The Intermediate Piano Sonata Collection


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The Intermediate Pianist is an award-winning set of three books co-written by Karen Marshall and Heather Hammond, published by Faber Music in 2017. They launched Marshall’s Piano Trainer Series, which grew to include the Foundation Pianist (with David Blackwell, 2018), the Advanced Pianist (with Mark Tanner, 2019), and supplemented by the Piano Trainer Scales Workbook (2021).

Between them, these eight books deliver a fully self-contained curriculum for piano players from elementary to advanced level, but they have now been joined by another important supplementary book. The Intermediate Piano Sonata Collection has been written, compiled and edited by Marshall, and the publishers tell us,

“This collection gathers together nine complete sonatas that are all intermediate to early advanced (Grades 4 to 6) in standard. Featuring works by Beethoven, Anna Bon, Haydn, Mozart and Robert Schumann, it provides the highest quality of music and many years of study. Each sonata is accompanied by a live recording, background information, playing tips and musicianship activities; students are also encouraged to use the Sonata Music Map to analyse each work in detail themselves.”

Let’s start to unpack all this…

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The Symphony: From Mannheim to Mahler


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With impeccable timing at the start of a new academic year, Faber Music have just released The Symphony: From Mannheim to Mahler, an accessible new guide written by Christopher Tarrant and Natalie Wild, which hopes (and in my view deserves) to become a standard text for A’ level and undergraduate students.

While not a piano book, this publication certainly merits the attention of any advancing pianist or teacher with an interest in the core classical tradition; as the dominant instrumental form from the mid-eighteenth century onwards, the symphony’s parallel development and symbiotic relationship with the sonata undoubtedly make an understanding of the former helpful for a full appreciation of the latter.

With that in mind, let’s take a look…

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My First Haydn


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Few would argue with the statement that Haydn composed some of the most important and brilliant music in the Western classical canon. And the older I get, the more I am finding that his compositions (in a similar way to Bach’s) have the power to restore balance when I feel off-key, and enrich my days.

But Haydn’s music isn’t just for miserable old fogeys; I consistently find that even the youngest of my students quickly learn to enjoy his music more than most, its appealing melodies and jaunty, humorous spirit never far away.

Of course, children (and older beginners) can only make this discovery if teachers make a point of introducing Haydn’s oeuvre to their students. And Schott Music’s latest publications My First Haydn may be just the ticket for ensuring this happens.

The book joins Schott’s imaginative “My First…” series of music books, each featuring a major keyboard composer. I have previously reviewed My First Schumann and My First Beethoven and My First Haydn follows the same format to a tee, so do check those earlier reviews.

But for now let’s dig into this latest in the series…

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The Classical Piano Sonata


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So writes Michael Davidson of his superb book The Classical Piano Sonata, which has since its publication in 2004 become something of a classic itself, and an indispensable guide for every serious pianist and music-lover.

Let’s take a closer look at the book, and evaluate what it is which makes it such an essential addition to the pianist’s library…

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Wiener Urtext: ‘Primo’ Series


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“Easy” collections of the core classical piano repertoire abound, but few bring to the table the depth of scholarship, reliable editing, fingering and expert advice found in the recent (and ongoing) “Urtext Primo” series.

As the latest collection in the series – featuring the music of Clementi, Czerny and Cramer – hits the shelves of music stores worldwide, let’s take a look …

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