Tea Room Tips from the Pianodao Tea Room…
Announcing our latest discussion event for Pianodao Members, I asked the following questions about sight reading:
- Do you find it easy or difficult to play at sight?
- What approaches have helped you to improve?
- Do you have advice that might help others develop their sight-reading fluency?
Here are some of the highlights from the discussion which followed, which offer a wealth advice both for piano players and teachers…
Continue reading Tips for Playing at Sight
Sheet Music Review
Paul Harris’s series of A Piece a Week books have been appearing at regular intervals over the last three years. As Faber Music now bring us the Grade 5 book, it seems appropriate to consolidate my thoughts into a single review.
I’ll start with a reminder that the books appear within the best-selling ‘Improve Your Sight Reading’ series. That said, these are not sight-reading practice books per se. While useful in the practice of sight-reading as a discrete skill, the books aim to assist in the broader development of music literacy.
In the review which follows, I will first explain the concept behind A Piece a Week, before then commenting on the actual material included in the books, including a few observations about their effectiveness based on my extensive use of them within my own studio.
Continue reading Paul Harris: A Piece a Week
Sheet Music Review
I Back in 2008, ABRSM published a series of books called Piano Specimen Sight-Reading Tests. Although deserving an award for having the most utilitarian and uninspiring titles in my whole music collection, they have nonetheless rarely been out of action in the intervening years.
In short, they were an essential purchase for any piano teacher preparing students for ABRSM’s world-leading piano grade examinations, and have seen very active service over many years.
Since 2008, many others have brought out alternative products to help teachers and students prepare for the sight-reading element of ABRSM exams. Paul Harris’s ubiquitous and respected Improve Your Sight-Reading series has been updated more than once, and now includes audio tracks. Useful and innovative alternatives have also appeared from Alan Bullard, Samantha Coates, e-music maestro and several others.
Now ABRSM return with a new series bearing the slightly-less scary title More Piano Sight-Reading, a suite of eight new books, one to tie in with each of their grades.
A superficial look at the eight books suggests that these aren’t radically different from their predecessors (which, I should add, are still valid, as the syllabus itself remains unchanged). However, a more detailed look reveals several tweaks and changes to the format which, between them, make the new books a step-improvement on the older ones.
For this review, I will focus on five specific improvements which I think make this new series a superior alternative to the previous books.
Continue reading More Piano Sight-Reading from ABRSM
Exclusive interview with best-selling author Samantha Coates
Sydney-based music teacher and author Samantha Coates dazzled at this year’s Music Education Expo event, with a presentation brimming with energy and enthusiasm.
It was a pleasure to catch up with her afterwards to talk about her publications. In a warm, wide-ranging conversation, we discussed the importance of literacy, music theory and sight-reading, as well as Samantha’s recently developed passion for rote teaching.
Continue reading Samantha Coates in Conversation
But first I wanted to know more about Samantha’s back story …
Sheet Music Review by Karen Marshall
In my own selection of educational music, I must have over 20 Sight Reading Schemes. I see which is a best fit for my student and then get them to order a copy.
However, I still loan out many to help the student get a very varied experience. Just like reading, I think it’s important that students get a varied amount of material.
With quite a lot available out there, in order to impress me, a sight reading resource needs to be something special.
Well congratulations Sandy Holland and Peter Noke, I am impressed! Here’s why………….
Continue reading Learn to Sight Read
Sheet Music Review
In a recent review I praised Gayle Kowlachyk and E.L. Lancaster’s Piano Studies for Technical Development books, and I’m pleased to say that the duo are back with another set of interesting and highly useful books, Easy Teacher-Student Piano Duets.
This new series collects 59 original compositions, mostly from the pedagogy literature of the mid-late Romantic Era, in three progressive books. As such, it offers an invaluable source-book for teachers everywhere.
Let’s take a closer look…
Continue reading Easy Teacher-Student Piano Duets
Guest post by Liz Giannopoulos
Over the past few months I’ve undertaken the challenge to improve the sight-reading ability of my students and help the tutors in the Encore Music team to find new and creative ways to teach sight-reading.
As most of our students are children, this research – and this article – is child-centric but much can still be applied to older learners.
Continue reading Strong Foundations for Playing at Sight
Sheet Music Review
Alison Mathews’ excellent collection Treasure Trove has proved a big hit with my students who have been working through it, and I’m delighted that publishers Editions Musica Ferrum have now brought out another collection composed by her: Doodles.
It is very clear straight away that this publication explores very different terrain to Treasure Trove however.
So what is the concept here, and do I think it works?
Continue reading Alison Mathews’ “Doodles”
Let’s find out…
Sheet music Review
“When pupils can sight-read, not only do they do well in exams but (rather more importantly) it allows them to learn pieces more quickly, which frees up much of our teaching time, allowing us to concentrate on developing the musician. Ultimately, it gives them independence: they are able to learn music on their own – the greatest gift we can give.”
So says best-selling author Paul Harris in the introduction to Improve your sight-reading: Teacher’s Book – latest addition to his ever growing Improve Your Sight-Reading series, just published by Faber Music.
Written to work alongside the well-known, long-published Improve your sight-reading ‘pupil’ books, the Teacher’s Book mirrors the introduction of keys and concepts in those, as well as offering useful tips for teachers.
Most important of all, the Teacher’s Book includes dozens of new progressive practice tests for each of Grades 1-5, which can be used in lessons to complement the use of the pupil books for home practice.
As such, the book offers the potential to elevate what was already a great resource into a more complete sight-reading system which bridges both lesson and home use.
Let’s find out how well it succeeds in this aim…
Continue reading Improve your sight-reading!
Sheet Music Reviews
One of the certainties of my professional life in music has been the frequency with which I am asked to sight-read. This can include accompaniments at rehearsals, auditions, and even public concerts. More informally I often find myself sight-reading when pupils bring their own choices of pieces to learn. So I am very grateful to those teachers who, often in spite of my protests, ensured that sight-reading was a part of my musical learning.
Karen Marshall’s recent article ‘A Practical Guide to Teaching Sight-reading’ has been warmly received with more than 2,000 readers already turning to it for advice since it was published at the weekend. This shows the extent to which piano teachers are keen to discover effective ways to teach sight-reading.
As a follow up, I am now going to overview two recent series of publications which aim to break the mould and make sight-reading more relevant and pleasurable than is often the case – innovative and exciting publications which I am sure readers will want to explore…
Continue reading Radical Resources for Sight-Reading