Fazil Say: Troy Sonata

Sheet Music Review

It’s my pleasure to review a lot of superb new piano music on this site, but rarely do I have the chance to hail a monumental masterpiece to compare with Fazil Say’s Troy Sonata.

The piece was recently recorded by the composer himself and released on his outstanding Fazil Say Plays Say CD from Warner Classics, which was highly praised as my Recording of the Month and reviewed here.

In that review I noted:

“There really is no doubt in my mind that the Troy Sonata is one of the most significant solo piano works of our current century.”

It is with therefore with genuine pleasure that I can also now tell you about the sheet music publication, brought to us by Schott Music

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My First Haydn

Sheet Music Review

Few would argue with the statement that Haydn composed some of the most important and brilliant music in the Western classical canon. And the older I get, the more I am finding that his compositions (in a similar way to Bach’s) have the power to restore balance when I feel off-key, and enrich my days.

But Haydn’s music isn’t just for miserable old fogeys; I consistently find that even the youngest of my students quickly learn to enjoy his music more than most, its appealing melodies and jaunty, humorous spirit never far away.

Of course, children (and older beginners) can only make this discovery if teachers make a point of introducing Haydn’s oeuvre to their students. And Schott Music’s latest publications My First Haydn may be just the ticket for ensuring this happens.

The book joins Schott’s imaginative “My First…” series of music books, each featuring a major keyboard composer. I have previously reviewed My First Schumann and My First Beethoven and My First Haydn follows the same format to a tee, so do check those earlier reviews.

But for now let’s dig into this latest in the series…

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Exploring the Piano Music of Nikolai Kapustin

Kapustin’s extensive catalogue of solo piano music is increasingly recognised as one of the significant landmarks of the contemporary recital repertoire.

In an earlier review, Discovering the Piano Music of Nikolai Kapustin, I had a look at two contrasting works, the fiendishly difficult Sonata No.6 Op.62 (1991), and the more accessible (and now highly popular) Sonatina Op.100 (2000), new editions of which Schott Music had recently released.

Since then, Schott have been continuing to refresh the Kapustin catalogue (theirs since 2013) with new editions of his solo works appearing at regular intervals.

In this follow-up I will be giving a quick round-up of all the latest arrivals. Of these it must be noted that even the least assuming pieces here are rightly classified as “virtuoso”, being at least Diploma level in difficulty.

In all cases, these works are fully scored-out compositions in the classical vein, but heavily imbued with the language, techniques and aesthetics of contemporary jazz, leaning on influences that encompass modern jazz piano icons from Thelonious Monk to McCoy Tyner and beyond.

Continue reading Exploring the Piano Music of Nikolai Kapustin

Weber: The Piano Sonatas

Sheet Music Review

Carl Maria von Weber (1786-1826) was one of the significant pioneers of German Romanticism in music, chiefly remembered for his operas Der Freischütz, Oberon and the popular Invitation to the Dance.

Weber was also a brilliant pianist who composed four Sonatas, several shorter solo pieces, two Concertos, the Konzertstück in F minor for piano and orchestra, and considerably influencing successors such as Mendelssohn and Liszt.

Though not as universally known as those of his contemporaries Beethoven and Schubert, Weber’s four Sonatas have found a continuing place in the repertoire, and have been championed by leading concert artists such as Artur Schnabel, Claudio Arrau, Sviatoslav Richter, Emil Gilels, Leon Fleischer, Hamish Milne and Paul Lewis.

They have been less-well served in print however, an oversight which Schott Music hope to rectify with the publication of their new, affordable single-volume edition.

Continue reading Weber: The Piano Sonatas

Play it Again: Piano

Sheet Music Review

Melanie Spanswick’s Play it Again: Piano series launched with two books published by Schott Music back in 2017. At the time, I heaped praise on those books, and I have subsequently used them with adult “returners” who have also loved them.

Now, with a third book joining the series, it’s time for another look. This new review covers all three books in the series, so let’s dig in…

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Bertini’s Piano Études

Sheet Music Review

Henri Bertini (1798-1876) may be less well-known than his ridiculously prolific contemporary Carl Czerny (1791-1857), but his piano studies should not be overlooked, and were hugely influential in their day.

Now, thanks to Schott Music’s sumptuous Essential Exercises series, 48 Studies have been newly republished, offering the perfect opportunity to rediscover and explore this neglected composer’s marvellous work. Let’s dig in…

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Türk: Pieces for Beginners

Sheet Music Review

Schott Music have recently been developing a new series of publications called the Schott Student Edition, presenting core pedagogic repertoire in an attractive, affordable and contemporary format for today’s learners.

With several editions already in the pipeline for string and wind players, pianists can now also start their collection, thanks to the arrival of an excellent new edition of favourite pieces by Daniel Gottlob Türk, edited by Erich Doflein and with new Teaching Notes written by Samantha Ward.

Let’s take a closer look…

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Piano Playground 2

Sheet Music Review

Hans-Günter Heumann has been busy. Since I launched Pianodao three years ago I have reviewed his excellent Fantasy Piano and Mystery Piano collections, as well as the 16-book Piano Junior method series.

Then, just a few weeks ago, I reviewed Piano Playground 1, a fresh collection of original pieces, concluding:

“The best pieces here are genuinely great, and will surely enliven the musical development of young players!”

Hot on its heels comes the follow up, Piano Playground 2, so let’s investigate…

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Melanie Spanswick: No Words Necessary

Sheet Music Review

Lots of piano players enjoy the contemporary stylings of popular composers such as Ludovico Einaudi, Yirumi and David Lanz, but it’s not so easy to find really good arrangements of their music that are accessible to intermediate players, and which manage to be both concise and accurate distillations of the post-minimal piano style.

The search for an educationally sound and musically engaging alternative just got easier with the publication by Schott Music of No Words Necessary, an excellent collection of 12 new pieces composed by Melanie Spanswick.

These interesting and enjoyable pieces will certainly satisfy those looking for approachable contemporary piano solos, and they further confirm Melanie as an imaginative and engaging composer.

So let’s check it out …

Continue reading Melanie Spanswick: No Words Necessary

Tim Richards’ Jazz, Latin & Modern Collection

Sheet Music Review

Tim Richards is rightly regarded as one of the UK’s leading jazz and blues pianists/educators.

As a pianist, Tim has been a presence on the international music scene since the early 1980s, touring with his long-running trio and leading larger groups Spirit Level and Great Spirit, appearing at festivals opposite names such as John Lee Hooker, Miles Davis and Horace Silver. He has released more than a dozen albums as a leader.

As an educator, Tim came to the attention of many through his stunning blues piano method, Improvising Blues Piano in 1997, and it’s follow-ups Exploring Jazz Piano (vols. 1 and 2) which won the prestigious MIA Award for “Best Pop Publication” in 2006. He has subsequently co-authored Exploring Latin Piano and the Brazilian Piano Collection.

As well as being a prolific writer, Tim has been an ABRSM Jazz Examiner since 1999, contributing to their jazz grade syllabus, and he leads jazz classes and workshops widely.

His most recent publication, Blues, Boogie & Gospel Collection, received the following praise in my Pianodao review:

“Tim’s latest publication is an instant classic, earning an immediate place at the top table. These are deeply felt, expertly realised and above all authentic pieces that will not only hopefully open up the world of blues piano playing to a new wave of enthusiasts, but which are classics in their own right…
Tim Richards Blues, Boogie and Gospel Collection proves itself not simply as the best “jazz piano” publication of the year, but probably the best of the decade so far.

Following such tall praise, can his brand new book Tim Richards Jazz, Latin and Modern Collection possibly live up to expectations? Let’s find out …

Continue reading Tim Richards’ Jazz, Latin & Modern Collection