Paul Harris • How to Sight Read

Selected and Reviewed by Andrew Eales
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Leading music educator Paul Harris’ Improve Your Teaching! series of slim, affordable handbooks has grown into a formidable and essential resource for instrumental teachers, notable previous titles including Teaching Beginners, Simultaneous Learning, The Virtuoso Teacher and Unconditional Teaching.

For the latest title in the series, Harris revisits the topic of sight-reading, with which his name has been rather indelibly linked over the years thanks to his bestselling series of Improve Your Sight-Reading! student books. Subtitled, “The art and science behind developing sight-reading technique”, the book offers itself as:

To find out more, read on…

Continue reading Paul Harris • How to Sight Read

Paul Harris Webinar: A Piece a Week

Selected and Reviewed by Andrew Eales
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Paul Harris’s Piece a Week series has been among the triumphs of recent years. In my own teaching these books have become a staple with students of all ages, and the number one top sight reading resource that I recommend and use. I have reviewed the books for Grade 1-6 here and for Initial Grade here.

Now Faber Music bring us a combined book covering Grades 7 and 8, which completes the series. The book maintains the educational approach and musical engagement of its predecessors, so for more information please be sure to read those previous reviews.

The final book well and truly lives up to the sky-high standards of the rest in the series, and is in my view truly superb.

To give you a taste, Faber Music have generously provided this FREE piece from the book as an exclusive Pianodao download:


And now for Paul Harris in person…

Faber Music kindly organised a special webinar for Pianodao Music Club members, celebrating the new release and giving him the opportunity to outline the series in person, introduce the final book, play some of the pieces, and answer questions. For those who missed it, I am pleased to share the full webinar recording below.

To catch future events in the Music Club, why not come and join us?

Here is the recording…


To use the special promotional code announced by Rachel Topham in the webinar, here is the Faber Music online purchase link.

The Piece a Week series is available now from music retailers everywhere.


Pianodao Music Club members receive 15% discount from Sheet Music Plus.
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Piano Sight Reading: A Progressive Method

Selected and Reviewed by Andrew Eales
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Few professional musicians would question the value and usefulness of sight reading, meaning that skill which allows us to play music that we’ve never heard, just from the notation, and without preparation.

As a teacher who allows my students considerable freedom to choose the music they want to learn and bring along to the lesson, I find myself relying on this skill very regularly. And yet some teachers and students treat the development of sight reading as an afterthought, and a rather dull one at that. Compounding the problem, while sight reading has traditionally been an element of public grade exams, it is decreasingly so.

Trinity College London include sight reading as an optional test in their piano grade exams, but some teachers choose only to introduce it with “serious students” after intermediate level, and on the basis that players will at that point miraculously “get it”.

Perhaps this lack of enthusiasm will change with the launch of Trinity’s excellent new series, Sight Reading: A Progressive Method, a suite of three books offering a clear route for teaching sight reading skills from the get-go.

In common with most sight reading resources the series is linked to the grade exams, but happily it goes far beyond specimen tests and basic exam cramming, and can be used as a powerful resource to actually teach and develop sight reading ability.

As Trinity explain,

So let’s take a look and see how the series can support teachers and students in those aims…

Continue reading Piano Sight Reading: A Progressive Method

A Piece a Week: “Initial Grade”

Selected and Reviewed by Andrew Eales
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Regular readers will know that I am quite a fan of Paul Harris’s Piece a Week series from Faber Music, having found that using these books within my own teaching practice has helped many of my students significantly improve in their music literacy and ability to learn independently using notation.

My main review of the series is here.

Harris has just added a new book to the series, A Piece A Week: Initial Grade, which merits a separate review to the rest of the series for a variety of reasons which I will come to presently.

My first reaction to hearing about this book was admittedly mixed, on the one hand delighted that this wonderful resource has been extended to accommodate the needs of early elementary players, but the other hand stifling a weary sigh that in a year which has seen exam boards straining to dominate the music education agenda, yet more grade material has appeared for review.

But, extraordinary fellow that he is, Harris has an unnerving and seemingly inexhaustible knack for pleasantly surprising me, indeed, hugely exceeding my expectations. And I’m happy to report that he’s done it again…

Continue reading A Piece a Week: “Initial Grade”

Paul Harris: A Piece A Week

Selected and Reviewed by Andrew Eales
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Paul Harris’s series of A Piece a Week books have been appearing at regular intervals over the last few years. Faber Music have just released the Grade 6 book, so let’s consider the series as a whole…

I’ll start with a quick reminder that while the books appear in the best-selling Improve Your Sight Reading series, they are not sight reading practice books per se. Rather they aim to support the broader development of music literacy.

In this review I will first explain the concept behind A Piece a Week, give an overview of the actual material included in the books, and explain how they develop to offer superb material across the range of playing levels from UK Grade 1 to the new Grade 6 book.

Continue reading Paul Harris: A Piece A Week

More Piano Sight-Reading from ABRSM

Selected and Reviewed by Andrew Eales
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Back in 2008, ABRSM published a series of books called Piano Specimen Sight-Reading Tests. Although deserving an award for having the most utilitarian and uninspiring titles in my whole music collection, they have nonetheless rarely been out of action in the intervening years.

In short, they were an essential purchase for any piano teacher preparing students for ABRSM’s world-leading piano grade examinations, and have seen very active service over many years.

Since 2008, many others have brought out alternative products to help teachers and students prepare for the sight-reading element of ABRSM exams. Paul Harris’s ubiquitous and respected Improve Your Sight-Reading series has been updated more than once, and now includes audio tracks. Useful and innovative alternatives have also appeared from Alan Bullard, Samantha Coates, e-music maestro and several others.

Now ABRSM return with a new series bearing the slightly-less scary title More Piano Sight-Reading, a suite of eight new books, one to tie in with each of their grades.

A superficial look at the eight books suggests that these aren’t radically different from their predecessors (which, I should add, are still valid, as the syllabus itself remains unchanged). However, a more detailed look reveals several tweaks and changes to the format which, between them, make the new books a step-improvement on the older ones.

For this review, I will focus on five specific improvements which I think make this new series a superior alternative to the previous books.

Continue reading More Piano Sight-Reading from ABRSM

Improve your sight-reading!

Selected and Reviewed by Andrew Eales
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So says best-selling author Paul Harris in the introduction to Improve your sight-reading: Teacher’s Book – latest addition to his ever growing Improve Your Sight-Reading series, just published by Faber Music.

Written to work alongside the well-known, long-published Improve your sight-reading ‘pupil’ books, the Teacher’s Book mirrors the introduction of keys and concepts in those, as well as offering useful tips for teachers.

Most important of all, the Teacher’s Book includes dozens of new progressive practice tests for each of Grades 1-5, which can be used in lessons to complement the use of the pupil books for home practice.

As such, the book offers the potential to elevate what was already a great resource into a more complete sight-reading system which bridges both lesson and home use.

Let’s find out how well it succeeds in this aim…

Continue reading Improve your sight-reading!

Rhythm Games

Selected and Reviewed by Andrew Eales
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A gift to Pianodao readers, this set of 37 full-sized cards are mostly in Common time, with a handful in Compound time.

They include easy note values, rests, dotted notes, ties and syncopation. A couple of blank cards are also included for you to copy and use for your own additions to the pack.


The set is far from comprehensive, and is based on cards I used when delivering group keyboard teaching in schools – so I hope that you enjoy it as it is, and feel free to develop something similar to fit your own needs!

Some Games

Here’s a few ideas of games you can play with students which will put these flash cards to creative use.

Although the main focus here is on pulse and rhythmic development, the activities integrate many other aspects of musical learning, including the development of aural memory, sight reading, music theory and writing, improvisation and composition.

You’re sure to think of many more similar activities and games, so these are just a taster:

Sound Before Symbol

This is an aurally based activity that helps students make connections between notation and music.

  • For this game select four cards (with the same time signature) that include rhythms previously introduced.
  • Lay out the cards and start clapping the rhythm of one card repeatedly (as a loop). If you have an electronic keyboard you could add a drum beat while clapping, or you could use any suitable music recording as a backing track (but this isn’t necessary).
  • Ask the student to join in clapping the same rhythm.
  • Finally ask the student to identify which card you are both clapping.
  • Then repeat using a different card (or selection).
  • This game can also be extended using two cards as a repeated loop – now the student has to identify which two cards of the four have been selected.

Clapping Game

This activity helps a student develop instant visual recall of rhythms when sight reading.

  • For this game select four cards and fix them where they can all be seen (e.g. stick them to the board/wall, or stand them on the book rest or desk).
  • Ask the student to clap the card that you are pointing to repeatedly on a loop.
  • When you are ready, switch to a different card.
  • Increase the speed at which you switch card.
  • Then try the same thing with two pairs of cards (making two bar/measure rhythms).

Create a rhythm

This activity uses the rhythm cards as the basis of composing and writing. It is excellent as a music theory activity because it links notational understanding to sound.

  • Having clapped a set of several cards, invite the student to arrange four cards in order to create a four-bar/measure rhythm phrase.
  • Clap the phrase together, and discuss what aspects of the rhythm work best.
  • Make changes and try again.
  • Finish by writing out the four bar/measure rhythm and clapping it one more time, this time using the version the student has written out.

Compose a Tune

This can be an extension to “Create a Rhythm”.

  • Take a four bar/measure rhythm and set the student a home assignment of writing a melody using the rhythm.
  • Encourage the student to compose an answering phrase using similar rhythms.
  • In the next lesson the student can provide their written notation and play their melody.
  • Check that what the student plays matches what they have written, as differences here will point to any misunderstandings they have about the rhythmic notation.

Improvisation Game

This is a really simple way to encourage a beginner to start making up their own improvisations.

  • Select one rhythm card and ask the student to play the rhythm using one note, then two notes, and then three different ones.
  • Expand the note pattern, using the same rhythm, to four bars/measures.
  • Add a second card, and ask the pupil to include both rhythms in their improvisation.
  • Expand this to 8 bars/measures.
  • Continue adding more cards and extending the length of the improvisation according to the student’s ability and enthusiasm.

Detective Game

To finish off, an activity that links all the others back to the music that the student is actually learning.

  • Take the cards used in previous activities, and pick the most difficult or newest rhythm introduced.
  • Ask the pupil to find where that rhythm appears in a piece they are currently learning.
  • Clap the rhythm within the context of the musical phrase in which it appears.
  • Finally, play that phrase in isolation before going on to rehearse the full piece.

Good luck!

There are so many variations on these ideas, as well as many great alternative games and activities which work well with individuals, groups and classes. So these are just offered as an inspiration to get you started, and I hope you have fun making up your own ways of using the cards to foster musical learning!


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