Accent on William Gillock

SHEET MUSIC REVIEW • by ANDREW EALES
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There’s little doubt in my mind that William Gillock (1917-1993) was one of the most significant educational piano composers of the twentieth century, and it’s a delight to be reviewing The Willis Music Company‘s new complete edition of the Accent on Gillock series. All of the original eight volumes (still available separately) also now appear in one newly edited and engraved volume.

Let’s therefore take a moment to consider Gillock’s seminal importance before reviewing this essential new compendium…

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The Impeccable Piano Music of Francesco Cilea

SHEET MUSIC REVIEW • by ANDREW EALES
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The impeccable piano music of Italian composer Francesco Cilea (1866-1950), though little-known, surely represents one of the unsullied treasures of the “salon music” repertoire.

Happily, this music of supreme taste and charm has been given a fresh opportunity to shine, Cilea’s complete piano oeuvre newly edited by Giuseppe Filianoti and published in a single-volume edition by Ricordi.


The sumptuous 272-page volume has completely enchanted me… let’s take a look!

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Peaceful Piano Solos: The Series

SHEET MUSIC REVIEW • by ANDREW EALES
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Hal Leonard’s Peaceful Piano Solos series began life in 2018 with an initial title and matching easy piano version, offering the same 30 popular relaxing piano solos.

Peaceful Christmas Piano Solos (which I have already reviewed here) and Peaceful Piano Solos Soundtracks followed the next year.

With the recent release of Peaceful Classical Piano Solos, this seems like a good moment to catch up with the series as a whole.

First, I will introduce each of the books in turn, including their track lists and particular points to note. For information about the Christmas edition, please refer back to my previous review.

Later in the review, I will then offer some generic observations about the publications and series as a whole…

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Simon Hester: Scenes from the Movies

SHEET MUSIC REVIEW • by ANDREW EALES
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When I reviewed Simon Hesters Megabytes from Editions Musica Ferrum a couple of years back, I was immensely impressed with his music, concluding that it was,

“…an absolutely brilliant and hugely creative collection: strongly recommended!”

Hester has a new collection available, again published by Musica Ferrum.

Scenes from the Movies delivers 8 new pieces suitable for advanced players (UK Grades 6-8), inspired by classic cinema.


Let’s find out whether it has “box office hit” written all over it…

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Edition Peters’ Grade 8 Anthology

SHEET MUSIC REVIEW • by ANDREW EALES
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The recently published Grade 8 Piano Anthology from Edition Peters is a stroke of publishing genius, predicated on the following ABRSM Syllabus statement:

“Candidates may use any edition of the music, except where a particular arrangement or transcription is specified. Editions quoted in the syllabus are given for guidance only and are not obligatory”.

With one of the most extensive back-catalogues, Edition Peters is brilliantly placed to jump in with a varied anthology of 24 of the best pieces from ABRSM’s 2021-2 syllabus, offering a clear improvement over the selection of just 9 in the board’s own Grade 8 Pieces book (reduced from the more generous 12 of previous years).

Not only does this anthology have the potential to be more musically nutritious and better value than ABRSM’s own, but it also offers a couple of other useful bonuses which I will be looking at later in this review.

This is undeniably a publication which overtly invites comparison with the official ABRSM alternative. So let’s see how they measure up…

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Markus Schimpp: Yearning for Silence

SHEET MUSIC REVIEW • by ANDREW EALES
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Markus Schimpp’s recording Yearning for Silence, which was released on the NEOS Music label in 2019, is one of the more interesting albums of original piano music from recent years, melding the post-minimal simplicity of Einaudi with the more advanced (and at times dissonant) harmonic language of the 20th century’s modernist classical composers.

Happily, his full transcriptions of these “33 Approximations of Silence” have recently also been published by the ever-wonderful Editions Musica Ferrum, their sheet music book the subject of this review.

Suitable for early advanced players (the easiest pieces here are around UK Grade 3, but most are closer to Grade 6), I believe this collection will be a superb discovery for many readers, and is certainly my pick of the recent bunch of inventive and evocative miniatures for players at this level.

Let’s take a look, and a listen…

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J.S. Bach: The Six Partitas

SHEET MUSIC REVIEW • by ANDREW EALES
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The Six Partitas BWV 825-30 of Johann Sebastian Bach (1685-1750) have long been regarded as one of the most important milestones of the Baroque keyboard repertoire, and exist in many editions.

The latest, edited by Ullrich Scheideler, with fingering added by concert pianist William Youn, and published by Henle (HN 518), replaces the same publisher’s 1979 Rudolf Steglich/Hans-Martin Theopold edition (HN 28), and aims to deliver the latest scholarship in a practical performing edition…

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Piano Music of Amy Beach

SHEET MUSIC REVIEW • by ANDREW EALES
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American composer Amy Beach’s significant contribution to the solo piano repertoire is finally beginning to receive the recognition and popularity it rightly deserves.

Beach (1867-1944) remained a hugely committed and prolific composer, even though much of her output received little attention in the first half of her career.

Her music is avowedly conservative, doing little to advance on the language of the early Romantic era composers, Schumann, Chopin and Liszt. And yet there is certainly a timelessness to its appeal that continues to speak to audiences and connect with players.

Hal Leonard’s 2013 publication Piano Music of Amy Beach offers an enticing introduction to this important composer’s work, and has recently been reprinted (in part because it is a core text for America’s National Federation of Music Clubs Junior Festivals programme for 2020-24).

The collection offers ten intermediate to advanced solo pieces selected from across Beach’s long career by Gail Smith. Let’s take a look…

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Nikki Iles and Friends

SHEET MUSIC REVIEW • by ANDREW EALES
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Nikki Iles will be known to many readers for her Jazz on a Winter’s Night book and subsequent series for OUP, and her recent Tales for Alice and Tales for Peter Pan collections for EVC Music, all of which I have been hugely impressed by.

Over the years, Iles has also contributed to the ABRSM Jazz Piano Syllabus and composed several memorable pieces for the board’s standard piano grades, which are always popular choices. And now she’s back with two new books of jazz pieces for ABRSM, between them bringing 29 new piano solos to the intermediate and advanced repertoire, composed and arranged by Iles and a stellar array of luminaries of the contemporary jazz world.

With the drawing power of Iles and friends, and the marketing clout of ABRSM, these two books are sure to fly off the shelves, so let’s take a closer look while we can!

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The Faber Music Contemporary Piano Anthology

SHEET MUSIC REVIEW • by ANDREW EALES
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Faber Music’s growing series of Piano Anthology books are a continuing source of joy, and have been enthusiastically received by several of my regular adult students.

I have reviewed the previous collections here:

Spoilers: in all cases I have been impressed both with the intelligence and value of the music selections and the quality of the publications themselves.

So it great to be welcoming a new addition to the family with the delivery of The Faber Music Contemporary Piano Anthology, which offers 52 “beautiful neoclassical pieces for solo piano”.

Let’s find out whether it lives up to the high standards set by the series…

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