Tim Richards’ Jazz, Latin & Modern Collection

Sheet Music Review

Tim Richards is rightly regarded as one of the UK’s leading jazz and blues pianists/educators.

As a pianist, Tim has been a presence on the international music scene since the early 1980s, touring with his long-running trio and leading larger groups Spirit Level and Great Spirit, appearing at festivals opposite names such as John Lee Hooker, Miles Davis and Horace Silver. He has released more than a dozen albums as a leader.

As an educator, Tim came to the attention of many through his stunning blues piano method, Improvising Blues Piano in 1997, and it’s follow-ups Exploring Jazz Piano (vols. 1 and 2) which won the prestigious MIA Award for “Best Pop Publication” in 2006. He has subsequently co-authored Exploring Latin Piano and the Brazilian Piano Collection.

As well as being a prolific writer, Tim has been an ABRSM Jazz Examiner since 1999, contributing to their jazz grade syllabus, and he leads jazz classes and workshops widely.

His most recent publication, Blues, Boogie & Gospel Collection, received the following praise in my Pianodao review:

“Tim’s latest publication is an instant classic, earning an immediate place at the top table. These are deeply felt, expertly realised and above all authentic pieces that will not only hopefully open up the world of blues piano playing to a new wave of enthusiasts, but which are classics in their own right…
Tim Richards Blues, Boogie and Gospel Collection proves itself not simply as the best “jazz piano” publication of the year, but probably the best of the decade so far.

Following such tall praise, can his brand new book Tim Richards Jazz, Latin and Modern Collection possibly live up to expectations? Let’s find out …

Continue reading Tim Richards’ Jazz, Latin & Modern Collection

Piano Playground

Sheet Music Review

Hans-Günter Heumann is nothing if not prolific  – only a few weeks ago I was reviewing his excellent Mystery Piano collection, follow-up to his popular Fantasy Piano, which I am equally enthusiastic about.

And let’s not forget that in the meantime he has published the 16 books that make up the Piano Junior method series!

Somehow he has also now found the time to write Piano Playground 1 – with a second book to follow in November.

Piano Playground 1 is a collection of “30 Playful Piano Pieces”, brought to us by Heumann’s regular publishers, Schott Music.

Let’s take a look…

Continue reading Piano Playground

The ‘Deliberately Forgotten’ Composer

Sheet Music Review

The name Vsevolod Petrovich Zaderatsky (1891-1953) may be a new one to most readers – but if so it is perhaps because the authorities of the Soviet Era condemned this extraordinary composer to be “deliberately forgotten”.

But with the first edition of his 24 Preludes and Fugues (1937-9) – which were composed while Zaderatsky was a prisoner in the dreaded Kolyma forced-labour camp – newly published worldwide, his fortunes may be posthumously about to change…

Continue reading The ‘Deliberately Forgotten’ Composer

Rachmaninoff: Critical Urtext Edition

Sheet Music Review

Given the ravishing Romantic beauty of Sergei Rachmaninoff’s piano oeuvre, it’s easy to forget that the composer only passed away in 1943, meaning that for copyright purposes new editions of his works are only now beginning to significantly make their mark.

Chief among editions must surely be the colossal Critical Edition of the Complete Works edited by Valentin Antipode and published by the Russian Music Publishing in 2005, in association with Schott Music GmbH and Boosey & Hawkes.

Now available, the “Practical Edition” for performers is based on that groundbreaking benchmark edition.

This review will take a look at Volumes 2-4 in the ongoing series. In case you are wondering, Volume 1 apparently won’t be available for a little while yet, but I hope to bring you a review once it is!

Continue reading Rachmaninoff: Critical Urtext Edition

Mystery Piano

Sheet Music Review

Of the many new piano collections reviewed here on Pianodao over the last couple of years, one of the smaller number to make a particular impact within my own teaching studio has been Hans-Günter Heumann’s Fantasy Piano, reviewed here, which has become a firm favourite with early-intermediate players. Pieces such as Rainbow Fairy and The Sunken Island of Atlantis have started to appear in our regular student concerts, and clearly appeal to players and audiences alike.

Heumann has now produced a brand new collection – a sequel, again published by Schott Music, called Mystery Piano. So let’s see how it compares…

Continue reading Mystery Piano

Piano Junior 4 – The Finale

Sheet Music Review

When I reviewed Hans-Günter Heumann’s Piano Junior series on the launch of the first two levels in January 2017, I was full of praise, concluding:

“My own view is that Piano Junior has in many respects raised the bar, in some ways perhaps even setting a new standard by which piano courses for children will be judged.”

With the launch of the Level 3 books later that year, I wrote in my October 2017 review:

“… all I can hope for now is that the Level 4 publications, due next year, will provide the icing on an already tasty cake!”

Well, Piano Junior 4 is now with us! And so, with interest suitably piqued, let’s have a taste and see whether it is as sweet as hoped …

Continue reading Piano Junior 4 – The Finale

Discovering the Piano Music of Nikolai Kapustin

Sheet Music Review

Without doubt one of the more interesting, indeed extraordinary, composers of our times, Nikolai Kapustin was born in the town of Gorlovka in eastern Ukraine in 1937.

At the age of 14 he relocated to Moscow, studying piano at the Conservatoire, and announcing his composing career in 1957 with the Concertino for piano and orchestra Op.1. During this time he also had his own quintet and was a member of Yuri Saulsky’s Big Band; his enthusiasm for jazz continued after graduation when he joined the Oleg Lundstem Big Band.

Focussing purely on composing from the 1980s, Kapustin uses jazz idioms within the context of formal classical structures, writing orchestral, chamber and piano solo works for the concert hall.

Kapustin’s piano writing is for the most part rhythmically complex and highly virtuosic, making huge technical and musical demands on the performer.

Although his jazz-infused classical music is gaining an ever-larger audience of enthusiastic connoisseurs, few of us it seems have found a suitable entry point for learning and performing his works, in spite of the fact that his publishers Schott Music have many of his solo piano works available in print.

Schott’s two latest additions to the Kapustin catalogue may provide impetus, however: the Sonata No.6 Op.62 (1991) and Sonatina Op.100 are among his more approachable works, and should be accessible to players upwards from UK Grade 8 to Diploma level.

Continue reading Discovering the Piano Music of Nikolai Kapustin

The Piano Playlist

Sheet Music Review

The Piano Playlist is an anthology of 50 popular classics in easy solo piano arrangements by Barrie Carson Turner, published by Schott Music. According to the publishers,

“Taking the concept of the ‘playlist’ from the world of digital streaming, the book presents a carefully chosen selection of the world’s favourite classical pieces for today’s student and amateur musicians.
Including works from the symphonic, operatic and solo repertoire, this collection will provide hours of enjoyable music making. From the relaxing to the dramatic and the uplifting to the melancholic, there’s music for every mood and occasion.”

I included a short review of this when it first appeared, but having now used it successfully with adult students I am pleased to offer a more detailed look and recommendation …

Continue reading The Piano Playlist