The Pianist’s Humiliation

Supporting Your Piano Pathway
Written by Andrew Eales


Written in partnership with Louise Eales RMN
Louise has more than 30 years of clinical experience as an advanced mental health practitioner, with specialisms in child and adolescent psychiatry, and neurodiversity.
I am grateful for her professional insights, specialist advice, and collaboration in the writing of this important article.

Humiliation is a deeply painful emotional state caused by public exposure of a person’s mistakes or weaknesses. Recognised by psychologists as one of the most potent of emotions, it can have a long-lasting impact on a person’s self-esteem, wellbeing, and mental health.

A mounting body of research shows the connection between humiliation and social anxiety disorder. Additionally, it is associated with episodes of clinical depression and linked to suicidal ideation or acts.

Humiliation is fundamentally done to us. Neel Burton M.D. explains in his article The Psychology of Humiliation, which appeared in Psychology Today,

Most piano educators, from local teachers to adjudicators, examiners, and conservatoire professors, would balk at the suggestion that we would ever humiliate a student. But realistically, many of us will have inadvertently done so, and will likely also have experienced humiliation ourselves.

We have fostered a culture around piano playing that leaves players of all ages and abilities precariously vulnerable. I find many adults returning to playing recount painful episodes in their piano journey where they have felt humiliated and debilitated.

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The Pianist’s Silence

Supporting Your Piano Pathway
Written by Andrew Eales


These days perhaps more than ever, the world is a pretty rowdy place. And by definition, as pianists we add to that noise (albeit of course, very positively!). Lest we lose our way, let’s consider how we might bring a little bit more peace and quiet into our lives.

Okay, so the practicalities of making space for silence in our lives probably require little explanation: surely all we need to do is switch off the gadgets, stop the music, find a spot where we won’t be interrupted, and spend a few minutes quietly minding our own business.

We can (and of course I will…) expand on that. But first we should perhaps consider an important question: why does it matter?

To help answer that, I will offer a few observations about environmental noise, mental chatter, and suggest a few really simple ways to introduce a few moments of respite into our busy daily routines.

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The Pianist’s Breathwork

Supporting Your Piano Pathway
Written by Andrew Eales


Breathwork is a form of meditation that relies on the body, rather than the mind, to do the work of calming. It lowers stress by stimulating the parasympathetic nervous system and increasing oxygen to the brain.

Breathing is the first and last thing that we do as humans. And yet most of us breathe in unconscious and restricted ways, leading to dire consequences for our bodies, physical health and emotional wellness.

But as Jennifer Patterson advocates in her brilliant The Power of Breathwork (2020),

“Breathing happens unconsciously all the time, but it can also be consciously and intentionally engaged with. How present you are to your breath is how present you are to your life. By bringing consciousness to the breath you can interrupt automatic responses, reactions, thought patterns, and more.”

During breathwork practice we intentionally focus on and systematically adjust our breathing patterns. Such exercises have been a core element of meditation, yoga (pranayama) practice, and qigong for centuries, but have recently been popularised worldwide by the wellness movement and as a mindfulness technique.

Breathwork is now also recommended by the NHS here in the UK as a tool to overcoming stress. Many find that this practice promotes deep relaxation and leaves them feeling energised.

In this article I am going to consider the value of simple breathwork practice for pianists, explaining how and when it can be a helpful tool, and introducing you to some easy and popular breathwork exercises that you will be able to try for yourself, straight away.

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The Pianist’s Self-Care

Supporting Your Piano Pathway
Written by Andrew Eales


At the time of writing, most of us are feeling uneasy. We are, after all, in the midst of a global pandemic, concerned for ourselves, our loved ones, our finances, and fearful of what our world might be like in a few months time.

But as we spend more time away from our usual routines, we might also discover a deeper unease. A rock has plunged into the pool of our lives. The ripples are still clearing, and a lot of mud has been churned up. As the waters settle again, we are coming to see things that were perhaps unclear to us before.

As pianists we might hope to see glimpses of answers to life’s most profound questions sat before our piano, absorbed in our playing. And certainly, as I’ve written here before, piano playing can provide a sanctuary from all else that is unfolding around us.

But while some presently find they can use their piano playing as an escape from grim news, many others are experiencing frustration at their lack of motivation, focus and inspiration.

In this article, I will consider some basic elements of self-care from a Daoist (Taoist) perspective in the hope that readers will find some helpful suggestions, and that each of us can enjoy a piano journey that reflects an easier, more connected and settled experience of life.

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The Pianist’s Air

Supporting Your Piano Pathway
Written by Andrew Eales


So blazes a news story published in The Times on January 10th 2020. The article quotes from research suggesting,

And it goes on to point out that several London schools, having installed air filters in classrooms. have reported reductions in absence because of sickness, which teachers attributed to cleaner air.

Given my previous writing about the centrality of breathing in piano playing, regular readers will no doubt anticipate that none of this comes as a surprise to me; indeed, I believe that quality of air in my teaching studio is a paramount concern, and have encouraged players and teachers to take the issue seriously long prior to these new findings.

In this article I will offer some simple advice about air quality and the need to create a suitable environment for piano learning. But rather than focusing on the educational benefits in isolation, we need to consider the health benefits first and foremost…

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The Pianist’s Resolution

Supporting Your Piano Pathway
Written by Andrew Eales


The start of any new year or season is for many a time for making resolutions: a time for ambition, grit and determination.

Whether it’s a fresh commitment to healthy eating and exercise, or a renewed self-discipline in setting aside time to practise the piano, this is a month where many make a decision to turn a new leaf.

But how can we foster perseverance and ultimately success?

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The Pianist’s Brew

Supporting Your Piano Pathway
Written by Andrew Eales


I used to be a coffee addict. I had several pots of fresh coffee a day, and when I tried to cut back I experienced acute withdrawal symptoms. Unfortunately though, coffee has some fairly unhelpful side-effects; among other things, it is especially bad for us if we suffer from anxiety (which is so common among pianists).

Having read about the virtues of tea drinking, I decided to try a switch. My previous experience of tea was the warm, milky, teabag variety. I realised that this is not exactly the drink that the great Daoist sages spoke of, so I jumped into the deep end and started to explore the wide variety of Chinese leaf teas that are available without straying too far from the beaten track.

To cut a long story short, switching to tea has proven one of the best choices I’ve made. Aside from tea drinking being better for my health (physical and emotional), my exploration of different Chinese teas has become a fascinating and absorbing journey in its own right.

It may seem odd to encounter an article about tea drinking on a piano site, but I will explain some of the reasons why tea might actually be the perfect brew for all pianists (and, well, people in general).

Also bear in mind that Pianodao addresses my interest in Daoist philosophy and practices; hence the “dao” part of the site name. Tea drinking is so embedded in Daoist culture and practice and that it might as well be described as a core tenet of the Daoist worldview. As the contemporary Daoist master Zhongxian Wu explains:

foreword to Daniel Reid, The Art and Alchemy of Chinese Tea, Singing Dragon, 2011.

With all this in mind, this article will address the following questions:

  1. Why is tea good for pianists (and people in general)?
  2. How does one get started with drinking Chinese tea?
  3. What different types of tea are there?

Tea is by far the single most popular beverage on earth today, so chances are that most people reading this are already at least casual tea drinkers. I hope that the perspective and insight offered here will add to your enjoyment of tea.

And for those who haven’t yet considered this fascinating subject, inextricably bound as it is with the history of mankind, commerce, and even the rise and fall of empires, my hope is that this article will pique your interest, and give you good reason to try something new!

Let’s start by going back in time….

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The Pianist’s Accomplishment

Supporting Your Piano Pathway
Reflection by Andrew Eales


”In the beginning of training, it may seem as if you are doing very little. You compare yourself to your teachers and to more accomplished people, and you may despair at ever reaching their levels.
But if you are diligent, then it is inevitable that you will make something of yourself. Once you reach such a plateau, you will be able to relax a bit and contemplate where you are on your journey.”

Deng Ming-Dao,  365 Tao Daily Mediations (204).

Piano students (and adult learners in particular) often underestimate the time it will take to become proficient players, to play the music they aspire to, and to sound as good as they hoped.

When newcomers ask me, “how long until I can play really well?” I typically answer, “How does ten years sound?” It’s an easy (if entirely random) guess, but the point is the aspiring pianist’s response:

Are they mentally prepared for the climb ahead?

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The Pianist’s Motivations

Supporting Your Piano Pathway
Written by Andrew Eales


  • What is it that motivates us as pianists?
  • Why did we start learning to play the piano? ..
  • And why do we continue to play?
  • What are our piano goals for the future? ..
  • And how do they excite us?
  • How can we motivate and inspire our students?

Ask these questions to a hundred pianists, and there’s a good chance you will hear a hundred different answers, but common themes will likely emerge.

In this article I am going to consider the many and complex motivations we all experience in life, and how they pertain to our piano playing.

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The Pianist’s Kindness

Supporting Your Piano Pathway
Written by Andrew Eales


As I write this, I am in India on a yoga retreat. Each day here begins sat on the floor together, listening to a reflective discourse on the ethics outlined in the Yoga Sutras of Patanjali, the classic text that provides the start point from which all yoga theory subsequently developed.

The first, foundational ethic presented by Patanjali was ahimsa, which can be literally translated no harm, and essentially means be kind. Without kindness, there can be no true yoga. And yet, as our teacher wryly and rather decisively noted:

“There are plenty of people in this world who can touch their toes, but who are still basically arseholes!”

As usual, what is true in one field can equally apply in another, and certainly from my own observations of pianists, both in online forums and the ‘real world’, there are plenty of very fine piano players and teachers who seem to be somewhat lacking in kindness towards others.

So how can we encourage the piano community to be a kinder one? Let’s sit together and reflect on the meaning of ahimsa

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