigued? Let’s tiptoe through the gate and investigate the secrets within…

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Naoko Ikeda: Aya


Selected and reviewed by ANDREW EALES
Find out more: ABOUT PIANODAO REVIEWS


The Willis Music Company have long been a leading name in the publishing of educational and accessible piano pieces, best known for the Dozen A Day series, the John Thompson Piano Method, and their extensive catalogue of great music by William Gillock.

I recently reviewed their Accent on William Gillock compendium and Jason Sifford’s Keybop series, and in this review I turn to another of their leading names, the Japanese composer Naoko Ikeda, whose music has met with considerable popularity in the States already, and is now gaining long-overdue attention here in the UK.

Ikeda’s extensive back catalogue includes many individually published pieces as well as several collections, a couple of which I picked up last year. I will be looking at her back catalogue in a future article, but for now I am turning to the recently published Aya, “10 Introspective Pieces for Piano Solo”.

The book is suitable for intermediate players (I would suggest around UK Grade 4-5 level), and is a superbly rewarding discovery…

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