Prokofiev • Visions fugitives

Selected and Reviewed by Andrew Eales
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Sergei Prokofiev (1891-1953) is unquestionably among the great composers of the solo piano repertoire, as well as one of the most important innovators. As Maurice Hinson and Wesley Roberts assert (in their Guide to the Pianist’s Repertoire, fourth edition, 2014):

To this impressive list of qualities, I think we must also add Prokofiev’s contrapuntal genius, clarity of musical texture, profound affinity with the instrument, biting wit, and of course remember that he composed some of the twentieth century’s most remarkably memorable and widely recognised melodies.

With the relaxing of copyright restrictions, we can happily anticipate that the available catalogue of Prokofiev piano music in print will rapidly grow in the coming months, raising the quality and increasing the choice of editions, as well as improving access to the composer’s less well-known pieces.

Dominated by the nine Sonatas, this astonishing body of work also includes more than 100 smaller pieces, as well as the composer’s transcriptions of his famous orchestral works. Edition Peters have been quick to reissue legacy editions, but perhaps more significantly, Henle have begun to bring out brand new scholarly urtext editions of the most significant pieces, so far including the Seventh Sonata and the virtuosic Toccata Op.11.

Among these releases, Henle’s new edition of the seminal masterpiece Visions Fugitives Op.22 is the subject of this review…

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Schönberg • The Piano Works

Selected and Reviewed by Andrew Eales
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When music publisher Universal Edition was founded in Vienna in 1901, its goal was to provide core classical and educational works to an enthusiastic Austrian market, but the company soon became associated with some of the most radical modernist composers of the age.

Within ten years, UE had signed contracts to publish new music by Mahler, Bartók, Schönberg, Webern, Zemlinsky, and in subsequent decades the company became the publishers of Kurtág, Ligetti, Stockhausen, Berio and Boulez among many others.

Austrian copyright ownership lasts for 70 years after a composer’s death, and since Bartók’s music came out of copyright in 2015, leading publisher G. Henle Verlag have been quick to produce new urtext editions which significantly improve on the scores previously available.

Now the turn of Arnold Schönberg (1874-1951), Henle bring us his complete piano works in a major new volume, the four most important sets of pieces also available to purchase individually, all additionally available digitally within the Henle app.

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Chinese Piano Music

Selected and Reviewed by Andrew Eales
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Classical piano playing has become hugely popular in China in recent years, its cultural popularity contributing to the rise of many impressive concert artists. Chinese pianists are becoming ever more prominent in music schools, international competitions, and concert halls worldwide.

It’s no surprise that the music of Chinese composers is also getting more attention. Riding this wave, Henle’s newly released Chinese Piano Music: Works of the 20th Century brings us superb scores of ten of the most pivotal works to emerge between 1947 and 1979, music that was formative in the development of a popular national style.

Curated by concert pianist Jingxian (Jane) Xie, this compilation includes music suitable for late intermediate to diploma level players, showpieces that combine a beautiful understanding of pianism with the captivating flavour of traditional Chinese music and culture. Many are already appearing as encores in the world’s most distinguished concert halls; all are likely to do so in the coming years.

While these composer names and piece titles may be new to many, it is clearly time to discover them, and the familiar Henle Urtext house style brings its own assurance that this is music which should not be ignored…

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The Beethoven Sonatas: Where to Start?

Selected and Reviewed by Andrew Eales
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In this review I will be looking at two recent volumes from publisher Henle Verlag which between them offer an excellent introduction to Beethoven’s 35 Piano Sonatas, in a superb new edition edited by Norbert Gertsch and concert pianist Murray Perahia.

The two volumes are:

  • Five Easy Piano Sonatas, Henle 1391
  • Five Famous Piano Sonatas, Henle 1392
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J.S. Bach: The Six Partitas

Selected and Reviewed by Andrew Eales
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The Six Partitas BWV 825-30 of Johann Sebastian Bach (1685-1750) have long been regarded as one of the most important milestones of the Baroque keyboard repertoire, and exist in many editions.

The latest, edited by Ullrich Scheideler, with fingering added by concert pianist William Youn, and published by Henle (HN 518), replaces the same publisher’s 1979 Rudolf Steglich/Hans-Martin Theopold edition (HN 28), and aims to deliver the latest scholarship in a practical performing edition…

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Granados: Danzas españolas

Selected and Reviewed by Andrew Eales
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Enrique Granados (1867-1916) was one of the great composers to expand the piano repertoire in the twilight years of the Romantic era, and must be counted among Spain’s most marvellous writers for the instrument; so it is a shame that so much of his output remains too little-known and rarely performed.

Less than a handful of easy miniatures have been picked up by exam boards and anthologies, despite the fact that Granados composed a significant body of music suitable for intermediate and early advanced players. Meanwhile, the mighty cycle Goyescas belongs aside his compatriot Albéniz’s Iberia suites, but alas, only a couple of movements appear on concert programmes with any frequency. That much of Granados’s music has been difficult to find in good, widely available editions doesn’t help.

At the centre of Granados’s output, the twelve Danzas españolas are a fabulous collection suitable for the advanced player (around UK Grades 6-8). And while (unlike Albéniz) much of Granados’s solo piano music is closer in tone to Schumann than to Spanish flamenco, these pieces are replete with the regional flair and the sunny countenance that lends colour and a hint of exoticism to the best Spanish music. This is Granados at his most rustic.

Those wanting to play the Danzas Españolas relied on old editions by IMP and Dover. Happily, these marvellous pieces can now be explored in a superb new urtext from Henle Verlag, the subject of this review…

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Evgeny Kissin: Four Pieces Op.1

Selected and Reviewed by Andrew Eales
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Evgeny Kissin hardly needs any introduction to readers of Pianodao: one of the leading pianists of his generation, Kissin’s stunning performances and recordings have wowed audiences worldwide.

Now he joins that highest echelon of the great pianist-composers by bringing the world his first solo piano compositions. Kissin’s Four Piano Pieces Opus 1 were published by G. Henle Verlag late last year, joined by his Cello Sonata Op.2 and String Quartet Op.3.

And yes, this is the first time that Henle have committed to publishing the work of a living composer. Picking our jaws up from the floor, let’s find out more…

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Beethoven’s Variations for Piano

Selected and Reviewed by Andrew Eales
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As the 250th centenary of the birth of Beethoven approaches, it’s no surprise that the major publishers are issuing new and updated editions of his major piano solo works.

The monumental cycle of 35 Sonatas (the “New Testament” of the solo piano repertoire) are inevitably a centrepiece of the release schedules of several major publishers, but Beethoven’s other piano works mustn’t be overlooked.

Happy news, then: Henle Urtext have brought out an updated edition of Beethoven’s Variations for Piano in two volumes. The first volume [HN 1267] appeared a couple of years ago, but it’s the second [HN 1269], now available, that may prove the more irresistible. Let’s find out why …

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