Trinity College: A Recital Anthology

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Once in every while a music book arrives on my review desk which is simply too wonderful for words, and yes! this is one of those!

Surprisingly so, perhaps, given that on paper this looks like a rather plain anthology of well-worn diploma repertoire. According to the blurb,

“This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse and compelling programmes, whether preparing for a Trinity diploma or not.”


So you’re possibly wondering what lifts it above the exam jargon and makes it truly special. Let’s find out…

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Ji Liu: Fire and Water

Sheet Music Review

Ji Liu is one of the young upcoming generation of Chinese pianists to find global success in the wake of Yundi and Lang Lang.

Following studies at the Shanghai Conservatory of Music and London’s Royal Academy of Music, Liu has had significant success as a Global Classic fm recording artist, topping the UK Classical Charts, and as a concert artist who has performed around the world, appearing in such distinguished venues as the Royal Albert Hall in London and Carnegie Hall in New York.

Liu’s 2018 album Fire & Water took as its inspiration the Chinese five-element theory Wu-Xing, which is at the heart of Daoist philosophy, qigong practice and traditional acupuncture. Of the five (Wood, Earth, Metal, Fire, Water) Liu selected the pairing of fire and water as a basis for programming contrasting pieces by Debussy, Saint-Saëns, Einaudi, de Falla, Scriabin, Ravel, Xian Xinghai, Rachmaninov and Stravinsky.

Fire & Water delivers an intoxicating blend of virtuosity and appealing melody that has proved immensely popular. Several of the pieces are Liu’s own arrangements, fuelling demand for the sheet music to be made available.

For the Fire & Water publication, recently brought to us by newcomer Master Music Publications, Liu has obliged with his transcriptions, together with his annotated editions of some (but not all) of the album’s other pieces, and a brand new composition Tragicomic Trilogy.

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Schubert: The Late Sonatas

SHEET MUSIC REVIEW by Andrew Eales.
For support playing this music, BOOK AN ONLINE CONSULTATION or try Andrew’s VIDEO FEEDBACK SERVICE for personalised advice and tips.


Back in June 2018 I reviewed Bärenreiter’s then new issue of Schubert’s G major Fantasy Sonata, concluding:

“I am grateful that this beautifully presented edition of the Fantasy Sonata has given me a fresh opportunity to explore such a magnificent work – and with this Bärenreiter edition to hand, it becomes still more enticing.
The Fantasy Sonata must surely be among Schubert’s greatest piano works, and one of the more accessible of the later Sonatas. And whether for studying or performing this masterpiece, this new edition from Bärenreiter is undoubtedly the one to own!”

Now that edition reappears as the opening work in Volume III of Bärenreiter’s complete Schubert Sonatas edition, in which is is joined by the great Sonatas in C minor, A major and B flat major, D 958, 959 and 960 respectively, surely three of the most hallowed pieces in the entire classical piano repertoire.

Read on for the Pianodao review…

Continue reading Schubert: The Late Sonatas

Kurt Schwertsik: Collected Piano Works

Sheet Music Review

When Austrian composer Kurt Schwertsik’s Albumblätter: collected piano works landed on my desk in 2018, I was intrigued, but like too many books it ended up buried in my review backlog.

Fast forward to Summer 2020, and the newly released recording of this music by pianist Aya Klebahn caught my attention on Apple Music.

Second time lucky, I was quickly hooked…

Publishers Boosey & Hawkes tell us:

“Kurt Schwertsik’s music is characterised by ever-changing moods and is idiosyncratic with a refreshing lightness of touch. Though a pupil of Stockhausen, the composer rejected serialism in favour of new forms of tonality. His search for an ‘alternative’ modern culture draws inspiration from Satie and the Dada movement.”

Intrigued? A little belatedly, here is the Pianodao review…

Continue reading Kurt Schwertsik: Collected Piano Works

250 Piano Pieces for Beethoven

Sheet Music Review

Just in time for the 250th anniversary of the birth Beethoven (1770-1827), Editions Musica Ferrum have published the tenth and final volume in their series 250 Piano Pieces for Beethoven, surely one of the most ambitious musical projects of recent years.

In this article I will offer an overview and brief review of the ten volumes before including a short interview with Musica Ferrum founder Nikolas Sideris…

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Schott’s ‘Joy of Music’

Sheet Music Review

Schott Music is one of the world’s oldest and most revered music publishers, with a back catalogue that includes first editions of some of the greatest compositions in the history of Western Music.

Founded in 1770 by Bernhard Schott in Mainz, the distinguished publishing house celebrates its 250th anniversary in 2020, and Pianodao joins the music-loving community in congratulating them on this brilliant milestone.

Schott have themselves released a few new publications in which they celebrate their heritage, two of which I am now reviewing. Carsten Gerlitz’s Happy Birthday Schott Music will be reviewed separately, and in this article I will be looking at The Joy of Music: Discoveries from the Schott Archives, a collection of virtuoso and entertaining pieces of piano music for advanced players.

As Schott explain:

“To mark this anniversary, the Schott publishing house has dug up and reedited treasures from its historical publishing archives.”

Let’s lift the lid and see what’s inside this treasure chest….

Continue reading Schott’s ‘Joy of Music’

Piano Music of Africa and the African Diaspora

Sheet Music Review

One of the many positive developments within the piano teaching and performing community in 2020 has been a re-evaluation of the contribution of musicians of African descent to the repertoire.

A primary sourcebook for this music, Oxford University Press published Piano Music of Africa and the Afrian Diaspora in five volumes, compiled and edited by William H. Chapman Nyaho, between 2007-8. Between them, the books offer 60 pieces by 36 separate composers of African descent, organised by difficulty level as follows:

  1. Volume 1: Early Intermediate
  2. Volume 2: Intermediate
  3. Volume 3: Early Advanced
  4. Volume 4: Advanced
  5. Volume 5: Advanced

More than a decade has passed since the publication of these books, and it is odd that so little of this music has made its way onto concert platforms or found regular use in teaching studios, exams, and homes.

Quite why more haven’t picked up this music is a mystery, because anyone with a fair mind and musical imagination will discover as soon as they explore these OUP volumes that the music of these neglected composers is consistently superb.

So let’s explore the series…

Continue reading Piano Music of Africa and the African Diaspora

Melanie Spanswick: Simply Driven

Sheet Music Review

Melanie Spanswick enjoys a very successful career as a pianist, teacher, adjudicator, writer and blogger. In recent years she has added composer to this list, with a succession of publications beginning with easy minimalist pieces for EVC Music, and now writing for Schott Music.

I have previously reviewed Spanswick’s No Words Necessary for intermediate pianists here on Pianodao, as well as her series Play it Again for adult returning pianists.

Spanswick’s latest book Simply Driven is a collection of 5 Virtuoso Pieces, suitable for players at around Grade 8 and above…

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Evgeny Kissin: Four Pieces Op.1

photo: G. Henle Verlag

Sheet Music Review

Evgeny Kissin hardly needs any introduction to readers of Pianodao: one of the leading pianists of his generation, Kissin’s stunning performances and recordings have wowed audiences worldwide.

Now he joins that highest echelon of the great pianist-composers by bringing the world his first solo piano compositions.

Kissin’s Four Piano Pieces Opus 1 were published by G. Henle Verlag late last year, joined by his Cello Sonata Op.2 and String Quartet Op.3.

And yes, this is the first time that Henle have committed to publishing the work of a living composer. Picking our jaws up from the floor, let’s find out more…

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Beethoven’s Piano Sonatas: Wiener Urtext

Sheet Music Review

In the conclusion to my recent review of Bärenreiter’s recently published Jonathan Del Mar edition of the complete Beethoven piano sonatas, I noted,

“With the appearance of Jonathan Del Mar’s new benchmark edition for Bärenreiter, we have less of an excuse than ever when it comes to understanding and interpreting the master’s intentions… This magnificent resource is surely not only a new landmark in Beethoven scholarship, but for pianists its issue is the publishing event of the decade.”

In the light of such high praise, eyebrows might be raised at the spectacle of me now reviewing an alternative edition. However, it’s only fair to admit that however definitive an edition is (and the Del Mar edition is as definitive as they come), there is still space for more than one edition of these masterpieces on our shelves.

Given the complexity of establishing an exact text of these core works, and the performance considerations they raise, I certainly welcome the option of having a couple of editions to consult, especially if they offer complementary strengths and insights.

Also last year, and with the 250th anniversary of Beethoven’s birth clearly in sight, Wiener Urtext released their own fully updated and revised urtext edition of the Sonatas in three volumes, UT 50427/8/9.

Without detracting from my enthusiasm for the Del Mar edition in any way at all, there are good reasons why some players might welcome the strengths offered by the Wiener Urtext editions, or even prefer them; this review will focus on explaining what I think those are…

Continue reading Beethoven’s Piano Sonatas: Wiener Urtext