Selected and Reviewed by Andrew Eales
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As a teenage pianist entering the Bedford Festival back in the early 1980’s, I was told that I “didn’t have the right touch for Chopin”, a misty and slightly absurd put-down that somehow embedded its way into my psyche. My young mind decided that perhaps I should switch allegiance to Liszt, whose epic Sonata in B minor was already on my bucket list (where it remains).
Having already enjoyed the ever-lovely D flat major Consolation, I tried my hand at the somewhat absurd St.François de Paulo marchant sur les flots, which quickly established itself as my party piece (and with which I exacted my revenge), before turning my attentions to Liszt’s seminal (if still underrated) cycle, the Années de pèlerinage.
Edition Peters were my go-to publisher for this music, and their edition by the great Liszt student Emil Von Sauer seemed as authoritative as they came. My fixation with Liszt gave way to a fascination with the French Baroque long before I had learnt most of these variously eloquent and virtuosic pieces, but Sauer’s single volume tome has seen plenty of abuse over the years, finally becoming ripe for replacement.
How brilliant to find that Edition Peters have brought out a brand new critical performing edition of all three volumes of the Années de pèlerinage, this time edited by Leslie Howard, a towering authority whose deep knowledge and advocacy of this repertoire has extended to recording a definitive set of Liszt’s complete piano works across 99 compact discs.
Whether you have an older edition or not, this new one in three volumes and with additional pieces more than lives up to expectations…
Continue reading Liszt: Années de pèlerinage