Opening the Chest

Piano Qigong Exercises

“Opening the Chest” – the second movement from the 18 Taiji Qigong Shibashi form – is a great extension to the “Open and Commence” movement previously shared here.

“Opening the Chest” can be used to expand your own Qigong routine as well as to help students who have previously benefitted from “Open and Commence” build on that progress.

Before practising “Opening the Chest”, be sure to master “Earth Posture” and “Open and Commence“.

This next exercise assumes that you are familiar and comfortable with both.

Benefits of “Opening the Chest”

The benefits of this movement are similar to and largely include those of “Open and Commence”. Building on that movement, “Opening the Chest” will:

  • Strengthen the mind-body connection so that players are more aware of tension and release, and particularly again in the wrists.
  • Foster deeper breathing (especially using the “basic” version of the movement)
  • Improve coordination of breathing with wrist and arm movement (especially using the “variation” version of the movement)
  • Still the mind, relax the body, and help foster mental focus
  • Prevent anxiety and relieve muscular tension.

In Qigong practice, “Opening the Chest” is believed to also particularly help manage and reduce depression. This is because the exercise addresses the Heart channel (which is most affected by joy and excitement) and Lung channel (which is most affected by grief and depression).


Before reading the instructions that follow, here’s a short demonstration of “Opening the Chest” by my teacher Allan Howlings, used with his kind permission:


You will notice from the demonstration that “Opening the Chest” is very largely the same as “Open and Commence”. The simple difference is that after raising the arms, they are opened outwards to the side, before then returning to position and completing the movement.


Basic Version:

Having practised “Earth Posture” and “Open and Commence” extend the latter movement as follows:

Breathing In:

The following extend the instructions for “Breathing in” in “Open and Commence”:

  • Having raised the arms to around chest height, without pausing open the arms outwards to the side in a calm, controlled sweeping movement
  • Breathe fully
  • Don’t pull the arms too far back
  • Make a mental note that there is no tension in the neck or upper back
  • Do not “lock” your elbows – keep them gently curved

Breathing Out:

lao_gongFollowing straight on from the above:

  • Bring the arms back to the front of the chest
  • Start to breathe out as you do so
  • Focus on the “laogong” points in each palm (see picture)
  • Turn the palms to face downward

Following this, complete the movement for Breathing Out in “Open and Commence”, pushing the hands downwards to the start position and gently sinking the body. As always, make sure you don’t extend your knees beyond the end of the toes.


An alternative way to practise “Opening the Chest” keeps the same physical motion and stretches, but coordinating the breathing differently.

When practising this variation:

  • Breathe in fully while lifting the hands, as in “Open and Commence”
  • Then breathe OUT while stretching the arms to the sides.
  • Breath back in when returning the arms to their position in front of the chest.
  • Finally, breathe out when lowering the hands, again as in “Open and Commence”.

This variation allows for quicker breathing, but slower arm movements.

Additional Practise Tips

In either the basic version or the variation:

  • When the hands are in front of the chest, you can alternatively position the palms to directly face it, with fingertips of each hand pointing at each other but not touching.
  • While moving the arms outward to the side you can imagine stretching a huge elastic band between the hands.

It is useful to try all these variations, always developing a mindful comparison of how they differ.

Published by

Andrew Eales

Andrew Eales is a pianist, writer and teacher based in Milton Keynes UK, where he runs Keyquest Music - his successful independent music education business, private teaching practice and creative outlet.

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