Early Advanced Repertoire

ABRSM • Piano Inspiration

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ABRSM Publishing continue to focus on bringing out superb anthologies for different instruments and levels, widening the scope of developing players’ musical engagement. Their recent publishing successes for piano have included the three jazz collections Nikki Iles and Friends and the superb Pop Performer books which arrived last year.

Now they bring us two new anthologies of solo piano repertoire, curated by concert artist Isata Kanneh-Mason. These are notable collections which, for reasons I will unpack in this review, immediately rise to the top of my pile of recommended piano publications.

The first book is suitable for intermediate players in the Grade 4-6 bracket, the second for more advanced players, Grades 7-8+ (ARSM). Refreshingly, but potentially frustrating for some, the specific grade levels of the individual pieces are not stipulated, even though ABRSM twice suggest on the covers that the pieces can be used as own-choice repertoire in their Performance Grades.

Kanneh-Mason’s selections mix surprise with delight, novelty with familiar favourites, delivering an intoxicating and diverse blend of music that quite simply belongs on the piano of every player working at these levels.

Having already given a rough outline and positive verdict, I will shortly go on to list the musical contents of each book, describe the publications for the benefit of those unable to inspect them in a music store, and attempt to frame these volumes in their broader context…

22 Nocturnes for Chopin

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A few months ago I brought exciting news of a project developed by Elena Cobb of EVC Music and RNCM final-year student Rose McLachlan. A “Call to Women Composers” was extended worldwide, with a brief to compose a new piano piece inspired by the beloved Nocturnes of Chopin.

You can read all about it here. And you will learn in that post that I was subsequently invited to Chair the Selection Committee which also included the concert pianist and teacher Kathryn Page, recording artist Anna Heller, and ISM President Vick Bain.

Having played a role in this project, I cannot of course review the resulting publication with the same independence of perspective that I usually offer.

Nevertheless, I am pleased to let you know that the resulting publication is now available worldwide, and makes an exciting addition to the Pianodao Music Library…

Uplifting Piano Solos

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I recently reviewed a series of seven books of arrangements of popular religious songs by Glenda Austin, an esteemed pedagogue, composer and arranger from Missouri USA. As I mentioned in my conclusion to that review, Solos for the Sanctuary offer their own masterclass in how to take a simple melody and create an engaging piano solo, rich in musical substance.

Now Austin is back with a brand new secular collection from The Willis Music Company. Uplifting Piano Solos offers “ten inspiring arrangements” suitable for intermediate to early advanced players, and I would suggest that the collection would suit players at around UK Grades 5-7 level.

I am thrilled to welcome this, a collection that showcases Austin’s brilliant skill to a potentially broader audience. So let’s take a quick look…

Piano Music by Women Composers

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After several decades in which music by women composers was largely overlooked by those compiling piano anthologies, concert programmes, exam and festival lists, the recent renaissance of interest can be warmly welcomed as a necessary recalibration, and one which continues to bring to light many wonderful treasures.

Gail Smith’s pioneering Women Composers in History anthology (2013, Hal Leonard, available here) paved the way for more recent collections from Melanie Spanswick (reviewed here) and Karen Marshall (reviewed here). These ‘voices in the wilderness’ certainly piqued our interest, introducing piano enthusiasts to many names that we had been unaware of.

If those collections were the harbingers of change, two new anthologies compiled by Immanuela Gruenberg (again published by Hal Leonard) deliver a confident musical consummation of that promise, a tour de force of truly stunning classics.

Delivered with mature confidence and polished professionalism for a mass global market, these slick collections herald a watershed moment. Join me as I discover Piano Music by Women Composers…

The Cinematic Piano Playlist

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Faber Music’s Piano Playlist series is developing at pace these days. After the success of the first book, published in 2019 and reviewed here, the Christmas Piano Playlist appeared in late 2022, reviewed here, followed just weeks ago by the Peaceful Piano Playlist Revisited, reviewed here.

Now, hot on those heels, they have yet another title joining the series. The Cinematic Piano Playlist promises,

“Over 30 incredible themes from the biggest film soundtracks, games and television shows, all arranged for intermediate piano.”

Let’s find out what the collection delivers…

Solos for the Sanctuary

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For any who are unfamiliar with Glenda Austin’s work, she is a prolific composer and superb arranger from Missouri USA, whose work is published by the Willis Music Company, distributed by Hal Leonard.

With vast experience as a church musician, Austin has been making arrangements of classic hymns and worship songs since she was a teenager playing in a small Baptist church. Today, she continues to play for the United Methodist Church in her hometown, Joplin.

Austin’s Solos for the Sanctuary series launched with Hymns and a Christmas collection more than a decade ago. Aimed at “the Church Pianist”, these books delivered arrangements suitable for advanced players (around UK Grades 7-8) to include as musical interludes in services as appropriate.

Further collections soon appeared, becoming a popular strand of Austin’s output alongside her educational work. Spirituals (2011), Worship (2012), Gospel (2014) and Hymns 2 (2019) have now been joined by Seasons (2023), prompting this review looking back at the series.

Discovering Burgmüller

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Burgmüller’s three collections of piano etudes, Op.100, Op.105 and Op.109 have been cornerstones of the piano pedagogy literature for over a century and a half, and remain as popular today as ever.

In this short article I will look at each of the three, share my own recordings of Op.100, compare and recommend good editions for those wanting to study these brilliant pieces.

Peaceful Piano Playlist Revisited

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Reviewing Faber Music’s Peaceful Piano Playlist collection back in 2019, I wrote,

“Faber Music have brilliantly encapsulated a very current musical zeitgeist with this collection, and it deserves to simply fly off the shelves!”

Read the full article here

Presumably the collection was as successful as it deserved to be, because since then Faber have revisited the series with the Peaceful Piano Playlist Christmas collection (reviewed here) and now present The Peaceful Piano Playlist Revisited, a brand new collection of music which equally captures the vibes that continue to enthralled listeners and players…

Ola Gjeilo: Dawn

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Ola Gjeilo’s Night was not just one of the most comforting CD releases of 2020, but in its sheet music form (reviewed here) became one to the most poplar contemporary piano collections that I have taught to my students, rivalling and generally besting the music of Einaudi and the other best-selling artists dominating the new classical space.

Now, Norwegian composer Gjeilo is back with an equally superb sequel, and it is appropriately titled Dawn. The CD version appeared back in the autumn. The sheet music publication arrived today, and having played through the pieces I want to waste no time before bringing you my recommendation…