Martinů: Easy Piano Pieces & Dances

Sheet Music Review

The composer Bohuslav Martinů’s name will be known to many readers, but perhaps fewer will be familiar with his piano music – other than the gorgeous miniature Colombine Dances, which was such a popular choice when it was set for ABRSM Grade 6 a few years ago, subsequently appearing in the third Encore book.

Born in 1890, Martinů is rightly regarded as one of the great Czech composers of the early 20th century. He was impressively prolific, leaving 15 operas, 14 ballet scores, 6 Symphonies, and a very large body of instrumental and choral music. His musical influences were eclectic – embracing modernism, neo-classicism, jazz and Latin American dance music.

All of which are evident in a new collection of previously unknown piano works, brought to us by Bärenreiter.

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Piano Kaleidoscope

Sheet Music Review

In my recent review of Bärenreiter’s new edition of the Sonata in A major K331 by Mozart, I mentioned that they are a publisher who take pride in achieving the highest standards in all their publications. In their own words:

Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research prepared in accordance with clearly defined editorial guidelines.
Bärenreiter Urtext: the last word in authentic text – the musicians’ choice.”

Piano Kaleidoscope is a new piano anthology, produced by Bärenreiter as an appetiser for their Urtext Editions, specially priced at the pocket-money price of just £4.00. And it is the best bargain I’ve ever reviewed here!

But who is it for, and does it achieve more than its basic aim of promoting the rest of their published range? Let’s find out…

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K331. But as you know it?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire. Now, a newly resurfaced section of the autograph has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece.

According to the publishers,

“The editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time. His scholarly-critical performance edition is the only one to remain entirely true to the sources by presenting the musical text of the autograph and the original print separately.”

Continue reading K331. But as you know it?