Trinity’s “Piano Stories”

Sheet Music Review

Piano Stories from Trinity College London Press is, without doubt, one of the most pleasant surprises to make an appearance in my post-bag recently, and for those who use the Trinity Piano Syllabus with younger children the series is an absolute godsend.

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Piano Exotico, Tranquillo & Vivace!

Sheet Music Review

The indomitable and much-loved Barbara Arens has recently added two new titles to her Breitkopf & Hārtel catalogue, which already includes One Hand Piano, 21 Amazingly Easy Pieces and Piano Misterioso.

The double-barrelled Piano Tranquillo/Vivace has already been reviewed here briefly a while ago, but I will take another look here. First, however, let’s take a look at the latest edition to the series, the marvellous Piano Exotico

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Another 20 Great Jazz Pianists

When I published a blog post sharing clips of 20 Great Jazz Pianists – with the disclaimer that, “these aren’t necessarily the 20 greatest jazz pianists of all time” – I was hopeful that by exploring the included clips readers would get a glimpse of the length and breadth of the wonderful world of jazz piano.

But no sooner had I posted than I began musing over those many brilliant pianists who I hadn’t included, and in a jiffy the idea came to me – publish a follow-up post with another 20 pianists!

In the event this list was far more difficult to collate – and here I must thank my good friend Mark Polishook for pointing me in the direction of a few players I might otherwise have overlooked. And having covered some of the most obvious seminal players in my first list of 20 great jazz players, this post has offered a chance to explore some less predictable paths!

In the event, including everyone we both thought deserved a moment in the spotlight wasn’t possible. On the plus side the 20 I have selected include something for everyone, and once again show how immersive and varied the world of jazz playing is, from the stride of James P. Johnson to the beautiful and experimental introspection of Tord Gustavsen, and from the sophistication of George Shearing to the explosive force of nature that is Hiromi Uehara – it’s all here.

Or at least some if it is! Because there’s a whole world of amazing music out there waiting to explored.

So without further ado or comment, Welcome back to the world of the jazz pianist. Here are the clips – I hope that you enjoy them!

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Simplifying GDPR for Piano Teachers

When Liz Giannopoulos contacted me about a month ago to offer a guest post about GDPR, my initial response was, “what’s that?”

It is a response that was echoed by many when Liz’s post was published here just a few days later. It quickly became apparent that many instrumental teachers, like me, didn’t know the first thing about GDPR, even though it comes into effect on May 25th 2018. I know that many are hugely grateful to Liz for her very clear introduction to the subject.

In the weeks since then, there has inevitably been a huge debate about GDPR, and no small amount of activity on the part of those of us who are concerned to run our teaching businesses on a professional and legal footing.

This post will consider some of the biggest questions teachers have been asking and – with further help from Liz and from piano teacher Joanne Snowden – will offer some updated and accessible answers to these practical concerns:

  • Do I need to register as a data controller with the ICO?
  • What do I get for the £35 registration fee?
  • Do I need to seek consent from data subjects?
  • How do I write a Privacy Notice, and what should be included?

There has been much confusion about these issues, and often the ensuing debate between teachers has seemed to miss the core value that data privacy is a basic right for us all.

GDPR is ultimately about caring for our students and clients.
It is about respecting their basic rights.
It is an act of kindness.

Alongside putting my students’ and clients’ needs first, taking time to reflect on how I use other peoples’ personal information (and why) has proven to be a genuinely helpful professional development exercise.

As piano teachers we often enjoy considerable autonomy – and don’t always welcome challenges to our independence – but taking time to reflect on our compliance to external professional standards is worthwhile in and of itself.

With that in mind, let’s now turn to some big questions that teachers have been asking…

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Piano Tales for Alice

World Exclusive Preview:  Sheet Music Review

The rise and rise of EVC Music Publications as an exciting and innovative music publisher can’t have escaped the notice of any player or teacher active on social media, and like many I have watched their emergence over the last three years or so with growing interest.

I have previously praised a number of EVC Music’s publications. The Jevdet Hajiyev: Piano Collection 1 was particularly enterprising, and I am enthusiastic for Andrew Higgins’ excellent Birds: Études-Tableaux and the recent reissue of Graham Lynch’s wonderful Sound Sketches series. And I was delighted to report that the EVC Music Star Prize Event at the Royal Albert Hall last month was such a resounding success!

With the publication of Piano Tales for Alice – a brand new collection of easy pieces by acclaimed jazz performer and composer Nikki Iles – it seems to me that EVC Music has unequivocally arrived as a mature and significant force in music publishing.

Building on their activities thus far, with this publication EVC Music has hit the jackpot, bringing to market a genuine classic.

Let’s take a world exclusive preview look …

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