The Piano Player: Classical Favourites

Products featured here are selected for review by ANDREW EALES

Less than three months after Faber Music launched ‘The Piano Player’ (a plush new series of intermediate piano solo collections) with British Classics (reviewed here) they are back with the second instalment.

The Piano Player: Classical Favourites features “20 of the most popular pieces of classical music”, some originals but mostly arrangements. And in line with the signature style of this new series, the publication is beautifully presented sporting the lush artwork of Edward Bawden (1903-1989)…

20 Popular Pieces

Agreeing “20 of the most popular pieces of classical music” can’t have been an easy task for the good folk of Faber Music, but must have been a rather enjoyable one! Here is their final selection for this collection:

  • Adagio (Moderato) (Cello Concerto in E minor Op.85) [Edward Elgar]
  • Boléro [Maurice Ravel]
  • Canon in D [Johann Pachelbel]
  • Eine kleine Nachtmusik [Wolfgang Amadeus Mozart]
  • Fantasia on Greensleeves [Ralph Vaughan Williams]
  • Für Elise [Ludwig van Beethoven]
  • Gymnopédie No. 1 [Eric Satie]
  • Habanera (Carmen Suite No. 2) [Georges Bizet]
  • I Was Glad [Hubert Parry]
  • La fille aux cheveux de lin [Claude Debussy]
  • Largo (New World Symphony) [Antonín Dvorák]
  • Morning (Peer Gynt Suite) [Edvard Grieg]
  • Ombra mai fu (Serse) [Georg Friedrich Händel]
  • Prelude in A major (Op. 28 No. 7) [Frédéric Chopin]
  • Prelude in C major (BWV 846) [Johann Sebastian Bach]
  • The March of the Women [Ethel Smyth]
  • The Swan (Carnival of the Animals) [Charles-Camille Saint-Saëns]
  • Un bel dì, vedremo (Madama Butterfly) [Giacomo Puccini]
  • Waltz (Sleeping Beauty) [Pyotr Ilyich Tchaikovsky]
  • Winter (L’inverno) (The Four Seasons) [Antonio Vivaldi]

Some of these pieces appear in their original solo keyboard form, notably the Bach, Beethoven, Debussy, Satie and (apart from one simplified chord) Chopin pieces. The rest are intermediate arrangements of pieces originally scored for larger ensembles.

All will be well-known to the adult enthusiasts who invest in the collection, with the likely exception of Ethel Smyth’s The March of the Women, seemingly an interloper here; searching Apple Music I only found one recording of this rousing chorus, which proves to be an exuberant affair. For those curious about this intriguing find, Faber Music‘s Rachel Topham shared this enjoyable story with me about the piece:

The arrangers of these many pieces aren’t credited, and some are no doubt drawn from previous Faber Music collections and anthologies (of which we can now enjoy a significant range). Most are appropriately sympathetic to their source material while successful as piano solos for the intermediate player; I found the whole collection enjoyable to explore.

In terms of level, there is actually considerable variance, from the easy Morning and Eine Kleine Nachtmusik (both around Grade 2-3) up to La Fille Aux Cheveux de Lin, previously a Grade 8 piece. For adult returners and enthusiasts this presents a nice assortment from the comfortingly accessible through to the more challenging. Helpfully, the pieces appear in the book roughly in order of ascending difficulty.

An engaging series…

Those who have already seen the British Classics title in this series will be pleased to hear that Faber Music have maintained the high standards which that publication has set for the series.

The matt card cover is resplendent indeed in its vivid reproduction of Bawden’s Daw in Borrowed Feathers, and once again the book includes a pull-out A4 reproduction of the artwork that can be framed. Once the series is complete, we will have become entirely familiar with Bawden’s biography, here again given a full-page treatment at the start of the book.

The scores are spaciously and cleanly engraved in Faber‘s house style and on white paper, with sensible fingering suggestions included throughout.

Closing Thoughts

Concluding my review of the first entry to this series I noted,

I am happy to say that this second book in the series only consolidates my enthusiasm, these publications already establishing themselves among the many highlights of this excellent catalogue.

The Piano Player: Classical Favourites is a collection which is likely to bring players many hours of pleasure and musical reward.

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Published by

Andrew Eales

Andrew Eales is a widely respected piano educator, writer and composer based in Milton Keynes UK. His book HOW TO PRACTISE MUSIC is published by Hal Leonard.