Schubert: The Late Sonatas

Sheet Music Review

Back in June 2018 I reviewed Bärenreiter’s then new issue of Schubert’s G major Fantasy Sonata, concluding:

“I am grateful that this beautifully presented edition of the Fantasy Sonata has given me a fresh opportunity to explore such a magnificent work – and with this Bärenreiter edition to hand, it becomes still more enticing.
The Fantasy Sonata must surely be among Schubert’s greatest piano works, and one of the more accessible of the later Sonatas. And whether for studying or performing this masterpiece, this new edition from Bärenreiter is undoubtedly the one to own!”

Now that edition reappears as the opening work in Volume III of Bärenreiter’s complete Schubert Sonatas edition, in which is is joined by the great Sonatas in C minor, A major and B flat major, D 958, 959 and 960 respectively, surely three of the most hallowed pieces in the entire classical piano repertoire.

Read on for the Pianodao review…

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Is this the definitive KV 331?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire.

A couple of years ago, a newly resurfaced section of the lost autograph prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece, which appeared as edition BA 9186.

Now, another source has surfaced with the appearance of a previously unknown contemporaneous copy of the complete manuscript, which has prompted the esteemed publisher to update their urtext edition again.

The newly discovered source by a professional Viennese copyist sheds new light on the numerous discrepancies between autographs and first editions of many Mozart sonatas. It supports the assumption that the revision of the text for the first edition resulted from the change of target group from Mozart’s inner circle to an audience of connoisseurs and amateurs, but that this did not render the original autograph text obsolete; rather, both versions of the sonata represent historical realities.

According to the publishers,

“To achieve a truly faithful scholarly-critical performance edition of Mozart’s sonata, the editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time by presenting the musical texts of the autograph and the original print separately without merging the sources editorially to a new text. On the basis of the newly discovered source, it is possible for the first time to reconstruct the autograph of this famous sonata and offer it to the performer as a self-contained playable version.”

Exciting stuff, so let’s take a closer look!

Continue reading Is this the definitive KV 331?

Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

Sheet Music Review

As publishers prepare for the 250th Anniversary of the birth of Beethoven, several have been revisiting his Piano Sonatas, a steady flow of which have been arriving for review over recent months.

First to deliver their new version of the complete cycle are Bärenreiter, whose edition of all 35 Sonatas (including the three early Sonatas WoO 47) is now complete and available in a variety of formats.

An epic achievement, this new edition has already won the hearts and minds of some of the world’s greatest Beethoven interpreters; those giving glowing endorsements include Marc-André Hamelin, Angela Hewitt, Stephen Hough, Robert Levin, Leslie Howard and Igor Levit (whose recording of the cycle I recently reviewed here).

To quote Paul Badura-Skoda:

“Jonathan Del Mar’s Beethoven edition is unparalleled in terms of its precision. What I value most about it is the use of lesser-known or previously unknown sources, the commentary, which is the most extensive to date, and the discussion of problematic sections. I wholeheartedly recommend this new edition of Beethoven piano sonatas.”

So now let’s take a more in-depth look…

Continue reading Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

Ravel: Jeux d’eau

Sheet Music Review

“…the wellspring of all the pianistic innovations which have been thought to be found in my work.”

So said composer Maurice Ravel (1875-1937) of his breakthrough composition Jeux d’Eau, completed on November 11th, 1901 and dedicated to his teacher Gabriel Fauré.

As such, the work is surely a milestone not only in Ravel’s compositional development, but also in that of the classical piano repertoire.

In this post I will consider the genesis and significance of Jeux d’Eau before taking a look at Nicolas Southon’s brand new urtext edition of the piece, with fingering and notes on the interpretation by concert pianist Alexandre Tharaud, recently published by Bärenreiter.

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The Beethoven 2020 Diary

The Pianodao Review

It probably hasn’t escaped your notice that 2020 marks the 250th Anniversary of the birth of Ludwig Van Beethoven (1770-1827), without doubt one of the greatest composers of all time.

Inevitably, concert programmes, air waves and the media will be suitably saturated throughout the year. And the celebrations start here…

The Beethoven 2020 Diary from Bärenreiter is a simple idea, brilliantly executed. Essentially this handsomely presented pocket diary offers an overview of the man and his music, presented in daily bite-sized chunks.

And for the record, generally I chuck pocket diaries straight in the bin.. this one, however, is a definite keeper!

Let’s find out why …

Continue reading The Beethoven 2020 Diary

Jakub Metelka: Modern Piano Studies

Sheet Music Review

Jakub Metelka’s Modern Piano Studies is an educationally useful and thoughtfully produced collection of 30 miniature pieces which address aspects both of technique and notation-reading at upper intermediate level. The book is certainly novel, and may have what it takes to establish itself as a contemporary classic in the pedagogy literature…

Continue reading Jakub Metelka: Modern Piano Studies

The Piano Music of Otilie Suková

Sheet Music Review

Otilie Suková was the daughter of Antonín Dvořák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings.

Four of her piano pieces have survived; three were published in her lifetime, a fourth ‘To Dear Daddy has never previously been published.

Now Bärenreiter have produced a typically gorgeous urtext edition of the four pieces, edited by Eva Prchalová.



I’ve been playing them, and they are lovely. Here’s my review…

Continue reading The Piano Music of Otilie Suková

Couperin: Pièces de clavecin

Sheet Music Review

François Couperin ‘le grand (1668-1733) was undoubtedly one of the great keyboard composers. His seminal influence is not only evident in the music of later French composers from Rameau to Ravel, but as an antecedent finds echoes in Chopin’s piano miniatures and even perhaps (by way of Creole migrants) the rhythms of New Orleans Jazz.

And yet his music remains too little known, and too rarely performed.

Now we have an even better chance to explore his glorious solo keyboard output, thanks to Bärenreiter’s recent publication of a stunning new edition of the Second Livre (1717) of Couperin’s Pièces de clavecin.

Continue reading Couperin: Pièces de clavecin

Bartók: Easy Pieces and Dances

Sheet Music Review

It’s fair to say that in the last three years or so I have received more sheet music by Bartók for review than any other composer, the renaissance of interest in publishing his works no doubt a result of the fact that they are no longer in copyright. Bartók is without doubt one of my very favourite composers, so in my book, this commitment to producing excellent new editions of his music is a great thing.

Latest to arrive, Bärenreiter’s Bartók: Easy Piano Pieces and Dances, which brings together miscellaneous pieces of easy to moderate difficulty (including many familiar favourites), is ideal for teaching purposes.

The Easy Piano Pieces and Dances series is one of the many highlights in the Bärenreiter catalogue, with nearly a couple of dozen great composers already given dedicated volumes suitable for the intermediate pianist. I have already given glowing reviews to the collections dedicated to Debussy (read the review) and Martinů (read the review here).

So let’s find out how the new Bartók volume compares …

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Brahms: Two Rhapsodies

Sheet Music Review

Brahms’ vivacious Two Rhapsodies Op.79 of 1879 are among his most frequently performed and popular concert works.

The Rhapsody in G minor Op.79 No.2 is also a mainstay of the ABRSM piano diploma syllabus, where its gorgeous sweeping melody line makes it a popular choice with players.

Inevitably there are several printed scores on the market; ABRSM naturally promote their own, while many performers have tended to opt for the Henle Urtext edition.

Now Brahms expert Christian Köhn is presenting these popular pieces in an up-to-date new edition that remains faithful to the sources and reflects scholars’ latest findings. And according to publishers Bärenreiter,

“In addition to the informative Preface the edition offers enlightening details regarding performance practice of Brahms’ day. With a reader-friendly engraving, comfortable page turns including a fold-out page and fingering where required, the edition meets all the needs of today’s performers.”

Let’s take a quick look…

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