Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

Sheet Music Review

As publishers prepare for the 250th Anniversary of the birth of Beethoven, several have been revisiting his Piano Sonatas, a steady flow of which have been arriving for review over recent months.

First to deliver their new version of the complete cycle are Bärenreiter, whose edition of all 35 Sonatas (including the three early Sonatas WoO 47) is now complete and available in a variety of formats.

An epic achievement, this new edition has already won the hearts and minds of some of the world’s greatest Beethoven interpreters; those giving glowing endorsements include Marc-André Hamelin, Angela Hewitt, Stephen Hough, Robert Levin, Leslie Howard and Igor Levit (whose recording of the cycle I recently reviewed here).

To quote Paul Badura-Skoda:

“Jonathan Del Mar’s Beethoven edition is unparalleled in terms of its precision. What I value most about it is the use of lesser-known or previously unknown sources, the commentary, which is the most extensive to date, and the discussion of problematic sections. I wholeheartedly recommend this new edition of Beethoven piano sonatas.”

So now let’s take a more in-depth look…

Continue reading Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

Ravel: Jeux d’eau

Sheet Music Review

“…the wellspring of all the pianistic innovations which have been thought to be found in my work.”

So said composer Maurice Ravel (1875-1937) of his breakthrough composition Jeux d’Eau, completed on November 11th, 1901 and dedicated to his teacher Gabriel Fauré.

As such, the work is surely a milestone not only in Ravel’s compositional development, but also in that of the classical piano repertoire.

In this post I will consider the genesis and significance of Jeux d’Eau before taking a look at Nicolas Southon’s brand new urtext edition of the piece, with fingering and notes on the interpretation by concert pianist Alexandre Tharaud, recently published by Bärenreiter.

Continue reading Ravel: Jeux d’eau

The Beethoven 2020 Diary

The Pianodao Review

It probably hasn’t escaped your notice that 2020 marks the 250th Anniversary of the birth of Ludwig Van Beethoven (1770-1827), without doubt one of the greatest composers of all time.

Inevitably, concert programmes, air waves and the media will be suitably saturated throughout the year. And the celebrations start here…

The Beethoven 2020 Diary from Bärenreiter is a simple idea, brilliantly executed. Essentially this handsomely presented pocket diary offers an overview of the man and his music, presented in daily bite-sized chunks.

And for the record, generally I chuck pocket diaries straight in the bin.. this one, however, is a definite keeper!

Let’s find out why …

Continue reading The Beethoven 2020 Diary

Jakub Metelka: Modern Piano Studies

Sheet Music Review

Jakub Metelka’s Modern Piano Studies is an educationally useful and thoughtfully produced collection of 30 miniature pieces which address aspects both of technique and notation-reading at upper intermediate level. The book is certainly novel, and may have what it takes to establish itself as a contemporary classic in the pedagogy literature…

Continue reading Jakub Metelka: Modern Piano Studies

The Piano Music of Otilie Suková

Sheet Music Review

Otilie Suková was the daughter of Antonín Dvořák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings.

Four of her piano pieces have survived; three were published in her lifetime, a fourth ‘To Dear Daddy has never previously been published.

Now Bärenreiter have produced a typically gorgeous urtext edition of the four pieces, edited by Eva Prchalová.



I’ve been playing them, and they are lovely. Here’s my review…

Continue reading The Piano Music of Otilie Suková

Couperin: Pièces de clavecin

Sheet Music Review

François Couperin ‘le grand (1668-1733) was undoubtedly one of the great keyboard composers. His seminal influence is not only evident in the music of later French composers from Rameau to Ravel, but as an antecedent finds echoes in Chopin’s piano miniatures and even perhaps (by way of Creole migrants) the rhythms of New Orleans Jazz.

And yet his music remains too little known, and too rarely performed.

Now we have an even better chance to explore his glorious solo keyboard output, thanks to Bärenreiter’s recent publication of a stunning new edition of the Second Livre (1717) of Couperin’s Pièces de clavecin.



Let’s find out more…

Continue reading Couperin: Pièces de clavecin

Bartók: Easy Pieces and Dances

Sheet Music Review

It’s fair to say that in the last three years or so I have received more sheet music by Bartók for review than any other composer, the renaissance of interest in publishing his works no doubt a result of the fact that they are no longer in copyright. Bartók is without doubt one of my very favourite composers, so in my book, this commitment to producing excellent new editions of his music is a great thing.

Latest to arrive, Bärenreiter’s Bartók: Easy Piano Pieces and Dances, which brings together miscellaneous pieces of easy to moderate difficulty (including many familiar favourites), is ideal for teaching purposes.

The Easy Piano Pieces and Dances series is one of the many highlights in the Bärenreiter catalogue, with nearly a couple of dozen great composers already given dedicated volumes suitable for the intermediate pianist. I have already given glowing reviews to the collections dedicated to Debussy (read the review) and Martinů (read the review here).

So let’s find out how the new Bartók volume compares …

Continue reading Bartók: Easy Pieces and Dances

Brahms: Two Rhapsodies

Sheet Music Review

Brahms’ vivacious Two Rhapsodies Op.79 of 1879 are among his most frequently performed and popular concert works.

The Rhapsody in G minor Op.79 No.2 is also a mainstay of the ABRSM piano diploma syllabus, where its gorgeous sweeping melody line makes it a popular choice with players.

Inevitably there are several printed scores on the market; ABRSM naturally promote their own, while many performers have tended to opt for the Henle Urtext edition.

Now Brahms expert Christian Köhn is presenting these popular pieces in an up-to-date new edition that remains faithful to the sources and reflects scholars’ latest findings. And according to publishers Bärenreiter,

“In addition to the informative Preface the edition offers enlightening details regarding performance practice of Brahms’ day. With a reader-friendly engraving, comfortable page turns including a fold-out page and fingering where required, the edition meets all the needs of today’s performers.”

Let’s take a quick look…

Continue reading Brahms: Two Rhapsodies

Ragtime by Scott Joplin

Sheet Music Review

In addition to this year marking the Debussy centenary, November 24th 2018 is the 150th anniversary of the birth of Scott Joplin, composer of some of the most popular piano pieces ever written.

In this review I will be looking at the recently published volume, Ragtime by Scott Joplin, by Jean Kleeb, appearing as part of Bärenreiter’s Ready to Play series.

But first, a few words about the importance of Joplin himself…

Continue reading Ragtime by Scott Joplin

The Music Books of Mozart & His Sister

Sheet Music Review

The Music Book for Maria Anna “Nannerl” Mozart (compiled by Leopold Mozart in 1759) and Wolfgang Amadeus Mozart’s London Sketchbook (1764) are surely established at the very pinnacle of the pedagogic keyboard repertoire, their status secure alongside Bach’s Anna Magdalena Notebook, Schumann’s Album for the Young and Bartók’s For Children.

And yet, honestly, how many piano teachers are truly familiar with the contents of these collections, beyond the few favourites that are regularly cherry-picked for exam syllabi and educational repertoire collections? I’m certainly willing, if hardly happy, to plead guilty to the charge of somewhat overlooking this music.

But it turns out that there is a good reason why most of us don’t know these pedagogic collections inside out: while many selections of pieces from these notebooks are available elsewhere, most collections limit themselves to those written by Wolfgang Amadeus and, remarkably there isn’t a full published edition on the market.

No – seriously!

Well thankfully Bärenreiter Urtext Edition are now rectifying this situation with a new complete publication based on the New Mozart Edition. According to the publishers,

“Until now the edition The Music Books of Mozart and his Sister has only been available as part of the boxed set of Mozart’s oeuvre for piano (BA 5749) which has gone out of print. Now for the first time, it can be purchased separately.

“Based on the New Mozart Edition, this is the only publication to contain all the pieces, sketches and fragments found in the notebooks. The Foreword by the great Mozart scholar Wolfgang Plath provides valuable information on the pieces themselves and on the question of their authorship; besides Mozart’s earliest juvenilia, some of which formed the basis of later compositions, the notebooks also contain works by Leopold Mozart and other composers.”

This sounds plausibly irresistible, but as always, we’ll take a closer look …

Continue reading The Music Books of Mozart & His Sister

Emil Hradecký: Two-Part Piano Miniatures

The Czech composer and teacher Emil Hradecký (b. 1953) has devoted much of his creative output to children and the piano. His pieces are frequently inspired by dance music and jazz, and are distinguished by their fresh melodies and distinctive rhythms.

Several of his collections are published here in the UK by Bärenreiter, including his Little Jazz Album for PianoJazz Etudes for Young Pianists and the duet collection Jazzy Pieces for 20 Fingers.

His latest collection is called Two-Part Piano Miniatures on One Page…

Continue reading Emil Hradecký: Two-Part Piano Miniatures

Schubert’s “Fantasy Sonata” in G major

Sheet Music Review

20th March 1989 is embedded in my memory as the evening on which I attended one of the most magical classical piano recitals!

Although I was seated in the balcony, and towards the back of London’s Royal Festival Hall, I could just as well have been sat in the front row, such was the silent rapture of the audience. In semi darkness, lit by just one small lamp, the legendary Sviatoslav Richter quitly took to the stage and opened the recital with the hushed tones of a simple but fully-fleshed G major chord.

At this point in his career, Richter had given up announcing his programme – which didn’t stop tickets for his recitals from selling out within minutes of going on sale. But that opening chord was sufficient to announce to the pianophile audience that we were about to be served a very special musical treat:

Schubert’s magical “Fantasy Sonata” in G major, Op.78, D.894.

In Richter’s hands, this joyous work took on a new dimension – and not least because of his controversially slow interpretation of the first movement, lasting a full 25 minutes (compared to the more usual 15 – in Wilhelm Kempff’s recording this movement lasts just 10’54”, albeit omitting the repeats).

While I love Schubert’s Sonatas as a whole, the G major is perhaps even more dear to me than the others because of this much-treasured memory. So I was delighted when the brand new Bärenreiter Urtext edition dropped onto my door mat for review …

Continue reading Schubert’s “Fantasy Sonata” in G major

Debussy: Images & Pour le piano

Sheet Music Review

As many will know, pianists and classical music lovers are this year marking the centenary of Debussy’s death in 1918.

In a previous post I addressed the frequently asked question, “where to start?” exploring his piano works, suggesting Bärenreiter Edition’s Easy Pieces and Dances collection and their excellent urtext edition of the Preludes livre 1 as great entry points.

In this post I will look at a couple of Bärenreiter’s other Debussy editions – the two volumes of Images, but first Pour le piano. These are virtuoso concert works which qualify for the diploma and professional tag in terms of difficulty.

Continue reading Debussy: Images & Pour le piano

Mozart: Concerto in D, K.537

Sheet Music Review by Alison Eales

It gives me great pleasure to welcome my sister Alison Eales as a sometime reviewer here on Pianodao. Alison is an experienced professional performer, ABRSM examiner, and has been Head of Music at Kingshott School, Hitchin for many years.

For her first review here, Alison is looking at the new Bärenreiter Urtext Edition of the Mozart Piano Concerto in D major, K.537 ”Coronation”.

Continue reading Mozart: Concerto in D, K.537

Debussy: Where to Start?

Sheet Music Review

It’s all about Claude Debussy for classical music lovers and pianists this year, as we mark the centenary of his death in 1918.

And rightly so! Because few composers have made such a seminal contribution to the pianist’s literature, or composed music which explores such a range of colour, tonal possibility and timbre from the instrument.

Later on in this review I will be taking a  look at the Bärenreiter Urtext edition of Debussy’s Préludes (1er Livre).

But first, what about players who aren’t yet sufficiently advanced for these masterpieces? For the developing pianist, the question often arises – where to start exploring Debussy’s rich, varied and substantial body of piano music?

The good news is that, while Debussy never wrote anything simple, his oeuvre does offer up plenty of music that suits pianists of early advanced, around Grade 5-8 level. And while many of these pieces are among the world’s most cherished, a few remain surprisingly less well-known.

Continue reading Debussy: Where to Start?

Masterworks from Bärenreiter

Esteemed publishers Bärenreiter continue to produce some of the world’s finest editions of core classical piano repertoire (and of course, so much more!) and I have been delighted to see some of their latest releases.

In this review I will look at their new scores of masterworks by Bach, Haydn and Beethoven, which are suitable for post-grade 8 amateur players, diploma students, and professional pianists.

In a separate review I will also be looking at a couple of most interesting recent educational releases, so as always, stay tuned!

Continue reading Masterworks from Bärenreiter

Martinů: Easy Piano Pieces & Dances

Sheet Music Review

The composer Bohuslav Martinů’s name will be known to many readers, but perhaps fewer will be familiar with his piano music – other than the gorgeous miniature Colombine Dances, which was such a popular choice when it was set for ABRSM Grade 6 a few years ago, subsequently appearing in the third Encore book.

Born in 1890, Martinů is rightly regarded as one of the great Czech composers of the early 20th century. He was impressively prolific, leaving 15 operas, 14 ballet scores, 6 Symphonies, and a very large body of instrumental and choral music. His musical influences were eclectic – embracing modernism, neo-classicism, jazz and Latin American dance music.

All of which are evident in a new collection of previously unknown piano works, brought to us by Bärenreiter.

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Continue reading Martinů: Easy Piano Pieces & Dances

Piano Kaleidoscope

Sheet Music Review

In my recent review of Bärenreiter’s new edition of the Sonata in A major K331 by Mozart, I mentioned that they are a publisher who take pride in achieving the highest standards in all their publications. In their own words:

Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research prepared in accordance with clearly defined editorial guidelines.
Bärenreiter Urtext: the last word in authentic text – the musicians’ choice.”

Piano Kaleidoscope is a new piano anthology, produced by Bärenreiter as an appetiser for their Urtext Editions, specially priced at the pocket-money price of just £4.00. And it is the best bargain I’ve ever reviewed here!

But who is it for, and does it achieve more than its basic aim of promoting the rest of their published range? Let’s find out…

Continue reading Piano Kaleidoscope

K331. But as you know it?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire. Now, a newly resurfaced section of the autograph has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece.

According to the publishers,

“The editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time. His scholarly-critical performance edition is the only one to remain entirely true to the sources by presenting the musical text of the autograph and the original print separately.”

Continue reading K331. But as you know it?