What can you play?
This is a question which for too many pianists leads to such answers as:
- I’m working on Allegro, but it’s not yet ready to play;
- I finished learning Andante last month, but I’ve forgotten it now;
- I don’t have my music books with me, so …
What a pity!
The reality is that too many of us can’t sit down at the piano – without notice, without notation, and without embarrassment – and simply play something!
Continue reading Active Repertoire Challenge 2018
This week Pianodao reaches a milestone – it’s three years since the site was launched!
When I started Pianodao, I made a personal commitment to myself that come what may, I would plug away writing and developing the site for a minimum of three years before reviewing its future. Amazingly, three years in, I hear from readers far and wide who express support and appreciation for the site.
Moving forward, I am therefore even more determined to ensure Pianodao remains my free gift to the piano community – a site packed with professional content, encouragement and support for players, teachers and piano enthusiasts around the world.
Continue reading A Birthday Celebration!
Once upon a time, books were something very special – not mere repositories of bullet-pointed knowledge, but containers of true magic whose words could unfetter the imagination and conjure into being a genuine sense of wonder.
It seems to me that as the internet age comes to maturity there has been a concurrent if unexpected reappraisal and renewed appreciation of the tactile immersion made possible by a traditional, high-quality physical book.
Riding the crest of an exciting wave of publications crafted to the highest standard, and with a deliberate nod towards the publishing values of an earlier generation, comes a small but highly significant volume by Mark Tanner entitled Mindfulness in Music, published by Leaping Hare Press as an imprint within their ongoing series of mindfulness-related books.
The book is an inspirational delight from cover to cover (and including the covers themselves!) and I highly commend it to Pianodao readers as the “must-read” book of the season…
Continue reading Mindfulness in Music
Many of my students and teacher colleagues will no doubt be breathing tired sighs of relief at the prospect that they will soon be “on holiday” … a time not just for sandy beaches, but for taking a break from the routines and responsibilities that can crowd our lives throughout most of the year.
Even those of us who continue teaching in some capacity throughout July and August will no doubt enjoy the more relaxed atmosphere and warm evenings over the coming weeks, and hopefully be able to catch ourselves at least some time away from the job!
But I noticed early in my teaching career that, come September, my returning students had often all but forgotten how to play the piano! So that’s a concern…
The relaxation of August can give way to a rather depressing start to the Autumn Term. Is there any way that as teachers (and parents) we can address this common problem?
One common approach is for teachers to set students a summer challenge of one sort or another – and for those students who haven’t yet developed an Active Repertoire this might be the ideal moment to introduce the idea…
Continue reading The Summer Holidays are coming!
Here’s a gratuitous photo of our puppy, Bella Bardóg.
Just because… isn’t she SO cute!! You’re welcome!
Is it just me, or does anyone else name their pets after musical heroes? Do leave a comment and let me know!
photo: Oliver Fox
Sheet Music Review
Of the many new piano collections reviewed here on Pianodao over the last couple of years, one of the smaller number to make a particular impact within my own teaching studio has been Hans-Günter Heumann’s Fantasy Piano, reviewed here, which has become a firm favourite with early-intermediate players. Pieces such as Rainbow Fairy and The Sunken Island of Atlantis have started to appear in our regular student concerts, and clearly appeal to players and audiences alike.
Heumann has now produced a brand new collection – a sequel, again published by Schott Music, called Mystery Piano. So let’s see how it compares…
Continue reading Mystery Piano
Pathways for Teaching
We all have a “teaching philosophy”, whether we realise it or not.
Mine strongly advocates holistic, personalised, life-centred education. My model of The Three Treasures of Musical Learning is a key component to complement these values.
Paying attention to all Three Treasures – and at all stages of learning, from the youngest beginner to the most advanced professional – leads to deeper learning, fuelling progress and fostering a lifelong love relationship with music.
In this article I will explain what the Three Treasures are, and offer some tips on how focusing on them can help us develop as effective teachers.
Continue reading The Three Treasures of Musical Learning
Win an exclusive INVITATION FOR ONE to attend the –
- Piano Tales For Alice (by Nikki Iles) Book Launch Event
- at The Tasting Room at Fortnum & Mason in London
- on Thursday 30th August at 12pm!
For a chance to win this amazing prize, read on…
Continue reading “Tales of Alice” – Competition Time!
Guest Post by Sam Ficek
Sam Ficek has done a fine job of helping me maximise traffic on the Keyquest Music website, using basic Search Engine Optimisation tricks. Now he shares his know-how with the wider piano teaching community…
Continue reading Simplifying SEO for Piano Teachers
When I published a blog post sharing clips of 20 Great Jazz Pianists – with the disclaimer that, “these aren’t necessarily the 20 greatest jazz pianists of all time” – I was hopeful that by exploring the included clips readers would get a glimpse of the length and breadth of the wonderful world of jazz piano.
But no sooner had I posted than I began musing over those many brilliant pianists who I hadn’t included, and in a jiffy the idea came to me – publish a follow-up post with another 20 pianists!
In the event this list was far more difficult to collate – and here I must thank my good friend Mark Polishook for pointing me in the direction of a few players I might otherwise have overlooked. And having covered some of the most obvious seminal players in my first list of 20 great jazz players, this post has offered a chance to explore some less predictable paths!
In the event, including everyone we both thought deserved a moment in the spotlight wasn’t possible. On the plus side the 20 I have selected include something for everyone, and once again show how immersive and varied the world of jazz playing is, from the stride of James P. Johnson to the beautiful and experimental introspection of Tord Gustavsen, and from the sophistication of George Shearing to the explosive force of nature that is Hiromi Uehara – it’s all here.
Or at least some if it is! Because there’s a whole world of amazing music out there waiting to explored.
So without further ado or comment, Welcome back to the world of the jazz pianist. Here are the clips – I hope that you enjoy them!
Continue reading Another 20 Great Jazz Pianists
When Liz Giannopoulos contacted me about a month ago to offer a guest post about GDPR, my initial response was, “what’s that?”
It is a response that was echoed by many when Liz’s post was published here just a few days later. It quickly became apparent that many instrumental teachers, like me, didn’t know the first thing about GDPR, even though it comes into effect on May 25th 2018. I know that many are hugely grateful to Liz for her very clear introduction to the subject.
In the weeks since then, there has inevitably been a huge debate about GDPR, and no small amount of activity on the part of those of us who are concerned to run our teaching businesses on a professional and legal footing.
This post will consider some of the biggest questions teachers have been asking and – with further help from Liz and from piano teacher Joanne Snowden – will offer some updated and accessible answers to these practical concerns:
- Do I need to register as a data controller with the ICO?
- What do I get for the £35 registration fee?
- Do I need to seek consent from data subjects?
- How do I write a Privacy Notice, and what should be included?
There has been much confusion about these issues, and often the ensuing debate between teachers has seemed to miss the core value that data privacy is a basic right for us all.
GDPR is ultimately about caring for our students and clients.
It is about respecting their basic rights.
It is an act of kindness.
Alongside putting my students’ and clients’ needs first, taking time to reflect on how I use other peoples’ personal information (and why) has proven to be a genuinely helpful professional development exercise.
As piano teachers we often enjoy considerable autonomy – and don’t always welcome challenges to our independence – but taking time to reflect on our compliance to external professional standards is worthwhile in and of itself.
With that in mind, let’s now turn to some big questions that teachers have been asking…
Continue reading Simplifying GDPR for Piano Teachers
Pathways for Teaching
When I started teaching full time back in the 1990s, the best known teacher in my neighbourhood was Sidney Pope, a venerable older gentleman who tuned pianos by day and taught the local children once the schools turned out in the afternoon. Sidney continued teaching until his health finally gave out, and was a much loved and very able teacher.
I was a tuning client of Sidney’s, and when he learnt that I was entering the fray as a teacher he couldn’t have been more encouraging, referring pupils he couldn’t personally fit into his busy schedule, and generously sharing a lifetime’s advice.
This perplexingly included his list of rules for student conduct; rules which were certainly very thorough…
Teachers today tend to provide contracts that for the most part relate to parental behaviour – paying on time, not cancelling at the eleventh hour, and so on. Sidney’s rules pertained to the children themselves, outlining his expectations of practice, attitude in lessons, and even the clothing they wore.
In this regard, Sidney’s demands were crystal clear: boys’ shirts must be tucked in, and dresses or skirts were compulsory for the girls – no trousers!
Why, I wondered in my professional naivety, should girls not be allowed to wear trousers to their piano lessons in 1992?
Sidney patiently explained that piano lessons must be regarded as a special occasion, and that students benefitted from making an effort to dress up accordingly…
Continue reading Making Every Lesson a Special Occasion
Guest post by Roberta Wolff
Alternatives to an outdated word
I propose a new word…
The word ‘practise’ is insufficient, it provides
- No insight into what the activity entails
- No guidelines on how to be successful at it
- Little in the way of mass appeal
As a teacher and writer, I am not in the habit of making up words. I find using words my students and readers already comprehend far more efficient. So, my research started with a thesaurus. Here is a summary of the synonyms listed for ‘practise’:
- Knock off
- Take up
Obviously, they won’t do. There were a few others though:
Not bad, but still not the full picture. From this overview a realisation emerged. There isn’t a word already in existence that can update and improve on the word ‘practise’.
If I wanted a new word, I would have to make it myself.
Continue reading It’s Time To Stop Practising & Start…?
Jazz is caught, not taught!
So goes the cliché (although I believe this also applies to classical and other styles too). So much of the nuance, the energy, the essence and the inflection of piano music cannot be expressed away from the instrument, whether in words or using notation.
As I write this I am about to deliver a workshop entitled Introducing Jazz Piano for the Piano Teachers’ Course UK, where I am a guest tutor. And as I consider the point that listening to jazz piano playing must be our starting point, this raises the question, “where do we start?”
So to that end I’ve compiled this list of 20 seminal jazz pianists, with clips of their playing and a suggestion that you go on to more fully explore their recorded legacy.
Understand, these aren’t necessarily the 20 greatest jazz pianists of all time (and it isn’t, in any case, a competition!). However, they are all genuine greats, and between them they represent a wide range of styles and approaches within the very broad world of jazz music.
Dip in now, and keep coming back, because ongoing exposure to the genius of these players is the key to developing as a player and teacher of jazz music…
Continue reading 20 Great Jazz Pianists
Pictured (from the left) – Andrew Eales, Elena Cobb, Lindsey Berwin and Heather Hammond.
We often hear of a decline in music education within UK state schools – and without doubt, over the last 25 years of teaching I have witnessed a steady but undeniable diminuendo in the musical life of local schools here, often despite best intentions.
How wonderful, then, to see buoyant evidence of enthusiasm for music among young people – as was most certainly and robustly the case when I attended the Elena Cobb Star Prize Event at the Elgar Room in London’s prestigious Royal Albert Hall last week.
Here was a showcase of great playing delivered by young people from around the UK and beyond, each performing and clearly relishing music by a host of living writers, and in many cases in the very presence of those composers.
Continue reading EVC @ the RAH
Guest post by Simon Reich
I have a recurring nightmare. It involves me and a piano…
I see the instrument from the other side of the room and then move stealthily, not too fast mind you, over to sit down on the stool waiting patiently for me. Everything seems like it’s going well up to this point. The horror only kicks in as I press down the notes for that first D minor 7 chord. The piano is totally out of tune with sticking notes I can’t avoid.
I’m sure some of us have also encountered this outside of our sleeping times, me included. Apart from our instrument, a piano tuner is our next most important point on our must have checklist.
With this in mind I decided to interview Nathan Winterbine, a piano tuner (based in Melbourne, Australia) who I only met last year, but instantly warmed to. His prompt service, fixed price and then excellent workmanship cemented him as my “go to” tuner.
I sat down with Nathan and plugged him with questions I wanted answered…
Continue reading Piano Tuning – What’s Under the Lid?
Guest post by Karen Marshall
Multi-sensory music teaching is just what it sounds like: using all the senses to teach and learn music. The main senses employed are visual (seeing), auditory (hearing) and kinesthetic (doing).
I would also add in reading and writing (text) as the literate nature of our world shows that many people find this useful, even those with dyslexia.
Multi-sensory music teaching can be seen in some of the most respected approaches to such work throughout the world including those of Dalcroze, Kodály, Suzuki and Orff. It can benefit all learners, including those with specific learning difficulties like dyslexia. In her key book Instrumental Music for Dyslexics: A Teaching Handbook (Whurr, 2002), Sheila Oglethorpe emphasizes this, encouraging people
“to employ as many of the child’s senses as possible in the hope that the stronger senses will compensate for the weaker ones”.
However, multi-sensory teaching shouldn’t be seen as a method to just use with students who have special needs – it has huge benefits for all…
Continue reading Multi-Sensory Music Teaching
With the generous permission of Collins Music and author/composers Karen Marshall and Heather Hammond, the Pianodao site has for some time been a host to the many creative and useful FREE resources that accompany the excellent Get Set! Piano series of tutor books.
And these have proved super-popular with both teachers and students!
So it’s a pleasure to let you know that there is a new addition to the growing resource-bank available for download here.
This certificate of merit is, according to Karen,
“… a general certificate of merit for the series which teachers can use as they please. For some children there are some big achievements before they finish the book that need to be recognised. The design is pretty beautiful and if put on card I think will be really special for children.”
And Karen is at pains to mention that the certificate would be useful regardless of whether you happen to use the Get Set! Piano series or not:
“It also could be used what ever method is being used – as Get Set! is a word that can simply be a general term linked with piano learning.”
So what are you waiting for? Here is the FREE download for you to save and print off:
Get Set certificate Piano Certificate of merit
Once again, it’s a pleasure to be able to share these resources on this site, and do check out the whole collection of them here!
I would like to thank Liz Giannopoulos for this exclusive article which will be of special interest and importance to all piano and instrumental teachers working in the UK.
Guest post by Liz Giannopoulos
Continue reading Preparing for GDPR: A Piano Teacher’s Perspective.
The Pianist’s Reflections Series
- What is it that motivates us as pianists?
- Why did we start learning to play the piano? ..
- And why do we continue to play?
- What are our piano goals for the future? ..
- And how do they excite us?
- How can we motivate and inspire our students?
Ask these questions to a hundred pianists, and there’s a good chance you will hear a hundred different answers – but some common themes will most likely emerge.
In this article I am going to consider the many and complex motivations we all experience in life, focussing in on the difference between intrinsic and extrinsic motivations, and how each pertains to our piano playing.
Continue reading The Pianist’s Motivations