Hal Leonard’s ‘Classical Piano Sheet Music Series’

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I love it when a music book exceeds my initial expectations, and the three books in Hal Leonard’s new Classical Piano Sheet Music Series score a hat trick on that front.

Between them, these three handsomely presented and well-edited books deliver a very decent survey of Western Classical piano music from the Baroque, Classical and Romantic Eras, and I can warmly recommend them to intermediate pianists and their teachers.

In the review that follows I will include an easy-to-read piece listing for all the pieces in each of the three books, individual purchase links, having first given a general overview of the series…

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Martin Stadtfeld’s Händel Variations

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At the age of seven, Martin Stadtfeld had a clear vision of his career goal: to become a concert pianist. From his first piano lessons with Hubertus Weimar he explored counterpoint and harmony. At 14 he went on to study with Lev Natochenny in Frankfurt, and by the age of just 22 he had signed to SONY Music Germany and released his debut CD: a recording of Bach’s monumental Goldberg Variations.

Fast forward a decade and a half, and with a string of successful recordings behind him (including Bach, Mozart, Schubert, Schumann and Chopin), Stadtfeld turned to Handel for inspiration for his 2019 Händel Variations recording. Transcribing the great Baroque composer’s themes to produce fresh new piano showpieces, much as he had previously done for his Hommage to Bach album the previous year, Stadtfeld scored another hit.

And now, following the album’s popularity, Schott Music have delivered the official sheet music score of Stadtfeld’s “transcriptions for piano solo on themes by Georg Friedrich Händel”. Let’s have a look…

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J.S. Bach: The Six Partitas

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The Six Partitas BWV 825-30 of Johann Sebastian Bach (1685-1750) have long been regarded as one of the most important milestones of the Baroque keyboard repertoire, and exist in many editions.

The latest, edited by Ullrich Scheideler, with fingering added by concert pianist William Youn, and published by Henle (HN 518), replaces the same publisher’s 1979 Rudolf Steglich/Hans-Martin Theopold edition (HN 28), and aims to deliver the latest scholarship in a practical performing edition…

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