Masterworks from Bärenreiter

Esteemed publishers Bärenreiter continue to produce some of the world’s finest editions of core classical piano repertoire (and of course, so much more!) and I have been delighted to see some of their latest releases.

In this review I will look at their new scores of masterworks by Bach, Haydn and Beethoven, which are suitable for post-grade 8 amateur players, diploma students, and professional pianists.

In a separate review I will also be looking at a couple of most interesting recent educational releases, so as always, stay tuned!

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Show & Tell: G. Henle Verlag

Sheet Music Review

This new format “Show & Tell” review includes both a video, in which I will show you the latest publications from Henle, and a scripted review below, with links to more information on the publisher’s website.

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K331. But as you know it?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire. Now, a newly resurfaced section of the autograph has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece.

According to the publishers,

“The editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time. His scholarly-critical performance edition is the only one to remain entirely true to the sources by presenting the musical text of the autograph and the original print separately.”

Continue reading K331. But as you know it?

Boosey’s Bartók Bonanza

Sheet Music Review

Along with their outstanding new version of The First Term at the Piano – which I recently reviewed here – Bossey & Hawkes (in conjunction with Hal Leonard) have also just released the Bartók Piano Anthology.

Here’s a look at this interesting addition to the Bartók catalogue…

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Christopher Norton’s ‘Jazz Piano Sonata’

Sheet Music Review

Christopher Norton’s educational piano music – from the bestselling Microjazz series for beginner and elementary players through to his acclaimed series of Preludes Collections (the most recent of which I have reviewed here – Eastern Preludes and Pacific Preludes) his music has delighted millions of players and listeners of all ages around the world.

It’s great to be presented with a more substantial work from this ever-popular contemporary composer: the Jazz Piano Sonata follows the traditional three-movement form, and is a significant concert work for the advanced pianist.

Jazz-Piano-Sonata

Originally written for, and premiered by US pianist Jovanni-Rey de Pedro in 2013, the work has been performed in several countries already, and is now published by Christopher’s own company 80dayspublishing, courtesy of Boosey & Hawkes.

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LCM ‘In Concert’ anthology

Sheet Music Review

London College of Music Exams may be less well known to readers than the ABRSM and Trinity College London boards which I have written about previously, but that may be about to change. Certainly LCM offer a very wide range of different assessments for piano players – according to David Barton in this excellent blog post:

“I estimate that LCM offer nearly 20 different options for pianists at 15 different levels, right from the earliest stages of learning, through to the Fellowship of the London College of Music (FLCM). The range of options now available is fantastic; I feel enormously lucky to be teaching at a time when the needs of a diverse range of learners of all ages is finally being met by examination boards, led, in my view, by LCM. We live in exciting times, and it will be interesting to see what options continue to develop in the future.”

And it isn’t just in the area of examinations that LCM are looking to innovate and lead the way, but also in the area of publications…

When new Publications Officer David Duncan told me that he hopes to significantly shake up their publications, I quietly thought to myself ”thank goodness, as their previous efforts haven’t been particularly user friendly, well edited, or attractively presented.

That said, nothing prepared me for the extent and speed with which LCM Publications would reinvent itself: their new collection of selected works from their Piano Diploma syllabus has taken my breath away.

Put simply ’In Concert is an extraordinary achievement, and in a completely different league from LCM’s previous published efforts. And whether of not you are interested in LCM’s Diploma exam, this is a highly desirable new collection for players looking for interesting and diverse repertoire at this level.

Let’s take a closer look…

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Jan Freidlin: Four Stories

Sheet Music Review

The ability to write an effective miniature for solo piano – one which is personal but idiomatic, original but accessible – remains one of the true challenges for any composer, and one that many “big names” in classical music have seemingly avoided.

Not so for composer Jan Freidlin, who succeeds not just once but four times in quick succession in his latest publication from Edition Dohr, Four Stories.

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