How to Play Jazz Piano

Sheet Music Review

It’s turned into a great Autumn for players and students of jazz piano!

Already this week I have reviewed  Gordon Goodwin’s Big Phat Jazz Piano Solos  (Alfred Music) and  Tim Richards’ Jazz, Latin and Modern Collection  (Schott Music) – both outstanding.

Now let’s see whether Pam Wedgwood’s How to Play Jazz Piano, published by Faber Music this week, can make it a hat-trick.

The book aims to provide a solid introduction to jazz playing and claims to be ideal for young players with a basic knowledge of how to play the piano (approximately Grade 2 standard)”.

As a standalone course suitable for players at this level, there is little competition – perhaps the nearest comparison would be with the (excellent) support materials for the ABRSM Jazz Piano syllabus.

So far, so interesting, so let’s take a closer look …


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Tim Richards’ Jazz, Latin & Modern Collection

Sheet Music Review

Tim Richards is rightly regarded as one of the UK’s leading jazz and blues pianists/educators.

As a pianist, Tim has been a presence on the international music scene since the early 1980s, touring with his long-running trio and leading larger groups Spirit Level and Great Spirit, appearing at festivals opposite names such as John Lee Hooker, Miles Davis and Horace Silver. He has released more than a dozen albums as a leader.

As an educator, Tim came to the attention of many through his stunning blues piano method, Improvising Blues Piano in 1997, and it’s follow-ups Exploring Jazz Piano (vols. 1 and 2) which won the prestigious MIA Award for “Best Pop Publication” in 2006. He has subsequently co-authored Exploring Latin Piano and the Brazilian Piano Collection.

As well as being a prolific writer, Tim has been an ABRSM Jazz Examiner since 1999, contributing to their jazz grade syllabus, and he leads jazz classes and workshops widely.

His most recent publication, Blues, Boogie & Gospel Collection, received the following praise in my Pianodao review:

“Tim’s latest publication is an instant classic, earning an immediate place at the top table. These are deeply felt, expertly realised and above all authentic pieces that will not only hopefully open up the world of blues piano playing to a new wave of enthusiasts, but which are classics in their own right…
Tim Richards Blues, Boogie and Gospel Collection proves itself not simply as the best “jazz piano” publication of the year, but probably the best of the decade so far.

Following such tall praise, can his brand new book Tim Richards Jazz, Latin and Modern Collection possibly live up to expectations? Let’s find out …

Continue reading Tim Richards’ Jazz, Latin & Modern Collection