Patience: The Greater Peak

Supporting Your Piano Pathway
Reflection by Andrew Eales


This succinct and beautiful verse has set me thinking about the true benefits of learning to play the piano. It’s called Gazing At The Peak, and was written by the Chinese poet Du Fu, who lived from 712-770:

Translation by Deng Ming-Dao,
from his book Each Journey Begins With a Single Step (2018):

So what does this ancient poem have to do with the benefits of piano playing, or with developing patience? Well, let’s explore and find out…

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Practice Reflection

Supporting Your Piano Pathway
Written by Andrew Eales


Did your last practice session leave you feeling a bit like a corpse, or was your piano playing totally on fire?

Reflecting on our practice is not just a good idea, but an essential component of making the tangible progress that we all hope for whenever we sit down at the piano. Remember, it is the quality of our practice which makes the real difference, not just the quantity.

So what has your practice looked like in recent weeks?
How can you improve it, and develop a more effective approach?

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Beauty Within Imperfection

Supporting Your Piano Pathway
Reflection by Andrew Eales


Recently, my wife Louise had a minor kitchen accident which resulted in her breaking my favourite tea cup. As she tells the story:

“So I broke Andrew’s favourite teacup.
I felt I should make him a new one in pottery class.
It lists a little bit but it works!
Andrew said that it’s the best thing that anyone has given him. He then went on to say that most people would’ve given up and started again once they noticed the listing.
Clearly I’m not most people!”

As you can see from the photo, my new cup is a thing of great beauty! But as Louise admits, it’s hardly perfect from a functional point of view. The listing perhaps doesn’t look serious, but when pouring tea into the cup it’s quite obvious that when one side is full to the brim, the other is but two-thirds full.

The beauty of my new mug is in its imperfection, its quirkiness, its vibrant personality, and its energy.

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Embracing our limits

Supporting Your Piano Pathway
Reflection by Andrew Eales


“Every river has its banks, every ocean has its shores. Constant expansion is not possible. Everything reaches its limits, and the wise always try to identify these limits.”

Deng Ming-Dao, 365 Tao Daily Meditations

I love this metaphor of the river: it is the banks which give it direction, focus its energetic flow, and encourage it towards its destination. It doesn’t want to burst its banks, and quickly dissipates when flooding causes it to. How much better to flow where its banks lead.

The shores of the ocean, meanwhile, are ultimately the boundaries which define it. The shoreline is a point of safety, security, a haven from the deep. And while I often remind students that piano playing is the journey of a lifetime, without destination, we all need to spend time in port, resupplying our vessels and finding refreshment.

The desire to push beyond our natural limits may have become an endemic demand in every field of human endeavour, but there is surely little doubt this attitude is responsible for many of the problems we face. So how can we come to terms with our limitations and leverage them to our advantage?

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The Power of Returning

Supporting Your Piano Pathway
Reflection by Andrew Eales


It is possible in our piano journey, and not uncommon, to take a wrong turn. Sometimes, a single step is enough before we get cold feet. Other times, we persevere, venturing in a direction which instinct warns might not be our right way, but stubborn in our commitment to see through a decision.

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Four Mistakes a Student Makes

Supporting Your Piano Pathway
Reflection by Andrew Eales


The ancient Chinese Classic of Rites, among the world’s oldest wisdom texts, tells us of four mistakes that are commonly made by learners.

“There are four mistakes a student makes when learning, that a teacher must know:
trying to learn too much;
trying to learn too little,
trying to make everything easy;
and trying to quit.
In all four cases, the heart will be scattered.
You must first know your heart;
Only then can you correct such mistakes.”

Book of Rites, Xiu Ji (translated by Deng Ming-Dao)
The Way of Health and Beauty, 2019

The player who tries to learn too much perhaps attempts an unrealistic number of pieces within a year, not comfortably mastering any of them. Perhaps, instead, they attempt music which is simply far too advanced for their present level of attainment and technical ability. Frustration sets in when enthusiasm meets reality, and they descend to the earth with a bump.

The player who tries to learn too little has the opposite problem. Bogged down with the detail, perhaps discouraged by perfectionist tendencies, they make little tangible progress, and have little to celebrate along their Way of Piano.

The player who wants to make everything easy, perhaps coaxed into implausible expectations by a misinformed teacher, becomes frustrated when confronted by the real-world fact that playing the piano is simply a challenge. It may be possible to achieve seemingly great things in a short time by using shortcuts, learning by rote, or neglecting the foundations of playing. But the cracks soon emerge, and are large enough to swallow the player whole.

Faced with such disappointments, many simply try to quit. Often quick to blame others, they make their excuses and leave.

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Avoiding Excess, Cultivating Balance

Supporting Your Piano Pathway
Reflection by Andrew Eales


In this short post, I want to address our need for a balanced approach to our piano practice and playing. But first, let’s take a step back and consider some more universal principles.

It seems to be our Western way of thinking to categorise and put everything in separate boxes. We are not always so adept at making connections. We explain our world using artificial constructs that polarise, and that fixate on opposites. We speak of good and evil, black and white, hard and soft, male and female, hot and cold, fortissimo and pianissimo, night and day.

We may think that these opposites are mutually exclusive, but our experience of the world around us teaches a different lesson. Just as positive and negative ions charge the air we breathe, so too energy, movement and a living narrative are all impossible without the interaction of opposing forces.

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Practice in Perspective

Supporting Your Piano Pathway
Reflection by Andrew Eales


L.R. Knost

Hands up if your first thought, reading this quote, is that Knost’s observations about life equally apply to piano practice? That was certainly my first thought when, having posted this quote three years ago on social media it reappeared as a “memory” this week.

And one of my friends similarly wasted no time before commenting, “this is an excellent description of my average practise session”.

So let’s revisit the quote, substituting practice for life:

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