Mélanie Bonis • Children’s Albums

Selected and Reviewed by Andrew Eales
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The superb Schott Student Edition series has recently grown to include two very welcome volumes of music for children by the Late Romantic French composer Mélanie Bonis.

The Album pout les tout-petits Op.103 includes 20 pieces suitable for elementary players (around UK Grades 1-3), while the eight pieces that make up Scènes enfantines Op.92 will suit intermediate players (UK Grades 4-6).

Both books are edited by the indomitable Melanie Spanswick, who has also written an excellent introduction which includes a composer biography, and several pages of in-depth teaching notes.

These excellent volumes are an important addition to the pedagogy repertoire, and in this review I will consider each of the two sets after first briefly introducing the composer…

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Mendelssohn • Masterpieces

Selected and Reviewed by Andrew Eales
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Edition Peters’ Masterpieces for Piano series launched last year with three initial titles devoted to the great keyboard works of Mozart, Beethoven, and Schubert, expertly compiled by Roland Erben and given fresh modern engravings based on the publisher’s esteemed legacy editions.

Each of the beautifully presented bumper books in the series so far offers a significant selection of core repertoire, suitable for (predominantly) early advanced players. And they proved to be one of the music publishing highlights of the last year.

Now Erben is back, with a volume of music by Clara Schumann coming soon, but firstly a new collection of Felix Mendelssohn’s most popular works. How many of them have you played?

Bearing in mind Mendelssohn’s importance and popularity, it may come as a surprise that in the last ten years of reviewing music on Pianodao, this is the first time I have been sent a new publication of his music for consideration.

Happily, this might be the only one you will ever need. Let’s find out…

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Dvořák • Suite in A major

Selected and Reviewed by Andrew Eales
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The significant and superb solo piano output of Antonín Dvořák (1841-1904) remains one of the most neglected of any major Romantic Era composer, so when a new recording or edition appears it is always cause for joy.

Among the publishers, it is no surprise that Bärenreiter are the most dedicated to promoting Dvořák’s work, as they are with all Czech composers, and the most recent addition to their catalogue of this composer’s piano music arrived a few months back: a new edition of the Suite in A major Op.98, a substantial five-movement work suitable for players at diploma level.

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Discovering Backer Grøndahl

Selected and Reviewed by Andrew Eales
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As I write, I am enjoying the magical afterglow of an event I recently attended at the Norwegian Ambassador’s residence in Kensington. Organised with publisher Edition Peters, the evening celebrated the release of the first ever urtext editions of piano works by Agathe Backer Grøndahl (1847-1907).

The Edition Peters scores for both works have been published in association with Kode, the association of art museums and composers’ homes in and around Bergen, who previously also partnered for the publication of Grieg – A Piano Treasury, reviewed here.

Christian Grøvlen, who is Director of Music and the Composer’s Homes for Kode, and the editor of the Edition Peters scores, performed the two recently published works: the Fantasy Pieces Op.39 and In the Blue Mountain Op.44, introducing each with the rapt fascination and deep insight of a true expert.

While the latter piece was a virtuosic concert work in the manner of Liszt, it was the Fantasy Pieces that impressed me the more. While designating these miniatures “salon pieces,” Grøvlen highlighted Backer Grøndahl’s genius with the form, and her innovative compositional style.

I am surprised that a renewed interest in Backer Grøndahl’s music hasn’t come sooner. Enjoying the generous hospitality and chatting with other guests after the performance, it was clear that none there doubted that this music is of special importance and quality.

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Fanny Hensel • Easter Sonata

Selected and Reviewed by Andrew Eales
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With a reawakened interest in the music of forgotten women composers, evidenced by the numerous collections and books published over recent years, it’s no wonder that the music of Fanny Mendelssohn Bartholdy, later Hensel, (1805-1847) is enjoying a long-overdue renaissance.

Fanny Hensel’s “Ostersonate” (Easter Sonata) was composed in 1828, but remarkably, the recent edition from Bärenreiter is actually the first ever urtext version of this beguiling music, based on an autograph which was long inaccessible due to being in private hands.

Combining excellence with innovation, the typically superb Bärenreiter critical edition itself is accompanied by an included second volume, which offers a complete facsimile reproduction in colour of Fanny’s autograph manuscript.

Nearly two centuries after its composition, it’s surely now time to rediscover and celebrate this tremendous work, which is suitable for performance by players at associate diploma level and beyond…

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