Edition Peters’ Grade 8 Anthology

SHEET MUSIC REVIEW • written by ANDREW EALES
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The recently published Grade 8 Piano Anthology from Edition Peters is a stroke of publishing genius, predicated on the following ABRSM Syllabus statement:

“Candidates may use any edition of the music, except where a particular arrangement or transcription is specified. Editions quoted in the syllabus are given for guidance only and are not obligatory”.

With one of the most extensive back-catalogues, Edition Peters is brilliantly placed to jump in with a varied anthology of 24 of the best pieces from ABRSM’s 2021-2 syllabus, offering a clear improvement over the selection of just 9 in the board’s own Grade 8 Pieces book (reduced from the more generous 12 of previous years).

Not only does this anthology have the potential to be more musically nutritious and better value than ABRSM’s own, but it also offers a couple of other useful bonuses which I will be looking at later in this review.

This is undeniably a publication which overtly invites comparison with the official ABRSM alternative. So let’s see how they measure up…

Continue reading Edition Peters’ Grade 8 Anthology

Frédéric Chopin: Trois Nouvelles Études

SHEET MUSIC REVIEW • written by ANDREW EALES
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In my recent post Discovering Chopin I included two editions of the complete works, both brought to us by PWM Edition: firstly the celebrated Paderewski Edition beloved by performers, and secondly the more recent scholarly Chopin National Edition, edited by Jan Ekier.

The latter has established itself as a benchmark urtext edition by which other versions are presently judged, although sources of Chopin’s music are so many and surprisingly varied that, often, definitive readings are elusive.

Further underlining this point, were it in any doubt, comes the Complete Chopin New Critical Edition from Edition Peters, prepared under the watchful eyes of editor-in-chief John Rink.

Joining the first six volumes in this work-in-progress series, the latest addition is the Trois Nouvelles Études of 1840, edited by Roy Howat.

I will start with a full review of this new publication, EP 73229, and then gracefully segue into a more detailed consideration of Edition Peters’ Complete Chopin New Critical Edition, and take a quick look at the solo piano issues in the series so far.

Continue reading Frédéric Chopin: Trois Nouvelles Études

Penelope Roskell’s ‘Complete Pianist’

THE PIANODAO BOOKSHELF
books for piano players, teachers, students and music enthusiasts


Without question, Penelope Roskell’s The Complete Pianist is the most monumental publication yet to arrive for review, and with 560 large format pages, 250 newly-devised exercises and more than 300 supporting online videos, I can well believe that it’s the most comprehensive book ever written on piano playing, as well as the most superbly presented.


Striking among the claims made for the book, we are told that Roskell’s approach is based not only on a lifetime’s experience of teaching and performing, but also on “ground-breaking research into healthy piano playing”

The Complete Pianist thus offers the reader an…

“… innovative approach to piano technique based on the use of natural, ergonomic movement which achieves a rich range of sounds, allows greater artistic freedom, and helps to prevent injury.”

Intrigued? I bet! So let’s take a closer look…

Continue reading Penelope Roskell’s ‘Complete Pianist’