Faber Music have established a reputation for producing interesting and beautifully presented piano collections in recent years, ranging from their standard-setting Faber Music Anthologies series to less imposing but equally attractive compilations.
Their latest is called Play Piano for Well-being, which offers a typically diverse assortment of popular and easily accessible pieces.
In common with last year’s Peaceful Piano Playlist, this new addition similarly compiles a wide range of music in the manner of a Spotify playlist, the hope being that the “31 uplifting piano solos” contained within will bring delight to players and listeners alike.
Regular readers will know that I am quite a fan of Paul Harris’s Piece a Week series from Faber Music, having found that using these books within my own teaching practice has helped many of my students significantly improve in their music literacy and ability to learn independently using notation.
Harris has just added a new book to the series, A Piece A Week: Initial Grade, which merits a separate review to the rest of the series for a variety of reasons which I will come to presently.
My first reaction to hearing about this book was admittedly mixed, on the one hand delighted that this wonderful resource has been extended to accommodate the needs of early elementary players, but the other hand stifling a weary sigh that in a year which has seen exam boards straining to dominate the music education agenda, yet more grade material has appeared for review.
But, extraordinary fellow that he is, Harris has an unnerving and seemingly inexhaustible knack for pleasantly surprising me, indeed, hugely exceeding my expectations.
Hot on their heels, Faber bring us their Easy Piano Anthology, a new book in the series that is aimed at less advanced players, including an enticing selection of arrangements suitable for the elementary to early intermediate player (around Grades 1-4).
Over the last three years, Faber Music seemed to establish a pattern of releasing deluxe Piano Anthologies in the run up to the Christmas season. For 2020, they have ‘upped the ante’ by bringing forward the next title in this stunning series to the Spring, with further anthologies (Contemporary and Easy) already in preparation.
The Faber Music Jazz Piano Anthology builds on the quality of its predecessors to deliver a sumptuous and brilliantly conceived book of jazz standards, newly arranged as piano solos for more advanced students and adult piano enthusiasts everywhere.
Following on from her previous collections of original pieces inspired by works of art Piano Gallery (reviewed here) and Piano Seascapes (reviewed here), Piano Meditations is the latest from best-selling composer Pam Wedgwood, brought to us as ever by publishers Faber Music.
Here we have 12 brand new compositions which are, according to their composer, “inspired by contemplative works of art”, and once again the publication includes a gorgeous full colour pull-out poster featuring images of all the paintings which served as Pam’s muse.
Intermediate players who enjoyed the previous collections, along with Wedgwood’s many fans, will undoubtedly already be rushing to their music supplier for a copy; for the benefit of those wanting more information, let’s take a quick look…
For 2020 I am pleased to present an updated feature on the adult method books I most highly recommend.
I’ll start with in-depth reviews of my TOP 5 CHOICES.
After that I will also include shorter reviews of some other great alternatives.
One of the most exciting developments over the course of my piano career has been the huge increase in adults taking up lessons. I have lost count of the number of adult beginners I’ve had the pleasure of teaching over the last three decades; at present I teach more than 30 adults.
I’ve seen adults taking up the piano for many reasons; some wish they had learnt when they were younger, while for others taking up piano as an adult is the next chapter in a growing musical interest.
Whatever the reason for starting lessons, the last thing most adults want is to be presented with Jimmy Timpson’s First Piano Lessons for Tiny Tots, or a minor variation with the word “adult” cannily stamped on the front cover.
And that’s perhaps one reason why my round-up of the adult beginner method books was by far the most-read article on Pianodao in 2019.
Fully refreshed for 2020, I’m delighted to present this updated and expanded version, including two major methods not mentioned last year.
But we’ll again begin with my top tips (also updated!) about what to look for in an adult method book, and why adults learn the piano differently to younger beginners…
Paul Harris’s series of A Piece a Week books have been appearing at regular intervals over the last few years. Faber Music have just released the Grade 6 book, so let’s consider the series as a whole…
I’ll start with a quick reminder that while the books appear in the best-selling Improve Your Sight Reading series, they are not sight reading practice books per se. Rather they aim to support the broader development of music literacy.
In this review I will first explain the concept behind A Piece a Week, give an overview of the actual material included in the books, and explain how they develop to offer superb material across the range of playing levels from UK Grade 1 to the new Grade 6 book.
One Saturday morning in March 2018, I learnt that my good friend the composer, author and educator Paul Harris had been rushed to our local hospital emergency department overnight…
Paul had for several months been battling non-Hodgkin’s lymphoma, a virulent cancer that had already seemed to take so much from him.
He was receiving excellent treatment at The Churchill Hospital in Oxford, but having taken a turn for the worse the previous night, Paul had been instructed to come straight to Milton Keynes, his nearest A&E.
Faber Music’s ‘Easy Piano Series’ has steadily been establishing itself as one of the brightest jewels in the publisher’s sparkling catalogue of educational piano music. New for 2019, this collection of seasonal favourites sets out to maintain the high standards of the series…
Hot off the press from Faber Music, and certainly not to be missed, the two books that make up the Teachers’ Choice Piano Collection have just appeared in partnership with EPTA UK, the European Piano Teachers’ Association.
Between them they include 58 pieces ranging in difficulty from Elementary/Grade 1 to Advanced/Grade 8, “selected by piano teachers for piano teachers”.
I must confess that when I first heard about these books a few months ago, my hopes for them were rather modest, but as soon as the finished collections arrived in the post I realised that they far exceeded my expectations. I think they are really wonderful!
Karen Marshall’s Piano Trainer Series for Faber Music, which includes The Foundation Pianist (with David Blackwell, reviewed here) and The Intermediate Pianist (with Heather Hammond, reviewed here), has reached its conclusion with the publication of The Advanced Pianist (Books 1 and 2, with Mark Tanner).
Taken as a whole, the complete series of seven books can be used as a core curriculum that can be interspersed with the eight grades of the UK examination boards, or used standalone by those skipping exams.
In this review I will firstly take a look at The Advanced Pianist before drawing a few conclusions about the Piano Trainer series as a whole…
Radiohead hardly need any introduction. Since forming in 1985, they have established themselves as one of the most unique and admired bands in the world, selling more than 30 million albums and regularly topping listener and critical polls.
Australian pianist and teacher Josh Cohen will perhaps be a new name to some readers however, although he has garnered an impressive following of some 70,000+ followers on YouTube, drawn to his improvised solo piano arrangements of popular songs by Radiohead, Pink Floyd, Sigur Rós and David Bowie.
Now, thanks to Faber Music, 11 of Cohen’s arrangements are being published (with the approval of Radiohead themselves) in a beautifully presented collection.
Here’s Cohen explaining in his own words the journey that brought us this publication:
Pam Wedgwood has long been one of the UK’s bestselling educational and contemporary piano composers, with several hugely successful series of books in her back catalogue.
Though now in her 70’s, she remains prolific; since starting to review music on Pianodao I have already written about her outstanding Jazzin’ About the Year (which has subsequently become one of the most popular collections with my own younger students), How to play jazz piano, and her 2017 collection Piano Gallery, about which I concluded:
“Pam’s knack for writing engaging idiomatic piano music and for creating satisfying character pieces with ongoing value seems to me perfectly distilled in Piano Gallery, making this a collection to truly cherish.”
Pam’s latest, Piano Seascapes, is the sequel to Piano Gallery, bringing players 12 new original piano pieces inspired by the sea…
That’s the first word that came to me as I unpacked the advance review copy of Lang Lang’s Piano Book when it arrived back in February, and it is rightly the first word of this review.
Because Lang Lang’s Piano Book is without question one of the most lush sheet music publications I have ever seen. So, right away a huge round of applause goes to Faber Music for a job magnificently done.
But beyond the opulent presentation, what actually is Lang Lang’s Piano Book? Let’s take a look…
Lang Lang’s Daily Technical Exercises is a new addition to the Lang Lang Piano Academy series published in the UK by Faber Music.
Subtitled, “Warm-ups, work-outs and scale routines to develop technique”, the book is introduced by its global superstar author with this encouragement:
“Everything you play should be performed with love and musicality, so all of these exercises are designed to be satisfying exercise patterns that lead you smoothly through all the key centres. Enjoy your scale practice, and your piano playing will take off!”
Now the series has grown to include Classical, and a fourth book snappily called Pop is scheduled to follow later in the year.
In my previous review I noted:
“There is always room on the music shelf for easy piano arrangements of well-known and popular songs – players of all ages naturally find it encouraging and enjoyable to tackle tunes that are familiar to them, their family and friends.”
The Classical book in the series follows a similar philosophy, offering 16 pieces with an emphasis on simplified arrangements of some of the best-loved melodies of all time, and with a few original versions of easy pieces thrown in for good measure.
And now they’ve brought out the Faber Music Christmas Piano Anthology, which proves to be a massive and hugely impressive collection of the best and most popular seasonal tunes, expertly arranged for piano solo at intermediate to advanced level.
There’s been a gap in the market for something like this – it’s never easy to recommend a collection for all ages that covers the most wanted classic and contemporary festive songs. So is this it? Let’s find out …
Now let’s see whether Pam Wedgwood’s How to Play Jazz Piano, published by Faber Music this week, can make it a hat-trick.
The book aims to provide a solid introduction to jazz playing and claims to be “ideal for young players with a basic knowledge of how to play the piano (approximately Grade 2 standard)”.
As a standalone course suitable for players at this level, there is little competition – perhaps the nearest comparison would be with the (excellent) support materials for the ABRSM Jazz Piano syllabus.
So far, so interesting, so let’s take a closer look …
Heather Hammond is a piano teacher and the composer of the Cool Piano, Funky Flute, Cool Clarinet & Super Sax books (all published by Kevin Mayhew Ltd), and will be known to many readers for the Get Set! Piano series (Harper Collins) and award-winning Intermediate Pianist series (Faber Music), both co-authored with Karen Marshall. She also has a number of books published by Elena Cobb (EVC Music Publications Ltd).
Around this time last year, Faber Music unleashed The Intermediate Pianist series, co-authored by Karen Marshall and Heather Hammond. It was a solid success, warmly received by teachers and students alike, and in my Pianodao review I wrote:
“The Intermediate Pianist books get right to the heart of what learning music is really all about. This truly could prove a milestone publication – don’t miss it!”
As many readers will know, The Intermediate Pianist deservedly went on to win Best Print Resource at the Music Teacher Awards for Excellence 2018.
This Autumn, it’s a joy to welcome the arrival of The Foundation Pianist, two companion books in Faber’s growing Piano Trainer series. This time, Karen is joined by new co-author David Blackwell.
Let’s see what’s included, and consider how these books might fit into a rounded curriculum for young pianists…