Show & Tell: G. Henle Verlag

Sheet Music Review

This new format “Show & Tell” review includes both a video, in which I will show you the latest publications from Henle, and a scripted review below, with links to more information on the publisher’s website.

Continue reading Show & Tell: G. Henle Verlag

Benny Andersson Piano Album

Sheet Music Review by Karen Marshall

Benny Andersson Piano
Music from ABBA, Chess and more –
21 transcriptions for solo piano.
A MUST this Christmas.

When the store manager of Banks, Music Room York, introduced me to the new Benny Andersson Piano book I knew I had to buy a copy. I really haven’t been disappointed – not only has it been wonderful to play, it has brought back so many memories.

I am just 7 years old stood in the living room, wobbling in my Mum’s high heels, wearing a favourite long frilly skirt and hair brush gripped in hand. And yes, I’m singing! I’m singing my little heart our pretending I am Anni-Frid in Thank You For The Music.

And it appears that Benny himself has been down memory lane recording the Album, from which this music was transcribed by Göran Arnberg. In his own words ………

“In the process of recording this album, which has been tremendous fun, I have come to realise that the pieces I have chosen to play are an integral part of me. In endeavouring to reach for some core within them, I have found that the more I strip away the clothing, i.e. treatments and arrangements from the ‘original versions’, the closer I feel to the music, regardless of whether it was created last year or 40 years ago. In a strange way, I feel like I’m playing my memoirs.”    Benny Andersson

Continue reading Benny Andersson Piano Album

Birds: Études-Tableaux

Sheet Music Review

As a reviewer I get to discover a surprising amount of great new music, but it’s predominantly at the beginner – intermediate level.

So it is particularly exciting when something arrives that is more challenging, and yet just as appealing.

Birds: Études-Tableaux is a collection of six pieces by Andrew Higgins, published by EVC Music Publications, and subtitled modern virtuoso studies.

If you’ll pardon the pun, it perfectly fits the bill!

Do read on for further twittering about these wonderful pieces …

Continue reading Birds: Études-Tableaux

Play it Again: Piano

Sheet Music Review

As Pianodao has become more widely regarded for its independent reviews, I find myself with a mounting pile of material sent for me to look at, most of which is really very good indeed.

That said, some products genuinely stand out from the crowd, because they are innovative, unusual, speak to my particular interests, or are just excellently done.

Melanie Spanswick’s Play it again: Piano books 1 and 2 are all of the above, and easily stand out in the crowd. In this review I will do my best to explain why I think that is.

Continue reading Play it Again: Piano

Piano Kaleidoscope

Sheet Music Review

In my recent review of Bärenreiter’s new edition of the Sonata in A major K331 by Mozart, I mentioned that they are a publisher who take pride in achieving the highest standards in all their publications. In their own words:

Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research prepared in accordance with clearly defined editorial guidelines.
Bärenreiter Urtext: the last word in authentic text – the musicians’ choice.”

Piano Kaleidoscope is a new piano anthology, produced by Bärenreiter as an appetiser for their Urtext Editions, specially priced at the pocket-money price of just £4.00. And it is the best bargain I’ve ever reviewed here!

But who is it for, and does it achieve more than its basic aim of promoting the rest of their published range? Let’s find out…

Continue reading Piano Kaleidoscope

K331. But as you know it?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire. Now, a newly resurfaced section of the autograph has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece.

According to the publishers,

“The editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time. His scholarly-critical performance edition is the only one to remain entirely true to the sources by presenting the musical text of the autograph and the original print separately.”

Continue reading K331. But as you know it?

Boosey’s Bartók Bonanza

Sheet Music Review

Along with their outstanding new version of The First Term at the Piano – which I recently reviewed here – Bossey & Hawkes (in conjunction with Hal Leonard) have also just released the Bartók Piano Anthology.

Here’s a look at this interesting addition to the Bartók catalogue…

Continue reading Boosey’s Bartók Bonanza

Christopher Norton’s ‘Pacific Preludes’

Sheet Music Review

One of the highlights of last year, in my view, was the publication of Christopher Norton’s outstanding Eastern Preludes Collection, which I reviewed here.

Eastern Preludes continued a series of piano solo collections for the intermediate-to-advanced level pianist, which already included the best-selling Jazz PreludesCountry PreludesRock Preludes and Latin Preludes collections – so naturally I wondered what might come next.

And here it is: The Christopher Norton Pacific Preludes Collection, comprising 14 brand new compositions suitable for intermediate to advanced players (around UK Grades 6-8).

Publishers Boosey & Hawkes welcome us to:

“Embark on a voyage of discovery with this captivating collection of 14 new Pacific Preludes from the creator of Microjazz, inspired by traditional music from the shores of the world’s largest ocean.

Explore the rich and varied musical landscape of the Pacific Rim as each Prelude weaves together native themes from countries including Australia, China, Peru, New Zealand and the United States of America with Christopher Norton’s characteristically innovative popular musical styles.”

Continue reading Christopher Norton’s ‘Pacific Preludes’

Film Themes: The Piano Collection

Sheet Music Review

Compare weekly cinema attendance with the numbers who go to classical concerts (or any other sort, come to think of it!) and you will be left with no doubt as to why music composed for films works its magic in the hearts and minds of listeners more than any other genre.

And it is no wonder that those who take up an instrument are so quick to ask teachers if they can learn their favourite film themes.

In the case of the most popular composers and successful scores, there’s very often a tie-in publication so that fans can buy the sheet music, as was the case with the excellent La La Land score which I recently reviewed here.

But for those after an anthology of their favourite pieces, the choice is not so easy. Some publications of this kind provide poor transcriptions, while others aren’t sympathetically arranged for piano, taking account of the player’s level.

It is with real pleasure that I can therefore warmly recommend the latest piano book from Faber Music, a collection simply entitled Film Themes: The Piano Collection.

Continue reading Film Themes: The Piano Collection

Alan Bullard’s Preludes

Sheet Music Review

Alan Bullard will be known to many readers for his many contributions to popular educational series such as Piano Time from OUP and Piano Star from ABRSM. His Joining the Dots series of sight reading books for ABRSM and the excellent adult piano method series Pianoworks, co-written with his wife Janet, have also become well known favourites.

Alan’s latest publication is brought to us by Colne Edition, distributed by Spartan Press, and is entitled Twelve or Thirteen Preludes for Solo Piano.

Continue reading Alan Bullard’s Preludes