Sheet Music Review
Grażyna Bacewicz (1909-1969) is at last gaining the recognition she deserves as one of the great composers of the mid-twentieth century, her towering Second Sonata rightly applauded as one of the significant piano masterpieces of the last century.
Among the composer’s many smaller-scale piano works the Suita dziecięca or Children’s Suite is a delightful highlight, its eight charming miniatures for the late-intermediate pianist a fascinating progression from the educational piano music of Bartók, Kabalevsky and Prokofiev (whose popular Musiques d’enfants appeared just one year after Bacewicz’s Suite).
Poland’s major publishing house Polskie Wydawnictwo Muzyczne, PWM Edition, have recently delivered a delightful new edition of the work, edited by Monika Dziurawiec and with a gorgeous cover design by Joanna Rusinek.
Let’s look at this new publication and delve into the imaginative pianism of Bacewicz, not least because this important work surely deserves a place within the core pedagogic repertoire that every piano teacher should try to be aware of…
Continue reading Bacewicz: Children’s Suite
SHEET MUSIC REVIEW • Written by ANDREW EALES
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Otilie Suková was the daughter of Antonín Dvořák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings. Four of her piano pieces have survived; three were published in her lifetime, a fourth ‘To Dear Daddy’ has never previously been published.
Now Bärenreiter have produced a typically gorgeous urtext edition of the four pieces, edited by Eva Prchalová.
I’ve been playing them, and they are lovely. Here’s my review…
Continue reading The Piano Music of Otilie Suková
Guest Author, The Reverend Professor June Boyce-Tillman writes about the effect that the lack of female composers in music syllabuses had on a young child’s aspirations…
Continue reading The Effects of the Gendered Musical Canon
When I published David Duncan’s guest article Women Composers and Grade Exams I really hoped that it would promote a healthy debate about a really important issue, and I am pleased that it has done so.
While I don’t generally comment on Guest Posts, on this occasion I would like to add a few thoughts. And I must begin by applauding David Duncan and his colleagues at LCM for their determination to address an imbalance. David makes a valuable contribution to the discussion, and I believe his efforts at LCM deserve our support and enthusiasm.
My hope is that by including far more works by women composers, their forthcoming piano syllabus will be an eye-opener, in which unjustly neglected works will receive the greater exposure they deserve.
Continue reading Women Composers, Piano Exams, and the Quest for Balance
Guest Post by David Duncan
Publications Officer, LCM Examinations
Should we care about the representation of women composers in graded music exams?
Continue reading Women composers and Graded Exams