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American composer Amy Beach’s significant contribution to the solo piano repertoire is finally beginning to receive the recognition and popularity it rightly deserves.
Beach (1867-1944) remained a hugely committed and prolific composer, even though much of her output received little attention in the first half of her career.
Her music is avowedly conservative, doing little to advance on the language of the early Romantic era composers, Schumann, Chopin and Liszt. And yet there is certainly a timelessness to its appeal that continues to speak to audiences and connect with players.
Hal Leonard’s 2013 publication Piano Music of Amy Beach offers an enticing introduction to this important composer’s work, and has recently been reprinted (in part because it is a core text for America’s National Federation of Music Clubs Junior Festivals programme for 2020-24).
The collection offers ten intermediate to advanced solo pieces selected from across Beach’s long career by Gail Smith. Let’s take a look…
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