Garreth Broke: Healing, and beyond…

Sheet Music Review

Garreth Brooke is a talented English composer currently living and working in Germany. In addition to contributing guest posts here on Pianodao he has previously shared his inspiring story here, and talked to me about his excellent Upright Editions initiative in an interview here.

In this review, it’s my pleasure to review three recent publications of Garreth’s music, two of which appear under his alias Garreth Broke: Healing and Dance, both published by Editions Musica Ferrum, and thirdly Solo Piano: Selected Pieces, which Garreth has self-published via Amazon.

These publications have all appeared within the last year, but Garreth has been publishing recordings of his music on Soundcloud, Bandcamp and elsewhere for several years, gaining an appreciative audience drawn to the new-classical style and emotive qualities of his writing and playing.

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Relax with Meditative Piano

Sheet Music Review

When Schott Music delivered their gorgeously presented Relax with Beautiful Piano Music series of five books back in 2016, I concluded my review:

“What excites me is that these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment’s sake.”

Is it really four years? Well, I am happy to report that during that time several of my adult students have been using these marvellous collections, and without exception absolutely loving the selections of music they contain.

In most cases, having bought one book they have rushed to buy others in the series without prompting, an obvious indication of enthusiasm, and interestingly the Baroque and Classical books have proven particularly popular.

Happily for all, Schott Music are back with an encore, a sixth book again selected by British concert pianist Samantha Ward. With the title Relax with Meditative Piano, it promises to be another winning selection of great music. So come on, let’s see what’s in it…

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Beethoven’s Piano Sonatas: Wiener Urtext

Sheet Music Review

In the conclusion to my recent review of Bärenreiter’s recently published Jonathan Del Mar edition of the complete Beethoven piano sonatas, I noted,

“With the appearance of Jonathan Del Mar’s new benchmark edition for Bärenreiter, we have less of an excuse than ever when it comes to understanding and interpreting the master’s intentions… This magnificent resource is surely not only a new landmark in Beethoven scholarship, but for pianists its issue is the publishing event of the decade.”

In the light of such high praise, eyebrows might be raised at the spectacle of me now reviewing an alternative edition. However, it’s only fair to admit that however definitive an edition is (and the Del Mar edition is as definitive as they come), there is still space for more than one edition of these masterpieces on our shelves.

Given the complexity of establishing an exact text of these core works, and the performance considerations they raise, I certainly welcome the option of having a couple of editions to consult, especially if they offer complementary strengths and insights.

Also last year, and with the 250th anniversary of Beethoven’s birth clearly in sight, Wiener Urtext released their own fully updated and revised urtext edition of the Sonatas in three volumes, UT 50427/8/9.

Without detracting from my enthusiasm for the Del Mar edition in any way at all, there are good reasons why some players might welcome the strengths offered by the Wiener Urtext editions, or even prefer them; this review will focus on explaining what I think those are…

Continue reading Beethoven’s Piano Sonatas: Wiener Urtext

Andrew Higgins: Seasons

Sheet Music Review

From time to time I review a music book here which subsequently establishes itself as a favourite with my students; such a book was the brilliant Birds: Études-Tableaux composed by Andrew Higgins, which I reviewed here.

I was therefore naturally pleased to receive Higgins’ latest collection, Seasons, which is again published by the forward-looking publisher EVC Music, whose many recent useful and eye-catching publications have made such a positive mark on the pedagogic repertoire in recent years.

Rather than lazily giving us more of the same, Seasons is quite a different proposition from Higgins’ last book, so let’s take a closer look…

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The Faber Music Jazz Anthology

Sheet Music Review

Over the last three years, Faber Music seemed to establish a pattern of releasing deluxe Piano Anthologies in the run up to the Christmas season. For 2020, they have ‘upped the ante’ by bringing forward the next title in this stunning series to the Spring, with further anthologies (Contemporary and Easy) already in preparation.

The Faber Music Jazz Piano Anthology builds on the quality of its predecessors to deliver a sumptuous and brilliantly conceived book of jazz standards, newly arranged as piano solos for more advanced students and adult piano enthusiasts everywhere.

Definitely time for a closer look…

Continue reading The Faber Music Jazz Anthology

Adriano Cirillo: Deux Valses

Sheet Music Review

Edition HH is one of the few independent boutique publishers whose releases consistently impress, with an enterprising and eclectic catalogue that ranges from Baroque and Classical rediscoveries to contemporary compositions.

Among the latter, Edition HH publishes the work of Italian composer Adriano Cirillo, born in 1951 in Bari. Cirillo studied with acclaimed composer Nino Rota, who is perhaps best known for his scores to movies such as The Glass Mountain and The Godfather, but who also composed ten operas and a significant body of concert works.

Rota’s influence is palpable in Cirillo’s hugely enjoyable Duex Valses, freshly published by Edition HH and the subject of this short review…

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Alan Bullard: 24 Preludes

Sheet Music Review

Alan Bullard will be known to many readers for his many contributions to popular educational series and in particular the excellent adult piano method series Pianoworks, co-written with his wife Janet, and recently reviewed here.

In addition to his educational publications, Bullard is a busy and accomplished composer of concert works, including the recently published Twelve or Thirteen Preludes for Piano Solo: Set Two (Minor Keys), a collection that follows on from the first Set (written in each major key), which was published back in early 2017 by Colne Edition, and distributed by Spartan Press.

With this new publication, Bullard joins the ranks of composers (including J.S. Bach, Heller and Chopin) to have written a Prelude in each and every one of the 24 major and minor keys. And I think they make a very solid collection, one that deserves wide currency…

Continue reading Alan Bullard: 24 Preludes

ABRSM “Core Classics” – The Review

Sheet Music Review

Once in a while, a publication arrives for review which is based on a great concept and is itself essentially a very good product, but where the mismatch between the original intention and its actual delivery is a glaring one, as though at some point in the developmental process there was a communication breakdown.

Core Classics: Essential Repertoire for Piano, a set of seven progressively “graded” solo repertoire books published worldwide today by ABRSM, is a striking example of this phenomenon.

That is a particular disappointment, given that this is actually a beautifully presented and musically interesting series. So let’s find out exactly what Core Classics has to offer…

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David Ianni: ‘Adieu’

Sheet Music Review

New from Universal Edition, Adieu is a short and highly accessible solo piano piece by Luxembourgish composer and pianist David Ianni.

Composed in homage to Grand Duke Jean of Luxembourg following his death in April 2019, the piece is suitable for players at upper intermediate to early advanced level.

Let’s have a listen to the piece and take a quick look at the UE publication…

Continue reading David Ianni: ‘Adieu’

Gershwin: Three Preludes

Sheet Music Review

Gershwin’s Three Preludes for solo piano have been a staple of the American piano repertoire since their first publication in 1927.

Like many, I have long relied upon the 1992 Boosey & Hawkes edition, so I was intrigued to receive a new edition by Brendan Fox and Richard Walters, recently published by Hal Leonard.

Interest piqued, it wasn’t long before I found myself won over…

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