Diploma Repertoire – Page 2

Prokofiev • Visions fugitives

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Sergei Prokofiev (1891-1953) is unquestionably among the great composers of the solo piano repertoire, as well as one of the most important innovators. As Maurice Hinson and Wesley Roberts assert (in their Guide to the Pianist’s Repertoire, fourth edition, 2014):

“Prokofiev developed an individual, percussive style, which was probably the most signifiant innovation in piano technique since Chopin. His percussive manner is uniquely blended with a lyric element frequently accompanied by strong dissonance, yet his basic arsenal of figuration stems directly from the nineteenth century. Influences of Russian folk song are evident in his melodies and energetic rhythms.”

To this impressive list of qualities, I think we must also add Prokofiev’s contrapuntal genius, clarity of musical texture, profound affinity with the instrument, biting wit, and of course remember that he composed some of the twentieth century’s most remarkably memorable and widely recognised melodies.

With the relaxing of copyright restrictions, we can happily anticipate that the available catalogue of Prokofiev piano music in print will rapidly grow in the coming months, raising the quality and increasing the choice of editions, as well as improving access to the composer’s less well-known pieces.

Dominated by the nine Sonatas, this astonishing body of work also includes more than 100 smaller pieces, as well as the composer’s transcriptions of his famous orchestral works. Edition Peters have been quick to reissue legacy editions, but perhaps more significantly, Henle have begun to bring out brand new scholarly urtext editions of the most significant pieces, so far including the Seventh Sonata and the virtuosic Toccata Op.11.

Among these releases, Henle’s new edition of the seminal masterpiece Visions Fugitives Op.22 is the subject of this review…

Schönberg • The Piano Works

Pianodao Music Library
Selected and Reviewed by Andrew Eales

When music publisher Universal Edition was founded in Vienna in 1901, its goal was to provide core classical and educational works to an enthusiastic Austrian market, but the company soon became associated with some of the most radical modernist composers of the age.

Within ten years, UE had signed contracts to publish new music by Mahler, Bartók, Schönberg, Webern, Zemlinsky, and in subsequent decades the company became the publishers of Kurtág, Ligetti, Stockhausen, Berio and Boulez among many others.

Austrian copyright ownership lasts for 70 years after a composer’s death, and since Bartók’s music came out of copyright in 2015, leading publisher G. Henle Verlag have been quick to produce new urtext editions which significantly improve on the scores previously available.

Now the turn of Arnold Schönberg (1874-1951), Henle bring us his complete piano works in a major new volume, the four most important sets of pieces also available to purchase individually, all additionally available digitally within the Henle app.

Liszt: Années de pèlerinage

Pianodao Music Library
Selected and Reviewed by Andrew Eales

As a teenage pianist entering the Bedford Festival back in the early 1980’s, I was told that I “didn’t have the right touch for Chopin”, a misty and slightly absurd put-down that somehow embedded its way into my psyche. My young mind decided that perhaps I should switch allegiance to Liszt, whose epic Sonata in B minor was already on my bucket list (where it remains).

Having already enjoyed the ever-lovely D flat major Consolation, I tried my hand at the somewhat absurd St.François de Paulo marchant sur les flots, which quickly established itself as my party piece (and with which I exacted my revenge), before turning my attentions to Liszt’s seminal (if still underrated) cycle, the Années de pèlerinage.

Edition Peters were my go-to publisher for this music, and their edition by the great Liszt student Emil Von Sauer seemed as authoritative as they came. My fixation with Liszt gave way to a fascination with the French Baroque long before I had learnt most of these variously eloquent and virtuosic pieces, but Sauer’s single volume tome has seen plenty of abuse over the years, finally becoming ripe for replacement.

How brilliant to find that Edition Peters have brought out a brand new critical performing edition of all three volumes of the Années de pèlerinage, this time edited by Leslie Howard, a towering authority whose deep knowledge and advocacy of this repertoire has extended to recording a definitive set of Liszt’s complete piano works across 99 compact discs.

Whether you have an older edition or not, this new one in three volumes and with additional pieces more than lives up to expectations…

Discovering Smetana

Pianodao Music Library
Selected and Reviewed by Andrew Eales

In March 2024, we celebrated the 200th anniversary of the birth of Bedřich Smetana (1824-1884), esteemed Czech composer and pivotal figure in the development of the national style during the Romantic Era.

Smetana’s compositions, including his epic tone poem cycle “Má vlast”, not only captured the essence of Bohemian landscapes and folklore but also encapsulated the national spirit during a period of intense political and cultural awakening in the region.

Smetana’s remarkable talent persisted despite hardships. By late 1874, he became completely deaf, but he continued composing until a mental breakdown in early 1884 led to his confinement in an asylum and subsequent decline.

Today, Smetana’s works remain cherished emblems of Czech cultural identity. But what of his piano music? Like many, I have remained largely unfamiliar with the significant body of solo repertoire Smetana composed, the bicentenary year thus providing an opportunity for discovery.

I am most grateful to publishers Bärenreiter for helping me evaluate Smetana’s legacy, kindly supplying me with their editions of his piano works, which presently appear in the seven volumes reviewed below…

Chinese Piano Music

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Classical piano playing has become hugely popular in China in recent years, its cultural popularity contributing to the rise of many impressive concert artists. Chinese pianists are becoming ever more prominent in music schools, international competitions, and concert halls worldwide.

It’s no surprise that the music of Chinese composers is also getting more attention. Riding this wave, Henle’s newly released Chinese Piano Music: Works of the 20th Century brings us superb scores of ten of the most pivotal works to emerge between 1947 and 1979, music that was formative in the development of a popular national style.

Curated by concert pianist Jingxian (Jane) Xie, this compilation includes music suitable for late intermediate to diploma level players, showpieces that combine a beautiful understanding of pianism with the captivating flavour of traditional Chinese music and culture. Many are already appearing as encores in the world’s most distinguished concert halls; all are likely to do so in the coming years.

While these composer names and piece titles may be new to many, it is clearly time to discover them, and the familiar Henle Urtext house style brings its own assurance that this is music which should not be ignored…

Schubert • The Piano Sonatas

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Once in a while we enjoy the arrival of a genuine milestone in classical music publishing. Bärenreiter’s stunning 2019 release of Jonathan Del Mar’s new edition of the complete Beethoven Piano Sonatas was such and occasion, and I reviewed that publication here.

Though not introduced with so loud a fanfare, Bärenreiter have also recently completed their new three-volume survey of the complete Schubert Piano Sonatas, a project several years in the making.

Edited by Walburga Litschauer and based on the urtext of the New Schubert-Edition, this set of publications breaks new ground in scholarship while also offering unrivalled performing editions of this seminal, if still too little-known, cycle of masterpieces…

Learn to Play Ragtime Piano

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Most pianists at some point will want to try their hand at playing Maple Leaf Rag and The Entertainer, but the wider world of Ragtime remains, for many, something of a mystery. How does the style actually work, who were its main purveyors, and where does it fit within the evolution of jazz piano?

Happily, there is an expert to guide us. Terry Waldo is considered to be the foremost living performer, producer, and historian of authentic ragtime. A producer and arranger of over fifty albums, he has appeared on hundreds of TV, film and radio programmes including his own historic series on NPR, This is Ragtime, latterly also a podcast.

Now, Waldo has blessed us with a straightforward guide to help the more advanced player interested in Ragtime to find their way with the genre.

Ragtime Piano: A Guide to Playing the Best Rags, published worldwide by Hal Leonard, is one of those books which does exactly what it says on the cover. Nevertheless, let’s take a peek!…

Scott Joplin • 20 Ragtimes

Pianodao Music Library
Selected and Reviewed by Andrew Eales

The Chicago World Fair of 1893 established Ragtime music as a national craze in the US, and by the end of the decade, the “King of Ragtime” Scott Joplin (1868-1917) was enjoying immense success as the composer of the genre’s biggest hits, most notably the Maple Leaf Rag, published in 1899.

Joplin died at the age of just 49, by which point he had composed just 53 piano pieces pieces, ten songs, one ragtime ballet, and two operas. Nevertheless, his impact on music was seismic, and a number of his works remain among the best loved in the whole piano repertoire.

It is, of course, for his Ragtime pieces that Joplin is particularly remembered, and a newly reissued publication in the Schott Piano Classics series presents 20 of the best known in a superb performers edition.

These are seminally important works in the solo piano repertoire, the emergence of jazz, and in the broader cultural history of the 20th century. And yet they remain somewhat under-represented in the music catalogue, as they do on exam lists and in concert. So this arrival is happy news indeed…