Alexis Ffrench: ‘Truth’

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Alexis Ffrench’s star has continued to rise since my review of Hal Leonard’s Alexis Ffrench: The Sheet Music Collection a couple of years ago.

Last year Ffrench became Composer in Residence with Scala Radio; readers will be still more interested in the recent announcement of his appointment as the new Artistic Director of ABRSM, the music examination board, a role of which he has enthusiastically said,

“I can’t wait to start working with ABRSM’s Chief Executive, Chris Cobb, and his wonderful team in service of teachers and learners all over the world!”

On the creative front, Ffrench recently released his latest album on Sony. Truth introduces thirteen brand new tracks, including collaborations with singer Leona Lewis, guitarist Jin Oki, and with the lush backing of a 70-piece orchestra.

According to the artist,

“In writing these pieces, as we were all locked down, I imagined what the world would look like if we all asked ourselves the question “who am I and what is my purpose in the world?” and what we, as a human race, could create and change together. Out of that intensely personal moment, and as a reaction to feelings I could barely fathom at the time, these songs were born – as an elegy to the audacity of hope.”


Hal Leonard have just published the official sheet music folio of all the tracks from the album in solo piano transcriptions, the subject of this review…

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Ludovico Einaudi: Cinema

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Ludovico Einaudi’s music continues to divide opinion, often derided by those whose preferred music is less accessible, while fêted by fans and adored by enthusiastic pianists, students and audiences around the world. And along the way, his music has perhaps nowhere found a wider (or more lucrative) embrace that in the movie theatre…

Cinema appeared as a CD album about a year ago, and features 28 of Einaudi’s memorable works from film and television, including tracks from the Oscar-winning ‘Nomadland’ and ‘The Father’. The sheet music folio from publishers Chester Music is now with us, the subject of this review, in which I will also consider a separate publication of the music from the Nomadland soundtrack…

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Ludovico Einaudi: Underwater

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Ludovico Einaudi’s early solo piano albums, which included Le Onde (1996), I Giorni (2001) and Una Matina (2004) established him as the most well-known contemporary piano composer, his most classic pieces ubiquitously appearing in soundtracks and school concerts alike.

Over the years, Einaudi has consolidated his phenomenal success with a string of albums that have expanded his sound. Eden Rock (1999) introduced a wider instrumentation, and string parts have continued to take a particularly important role on albums such as In a Time Lapse (2013) and Elements (2015). Electronic elements and treatments have featured too, notably on Divenire (2006) and Nightbook (2009).

Underwater is Einaudi’s first full album of new solo piano music for two decades. The music was composed while the composer was isolated at his home in Italy. Working without any distractions or the usual commitments that come with his busy schedule, we are told that it is his manifesto for life, and a statement on a period during which the world around him was quiet and silent.

“I felt a sense of freedom to abandon myself and to let the music flow in a different way. I didn’t have a filter between me and what came out of the piano, it felt very pure.”

As a sometime fan of Einaudi’s work, I found Underwater strikingly different to listen to (as have others), and have been looking forward to considering the sheet music folio, which has recently been published by Chester Music / Hal Leonard, and is the subject of this review…

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Josh Winiberg: Change

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UK-based composer Josh Winiberg’s album Change was released back in 2018, delivering ten tracks of contemporary music in the vein of the hugely popular Ludovico Einaudi, who Winiberg respects and acknowledges as an important influence.

Winiberg’s ten compositions were originally recorded with piano, string quintet, guitars and electronics. It is a measure of the popularity of the recording and the quality of its music that a solo transcription for piano has now been published by Editions Musica Ferrum, the subject of this review.

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Patrick Hamilton: Journey to the Unknown

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According to Decca Publishing,

“Patrick Hamilton is a flag bearer for the next generation of producer, composer and arranger. A leading figure in classical crossover music, his ambitions include the verticals of artist production alongside film and TV score composition, which together bring his unique skill set to the adult contemporary classical space.”

Judging from Journey to the Unknown, Hamilton’s first solo piano CD, what this lofty statement actually means is that he is the latest to join the ever-growing pantheon of composers creating gentle, soothing piano music in the style popularised by Ludovico Einaudi.

That’s no bad thing, and happily Journey to the Unknown is also now available as a sheet music publication from Hal Leonard. I really like it, so let’s find out what makes it special…

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Contemporary Piano Masters

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You’ve surely spotted the rise-and-rise in popularity of so-called ‘new classical’ music, as championed by Ludovico Einaudi, Max Richter, Yiruma and others.

Their music seems to travel from TV shows to school concerts, and from adult piano clubs to the studios where those of us who teach students of all ages are routinely asked to help them learn River Flows in You, The Heart Asks Pleasure First, Nuvole Bianche and more.

And why not? These are expressive, melodic and reflective pieces that seem to have struck the perfect chord in our otherwise often turbulent times.

How happy, then, to find a single collection that includes so many of the genre’s top titles in one tastefully presented bumper compendium! Contemporary Piano Masters may just offer a one-stop-solution to your ‘new classical’ needs, bringing together 40 pieces from 20 of “the world’s leading piano composers”.

Let’s take a loser look…

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