Nikki Iles and Friends

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Nikki Iles will be known to many readers for her Jazz on a Winter’s Night book and subsequent series for OUP, and her recent Tales for Alice and Tales for Peter Pan collections for EVC Music, all of which I have been hugely impressed by.

Over the years, Iles has also contributed to the ABRSM Jazz Piano Syllabus and composed several memorable pieces for the board’s standard piano grades, which are always popular choices. And now she’s back with two new books of jazz pieces for ABRSM, between them bringing 29 new piano solos to the intermediate and advanced repertoire, composed and arranged by Iles and a stellar array of luminaries of the contemporary jazz world.

With the drawing power of Iles and friends, and the marketing clout of ABRSM, these two books are sure to fly off the shelves, so let’s take a closer look while we can!

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The Faber Music Contemporary Piano Anthology

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Faber Music’s growing series of Piano Anthology books are a continuing source of joy, and have been enthusiastically received by several of my regular adult students.

I have reviewed the previous collections here:

Spoilers: in all cases I have been impressed both with the intelligence and value of the music selections and the quality of the publications themselves.

So it great to be welcoming a new addition to the family with the delivery of The Faber Music Contemporary Piano Anthology, which offers 52 “beautiful neoclassical pieces for solo piano”.

Let’s find out whether it lives up to the high standards set by the series…

Continue reading The Faber Music Contemporary Piano Anthology

Martin Doepke: Piano Tales

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Born in Cologne in 1957, Martin Doepke has made a big name for himself in Germany as a collaborative keyboard player, recording musician and, since the late 1980’s, composing for theatre and TV productions. He has also taught popular music at the Rheinische Musikschule in Cologne since 1990.

Piano Tales is Doepke’s first published collection of solo piano music from Universal Edition. The book includes three pieces adapted from his hit German musical version of Beauty and the Beast (not to be confused with the Disney one!) as well as ten other original pieces about which the composer writes,

“The pieces in the present volume were written at different times over the years and in various places. They reflect my love of classical music and my passion for film music and musicals. Apart from the three taken from my musical Beauty and the Beast the pieces are not connected.
Each tells a short story. Some are playfully romantic, others are rather mystically melancholic or have a pulsing rhythm. Their styles span today’s music genres and call for a love of musical variety and diversity.”

This is certainly a good summary, but let’s take a closer look and listen…

Continue reading Martin Doepke: Piano Tales

Alma Deutscher: From My Book of Melodies

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Having just reviewed a music collection written for a young girl, I now turn to an album written by one.

Based on her SONY Classical recording of the same name, From My Book of Melodies brings together the original compositions of Alma Deutscher, and includes 11 pieces based on melodies that she composed from the age of four to fourteen, one for each of those years.

The music book is published by G.Schirmer / Hal Leonard, and the pieces would suit advanced players (UK Grade 6-8).

In case your initial thought is to wonder why you would purchase a collection of compositions written by so young a child, it is worth knowing that the great conductor Zubin Mehta has called Deutscher “one of the greatest musical talents today”, while Sir Simon Rattle has declared that “Alma is a force of nature”.

It’s also worth bearing in mind that Deutscher’s YouTube channel has approaching 14 million views, while her 2019 Carnegie Hall debut, performing her own music, was a sell-out.

Hadn’t we better find out what the fuss is about?

Continue reading Alma Deutscher: From My Book of Melodies

Howard Skempton: 24 Preludes and Fugues

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Since the late 1960’s, when he become the doyen of the experimental music scene, Howard Skempton has carved a unique place for himself in British musical life.

Skempton’s influences include Eric Satie, Morton Feldman, John Cage and La Monte Young. His own music resists lazy categorisation, but is characterised by pared-back textures, focused economy of expression, clarity of melodic line, and the avoidance of dissonance even when most determinedly resisting the pull of tonality.

These qualities remain an integral hallmark of the latest entry in his significant solo piano catalogue, the 24 Preludes and Fugues recently published by OUP.

Continue reading Howard Skempton: 24 Preludes and Fugues

Patrick Hamilton: Journey to the Unknown

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


According to Decca Publishing,

“Patrick Hamilton is a flag bearer for the next generation of producer, composer and arranger. A leading figure in classical crossover music, his ambitions include the verticals of artist production alongside film and TV score composition, which together bring his unique skill set to the adult contemporary classical space.”

Judging from Journey to the Unknown, Hamilton’s first solo piano CD, what this lofty statement actually means is that he is the latest to join the ever-growing pantheon of composers creating gentle, soothing piano music in the style popularised by Ludovico Einaudi.

Journey to the Unknown is also now available as a sheet music publication from Hal Leonard. I really like it, so let’s find out what makes it special…

Continue reading Patrick Hamilton: Journey to the Unknown

Schubert: The Late Sonatas

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Back in June 2018 I reviewed Bärenreiter’s then new issue of Schubert’s G major Fantasy Sonata, concluding:

“I am grateful that this beautifully presented edition of the Fantasy Sonata has given me a fresh opportunity to explore such a magnificent work – and with this Bärenreiter edition to hand, it becomes still more enticing.
The Fantasy Sonata must surely be among Schubert’s greatest piano works, and one of the more accessible of the later Sonatas. And whether for studying or performing this masterpiece, this new edition from Bärenreiter is undoubtedly the one to own!”

Now that edition reappears as the opening work in Volume III of Bärenreiter’s complete Schubert Sonatas edition, in which is is joined by the great Sonatas in C minor, A major and B flat major, D 958, 959 and 960 respectively, surely three of the most hallowed pieces in the entire classical piano repertoire.

Read on for the Pianodao review…

Continue reading Schubert: The Late Sonatas

Last Post “…from Chopin’s Land”

Sheet Music Review

MUSIC FROM CHOPIN’S LAND.
In 2020 I was commissioned to record five short films showcasing piano music from PWM Edition. Captivated by the music, I asked to see a wider selection. This series was written independently to introduce this wonderful Polish repertoire to a wider audience…

At the start of this series I gave an account of my surprise 2020 visit to Poland, and in subsequent articles I have discussed some of the best piano music I discovered on my trip, together with the tutorial films that I and a team of international colleagues created to showcase this music to the piano teaching community worldwide.

As the series draws to a close, I would like to share a couple more books that were featured in the PWM promotion, as well as a series of three special collections which actually bear the project name, Music from Chopin’s Land.

And then the punchline! I will end this final post in the series with a short reflection on the lasting lessons I have learnt about piano pedagogy following on from my visit to Chopin’s land…

So, firstly, a few extra reviews and videos for your interest and enjoyment…

Continue reading Last Post “…from Chopin’s Land”

Is this the definitive KV 331?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire.

A couple of years ago, a newly resurfaced section of the lost autograph prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece, which appeared as edition BA 9186.

Now, another source has surfaced with the appearance of a previously unknown contemporaneous copy of the complete manuscript, which has prompted the esteemed publisher to update their urtext edition again.

The newly discovered source by a professional Viennese copyist sheds new light on the numerous discrepancies between autographs and first editions of many Mozart sonatas. It supports the assumption that the revision of the text for the first edition resulted from the change of target group from Mozart’s inner circle to an audience of connoisseurs and amateurs, but that this did not render the original autograph text obsolete; rather, both versions of the sonata represent historical realities.

According to the publishers,

“To achieve a truly faithful scholarly-critical performance edition of Mozart’s sonata, the editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time by presenting the musical texts of the autograph and the original print separately without merging the sources editorially to a new text. On the basis of the newly discovered source, it is possible for the first time to reconstruct the autograph of this famous sonata and offer it to the performer as a self-contained playable version.”

Exciting stuff, so let’s take a closer look!

Continue reading Is this the definitive KV 331?

Kurt Schwertsik: Collected Piano Works

Sheet Music Review

When Austrian composer Kurt Schwertsik’s Albumblätter: collected piano works landed on my desk in 2018, I was intrigued, but like too many books it ended up buried in my review backlog.

Fast forward to Summer 2020, and the newly released recording of this music by pianist Aya Klebahn caught my attention on Apple Music.

Second time lucky, I was quickly hooked…

Publishers Boosey & Hawkes tell us:

“Kurt Schwertsik’s music is characterised by ever-changing moods and is idiosyncratic with a refreshing lightness of touch. Though a pupil of Stockhausen, the composer rejected serialism in favour of new forms of tonality. His search for an ‘alternative’ modern culture draws inspiration from Satie and the Dada movement.”

Intrigued? A little belatedly, here is the Pianodao review…

Continue reading Kurt Schwertsik: Collected Piano Works