Tim Richards: Beginning Jazz Piano

EDUCATIONAL RESOURCES • review by ANDREW EALES
Supporting your teaching • PATHWAYS FOR TEACHING


Tim Richards is well established as one of the UK’s leading jazz educators, having burst onto the scene with his best-selling book Improvising Blues Piano, which set a new standard in jazz education publishing upon its first release back in 1997.

Since then Richards has produced a steady flow of publications in partnership with Schott Music, including the excellent Exploring Jazz Piano volumes 1 and 2, and more recent Blues, Boogie and Gospel Collection, which I described in my 2016 Pianodao review,

“…not simply as the best “jazz piano” publication of the year, but probably the best of the decade so far.”

Now he’s back with two chunky new books. Beginning Jazz Piano Parts 1 and 2 are billed as a new jazz method for players who already have some piano experience and a basic technique, and claim to offer “an introduction to swing, blues, latin and funk”.

Let’s find out whether these handsome publications live up to the sky-high standards of Richards’ previous work…

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Tim Richards’ Jazz, Latin & Modern Collection

SHEET MUSIC REVIEW • by ANDREW EALES
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Tim Richards is rightly regarded as one of the UK’s leading jazz and blues pianists/educators.

As a pianist, Tim has been a presence on the international music scene since the early 1980s, touring with his long-running trio and leading larger groups Spirit Level and Great Spirit, appearing at festivals opposite names such as John Lee Hooker, Miles Davis and Horace Silver. He has released more than a dozen albums as a leader.

As an educator, Tim came to the attention of many through his stunning blues piano method, Improvising Blues Piano in 1997, and it’s follow-ups Exploring Jazz Piano (vols. 1 and 2) which won the prestigious MIA Award for “Best Pop Publication” in 2006. He has subsequently co-authored Exploring Latin Piano and the Brazilian Piano Collection.

As well as being a prolific writer, Tim has been an ABRSM Jazz Examiner since 1999, contributing to their jazz grade syllabus, and he leads jazz classes and workshops widely.

His most recent publication, Blues, Boogie & Gospel Collection, received the following praise in my Pianodao review:

“Tim’s latest publication is an instant classic, earning an immediate place at the top table. These are deeply felt, expertly realised and above all authentic pieces that will not only hopefully open up the world of blues piano playing to a new wave of enthusiasts, but which are classics in their own right…
Tim Richards Blues, Boogie and Gospel Collection proves itself not simply as the best “jazz piano” publication of the year, but probably the best of the decade so far.

Following such tall praise, can his brand new book Tim Richards Jazz, Latin and Modern Collection possibly live up to expectations? Let’s find out …

Continue reading Tim Richards’ Jazz, Latin & Modern Collection

Blues, Boogie & Gospel Collection

SHEET MUSIC REVIEW • by ANDREW EALES
For help playing this • BOOK A CONSULTATION
For feedback on your playing • SHARE YOUR VIDEO


Tim Richards will be known to many readers as the best-selling author of the seminal Improvising Blues Piano, which set a new standard in jazz education publishing upon its first release back in 1997.

His follow up books Exploring Jazz Piano volumes 1 and 2, and Exploring Latin Piano (co-written with John Crawford de Cominges) have consolidated his place as a leading authority in the field of blues and jazz piano playing and teaching. Before proceeding, let me say that if you don’t already own Tim’s previous books, you owe it to yourself to buy copies right away.

Tim’s latest publication (once again brought to us by the forward-thinking Schott Music) is called Tim Richards Blues, Boogie and Gospel Collection (hereafter BBGC for short).

Continue reading Blues, Boogie & Gospel Collection