Pam Wedgwood • Piano Dreaming

Selected and Reviewed by Andrew Eales
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Recognised the world over as one of our most prolific and successful composers of contemporary repertoire for developing instrumentalists, Pam Wedgwood was recently awarded the Art of Piano Education Lifetime Achievement Award in recognition of her significant impact on piano education over the course of her career.

Rather than resting on her laurels, Wedgwood now returns with a brand new collection of enchanting piano pieces for intermediate players. With Piano Dreaming she has branched into fresh musical territory, bringing us an album of 12 original pieces in a “neoclassical style”.

Let’s see whether this new collection is the dream…

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The Pam Wedgwood Christmas Collection

Selected and reviewed by Andrew Eales
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Earlier this year, Faber Music released a brilliant compilation of jazzy pieces selected by Pam Wedgwood from her back catalogue of bestsellers. In my review of the Jazzin’ About Anthology, I described it as,

Now Faber have followed it up with The Pam Wedgwood Christmas Collection, and the same high praise is due. Producing this book is certainly a smart and welcome move.

Wedgwood has an impressive archive of Christmas-themed music to mine, having produced several books of traditional, jazzy and contemporary seasonal music in the After Hours, Jazzin’ About, and Up Grade! series, not forgetting the excellent It’s Never Too Late to Play… Christmas collection.

With such a wealth of material to choose from, let’s find out what Wedgwood and Faber Music have picked…

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The Jazzin’ About Anthology

Selected and Reviewed by Andrew Eales
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When I began teaching in the 1990’s, Pam Wedgwood’s Jazzin’ About books were very much the rage, the latest thing that every student wanted to play. The series (as it then was) comprised just a handful of books, but over the years it has burgeoned and in the process clocked up more than half a million sales. Wedgwood’s pieces have become perennial favourites.

Latest addition, The Jazzin’ About Piano Anthology, brings together 41 of Pam’s favourite pieces from across the series, presented progressively in one volume from early elementary to intermediate level (UK Initial to Grade 5). Publishers Faber Music tell us that the book includes six new pieces specially composed for this edition, plus duets and online demonstration audio performed by the composer.

“So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz!”

Let’s dig in…

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The Rusty Pianist: Playable Pieces

Selected and Reviewed by Andrew Eales
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Reviewing Pam Wedgwood’s The Rusty Pianist when it appeared around this time last year, I concluded:

• READ THE FULL REVIEW HERE

Wedgwood’s latest publication, the cannily titled Rusty Pianist: Playable Pieces is a companion to that brilliant volume, and continues the ruse of appealing to the modesty of returning adult players.

The book delivers an enticing collection of 16 “easy-to-learn piano solos for the returning player”, pieces which can be enjoyed in their own right by piano returners at intermediate level, without any deadline or need to prove their progress in an exam room. Let’s once again lift the lid…

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The Rusty Pianist

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Pam Wedgwood has an uncanny knack for spotting a niche; time and again, with publications such as the best-selling Jazzin’ About, After Hours, It’s Never Too Late and Up-Grade series, Wedgwood has delivered neatly-positioned and engagingly crafted material that has exactly met the need of the hour.

And with The Rusty Pianist she’s undoubtedly done it again. Appearing after a year in which many former players who previously gave up playing have returned to their hobby with renewed enthusiasm, this handsomely presented 40-page book offers an opportunity for them to, as the publishers put it,

So let’s investigate further …

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Pam Wedgwood: Piano Meditations

Selected and Reviewed by Andrew Eales
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Following on from her previous collections of original pieces inspired by works of art Piano Gallery (reviewed here) and Piano Seascapes (reviewed here), Piano Meditations is the latest from best-selling composer Pam Wedgwood, brought to us as ever by publishers Faber Music.

Here we have 12 brand new compositions which are, according to their composer, “inspired by contemplative works of art, and once again the publication includes a gorgeous full colour pull-out poster featuring images of all the paintings which served as Pam’s muse.

Intermediate players who enjoyed the previous collections, along with Wedgwood’s many fans, will undoubtedly already be rushing to their music supplier for a copy; for the benefit of those wanting more information, let’s take a quick look…

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Pam Wedgwood’s “Piano Seascapes”

Selected and Reviewed by Andrew Eales
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Pam Wedgwood has long been one of the UK’s bestselling educational and contemporary piano composers, with several hugely successful series of books in her back catalogue.

Though now in her 70’s, she remains prolific; since starting to review music on Pianodao I have already written about her outstanding Jazzin’ About the Year (which has subsequently become one of the most popular collections with my own younger students), How to play jazz piano, and her 2017 collection Piano Gallery, about which I concluded:

“Pam’s knack for writing engaging idiomatic piano music and for creating satisfying character pieces with ongoing value seems to me perfectly distilled in Piano Gallery, making this a collection to truly cherish.”

Pam’s latest, Piano Seascapes, is the sequel to Piano Gallery, bringing players 12 new original piano pieces inspired by the sea…

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How to Play Jazz Piano

Selected and Reviewed by Andrew Eales
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It’s turned into a great Autumn for players and students of jazz piano! Already this week I have reviewed  Gordon Goodwin’s Big Phat Jazz Piano Solos  (Alfred Music) and  Tim Richards’ Jazz, Latin and Modern Collection  (Schott Music): both outstanding.

Now let’s see whether Pam Wedgwood’s How to Play Jazz Piano, published by Faber Music this week, can make it a hat-trick.

The book aims to provide a solid introduction to jazz playing and claims to be ideal for young players with a basic knowledge of how to play the piano (approximately Grade 2 standard)”.

As a standalone course suitable for players at this level, there is little competition – perhaps the nearest comparison would be with the (excellent) support materials for the ABRSM Jazz Piano syllabus. So far, so interesting, so let’s take a closer look …

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