Sheet Music Review
“Easy” collections of the core classical piano repertoire abound, but few bring to the table the depth of scholarship, reliable editing, fingering and expert advice found in the recent (and ongoing) “Urtext Primo” series.
As the latest collection in the series – featuring the music of Clementi, Czerny and Cramer – hits the shelves of music stores worldwide, let’s take a look …
Continue reading Wiener Urtext: ‘Primo’ Series
Sheet Music Review
20th March 1989 is embedded in my memory as the evening on which I attended one of the most magical classical piano recitals!
Although I was seated in the balcony, and towards the back of London’s Royal Festival Hall, I could just as well have been sat in the front row, such was the silent rapture of the audience. In semi darkness, lit by just one small lamp, the legendary Sviatoslav Richter quitly took to the stage and opened the recital with the hushed tones of a simple but fully-fleshed G major chord.
At this point in his career, Richter had given up announcing his programme – which didn’t stop tickets for his recitals from selling out within minutes of going on sale. But that opening chord was sufficient to announce to the pianophile audience that we were about to be served a very special musical treat:
Schubert’s magical “Fantasy Sonata” in G major, Op.78, D.894.
In Richter’s hands, this joyous work took on a new dimension – and not least because of his controversially slow interpretation of the first movement, lasting a full 25 minutes (compared to the more usual 15 – in Wilhelm Kempff’s recording this movement lasts just 10’54”, albeit omitting the repeats).
While I love Schubert’s Sonatas as a whole, the G major is perhaps even more dear to me than the others because of this much-treasured memory. So I was delighted when the brand new Bärenreiter Urtext edition dropped onto my door mat for review …
Continue reading Schubert’s “Fantasy Sonata” in G major