Bella Bardóg

Here’s a gratuitous photo of our puppy, Bella Bardóg.

Just because… isn’t she SO cute!! You’re welcome!

Is it just me, or does anyone else name their pets after musical heroes? Do leave a comment and let me know!

photo: Oliver Fox

Mystery Piano

Sheet Music Review

Of the many new piano collections reviewed here on Pianodao over the last couple of years, one of the smaller number to make a particular impact within my own teaching studio has been Hans-Günter Heumann’s Fantasy Piano, reviewed here, which has become a firm favourite with early-intermediate players. Pieces such as Rainbow Fairy and The Sunken Island of Atlantis have started to appear in our regular student concerts, and clearly appeal to players and audiences alike.

Heumann has now produced a brand new collection – a sequel, again published by Schott Music, called Mystery Piano. So let’s see how it compares…

Continue reading Mystery Piano

Exploring “Mosaic” with Nikolas Sideris

Editions Musica Ferrum have recently brought out two volumes of pieces in a new series called Mosaic, featuring original music by a dozen or so composers, organised by difficulty level and suitable for beginner to early intermediate players.

I have enjoyed the privilege of contributing to the project, with two of my own compositions included in each book so far, and more to come!

Karen Marshall will be writing an independent review of the first two books, which will be published here on the Pianodao site soon. In the meantime, I decided to catch up with Editions Musica Ferrum founder Nikolas Sideris and ask him more about the project…

Continue reading Exploring “Mosaic” with Nikolas Sideris

Piano Studies for Technical Development

Sheet Music Review

Pianists and teachers tend to have a variety of views about the value of “studies”, some strongly advocating daily practice of finger exercises, others suggesting they have little value away from the context of specific repertoire, in which case bespoke studies developed around tricky passages are preferable.

Personally I’ve always taken a middle path here. As I wrote in my recent article The Three Treasures of Musical Learning,

“All aspects of playing need consideration, not merely finger independence, tone control, and fluency – important though these obviously are for pianists. Scales, arpeggios, exercises and studies can all be helpful, but must be executed with an understanding of why they matter, and what is being developed.”

I’ve never found it difficult to understand or explain the benefits of the enjoyable little exercises in the Dozen A Day books, and my students almost always find the Burgmüller Op.100 both musically engaging and inspiring to play (my recording of them is free to listen to here).

But I’ve never been a huge fan of Hanon, Czerny, et al, and have tended to agree with my teacher’s teacher, Ernö Dohnányi, who wrote (with irony, in the introduction to his own book of finger exercises!) –

“In music schools, piano tuition suffers mostly from far too much exercise material given for the purely technical development of the pupils, the many hours of practice spent on these not being in proportion to the results obtained. Musicality is hereby badly neglected and consequently shows many weak points.”

Perhaps it’s no surprise then, that when Gayle Kowalchyk and E.L. Lancaster’s two books of Piano Studies for Technical Development landed on my desk for review, my initial gut reaction was to excuse them from the short-list for consideration. Until … I took a closer look.

Let’s find out why I changed my mind …

Continue reading Piano Studies for Technical Development

Debussy: Images & Pour le piano

Sheet Music Review

As many will know, pianists and classical music lovers are this year marking the centenary of Debussy’s death in 1918.

In a previous post I addressed the frequently asked question, “where to start?” exploring his piano works, suggesting Bärenreiter Edition’s Easy Pieces and Dances collection and their excellent urtext edition of the Preludes livre 1 as great entry points.

In this post I will look at a couple of Bärenreiter’s other Debussy editions – the two volumes of Images, but first Pour le piano. These are virtuoso concert works which qualify for the diploma and professional tag in terms of difficulty.

Continue reading Debussy: Images & Pour le piano

The Graded Piano Player

Sheet Music Review

The Graded Piano Player is a series of three books from Faber Music, comprising arrangements of well-known tunes specially arranged by leading educationalists for pianists from around ABRSM Grade 1-5 level.

Published back in 2016, the books return to the spotlight as two of these arrangements – Close Every Door from Book 1 and Wouldn’t it be loverly from Book 2 – have been selected for ABRSM’s brilliant new 2019/20 syllabus (which Karen Marshall and I reviewed here).

When pieces are selected from the “alternatives lists”, there’s always a danger that a pupil might be expected to purchase a separate book from which they will only ever play a single piece – so teachers, parents and students will undoubtedly be interested to hear what the rest of the book is like, and in this instance the rest of the series.

With that in mind, let’s take a look …

Continue reading The Graded Piano Player

The Three Treasures of Musical Learning

Pathways for Teaching

We all have a “teaching philosophy”, whether we realise it or not. Mine strongly advocates holistic, personalised, life-centred education, and my model of The Three Treasures of Musical Learning is a key component which complements these values.

In this article I will explain what the Three Treasures are, and offer some tips on how reflecting on them can help us develop as effective teachers.

Continue reading The Three Treasures of Musical Learning

ABRSM Piano Syllabus 2019/20: The Big Reviews

Sheet Music Review

So here it is – ABRSM, the world’s leading instrumental examination board, today announces the 2019/20 syllabus, and as promised Pianodao can bring you the world’s first – and second! – in-depth review of the full package.

  • First comes my own review, focusing on the overall trends in this brand new syllabus, and assessing the overall product.
  • This is followed below by Karen Marshall’s in depth look at each grade in turn, commenting on the suitability and appeal of the selected pieces.

Karen and I have also jointly produced a FREE printable download in which we each list our Golden Selections of our favourite pieces from each of the eight grades.

You can print this off and use it alongside the syllabus as a resource to help with repertoire selection, and for your own interest. There’s also space for you to add your own Golden Selection in conjunction with the full syllabus, available now from the ABRSM website.

My much-read review of the 2017/18 syllabus suggested that it was a somewhat mixed affair, and teacher reactions have been similarly mixed. If there was some disappointment with the 2017/18 syllabus, this only heightens anticipation for its replacement.

So have ABRSM this time delivered the goods and struck a balance that teachers and students around the world will be more enthusiastic about? Let’s find out!..

Continue reading ABRSM Piano Syllabus 2019/20: The Big Reviews

The Rise of Dorico

Interview with Daniel Spreadbury

Until fairly recently, two big names dominated the world of music notation software: Make Music’s Finale and Avid’s Sibelius.

Other software – such as Presonus’ Notion and the free-to-use MuseScore have continued to challenge their supremacy, but with the October 2016 release of Dorico it was clear that a significant professional alternative had arrived on the scene, causing quite a stir.

The backstory has been repeated many times elsewhere – how Avid decided to close their London office in 2012, leaving their existing Sibelius development team – headed by Daniel Spreadbury – without their jobs.

By the start of 2013, music software giants Steinberg Media Technologies – a wholly owned subsidiary of Yamaha, and the creators of the VST standard, Cubase, Nuendo and Wavelab – had snapped up the team and tasted them with creating a brand new notation package from the ground up. Enter Dorico 

In this interview, I will be chatting with Daniel about his career in the music software world, the development of Dorico, and the birth of version 2.0.

But first …  Continue reading The Rise of Dorico

“Tales of Alice” – Competition Time!

Win an exclusive INVITATION FOR ONE to attend the –

  • Piano Tales For Alice (by Nikki Iles) Book Launch Event
  • at The Tasting Room at Fortnum & Mason in London
  • on Thursday 30th August at 12pm!

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For a chance to win this amazing prize, read on…

Continue reading “Tales of Alice” – Competition Time!

Garreth Brooke’s “Upright” Project

“Upright” is a piano project with a difference …

I spoke to project coordinator, Garreth Brooke to find out more…

Continue reading Garreth Brooke’s “Upright” Project

Piano Junior 4 – The Series Finale

Sheet Music Review

When I reviewed Hans-Günter Heumann’s Piano Junior series on the launch of the first two levels in January 2017, I was full of praise, concluding:

“My own view is that Piano Junior has in many respects raised the bar, in some ways perhaps even setting a new standard by which piano courses for children will be judged.”

With the launch of the Level 3 books later that year, I wrote in my October 2017 review:

“… all I can hope for now is that the Level 4 publications, due next year, will provide the icing on an already tasty cake!”

Well, Piano Junior 4 is now with us! And so, with interest suitably piqued, let’s have a taste and see whether it is as sweet as hoped …

Continue reading Piano Junior 4 – The Series Finale