Jóhann Jóhannsson Piano Works

Jóhann Jóhannsson • Piano Works

Selected and Reviewed by Andrew Eales
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Jóhann Jóhannsson (1969-2018) was an award-winning Icelandic composer, musician, and producer, who wrote music for a wide array of media including film, television, theatre and dance. With his passing in 2018, aged just 48, the world of music lost one of its brightest stars, still in the ascendent.

Faber Music celebrate this extraordinary talent with the publication of a new cloth-bound book, Jóhann Jóhannsson Piano Works, the subject of this review, in which they tell us,

The book is undoubtedly a beautiful and important tribute.

While Jóhannsson’s music often embraced a variety of instruments, orchestrations, voices and electronics, the piano lay at the heart of his musical personality and was the central focus in his live performances.


With no shortage of music to select from his impressive body of work, this deluxe volume includes best-known pieces from his Golden Globe winning score for the movie The Theory of Everything, choice tracks from some of his many other film scores, and deep cuts from his early and more recent albums.

Here is the list:

  • Bað
  • Odi et Amo / Krókódíll
  • Englabörn
  • Jói & Karen
  • Lugeldar II
  • Já, Hemmi Minn
  • Ruslpóstur
  • The Sun’s Gone Dim and the Sky’s Turned Black
  • Melodia (iii)
  • Theme (from Varmints)
  • Dressing Up (from Personal Effects)
  • Linda & Walter (from Personal Effects)
  • Indian Wedding (from Personal Effects)
  • He Says it’s the Future (from Copenhagen Dreams)
  • Eleven Thousand Six Hundred and Sixty-Nine Died of Natural Causes (from Copenhagen Dreams)
  • Flight from the City
  • Innocence (from Free the Mind)
  • Will’s Story (from Free the Mind)
  • Time to Say Goodbye (from White Black Boy)
  • Payphone (from McCanick)
  • A Game of Croquet (from The Theory of Everything)
  • A Model of the Universe (from The Theory of Everything)
  • The Theory of Everything
  • Beauty (from Blind Massage)
  • A Sparrow Alighted Upon our Shoulder
  • By the Roses, and by the Hinds of the Field
  • Good Morning, Midnight
  • The Drowned World
  • The Radiant City
  • Be Over (from The Shadow Play)

These are immensely atmospheric pieces, and in most cases their solo piano realisations would suit a late intermediate player (around UK Grades 5-6).


It would be impossible to overstate how sumptuous and essentially superb this publication is. The sturdy hardback book design by Dominic Brookman is certainly outstanding, but is it serviceable as a piano score?

The stiff binding opens to ten initial pages of colour, photography, a biographical sketch of the composer, and an intimate introduction by his friend, the American composer and pianist Dustin O’Halloran, who writes,

The music which follows is interspersed with full page and double page black-and-white photographs of Jóhannsson, ranging from concert pictures to moody landscape portraits. These not only add to the sense that this is a respectful and lovingly-crafted tribute publication, but also beautifully underline the ambience of the music itself.

The scores themselves are spaciously presented, with generously sized and superbly engraved music notation. Edited by Lucy Holliday with support from Sam Lung, and transcribed by Ed Sanderson, these are commendable. Fingering suggestions are not included, however.

Sadly, an oversized fly spoils this otherwise exceptional ointment. Pianodao readers sometimes tell me that Faber’s larger volumes don’t stay open on the piano stand, and while I personally find that with a little persuasion most are actually fine, I too have experienced genuine difficulty on this occasion.

Jóhann Jóhannsson Piano Works offers a superb tribute and testament to the musical achievement of this much-missed composer. Designated a ‘limited edition’, fans of Jóhannsson’s work will undoubtedly treasure it.

I very much hope that once the print run comes up for renewal, Faber might consider producing a soft-cover version of this exceptional edition, so that the players of the future can continue to investigate Jóhannsson’s work. Sumptuous though this is as a souvenir, the best tribute to this excellent composer would be the continuing performance of his music.

With that in mind, a more affordable and practical performing edition better suited to the needs of players would undoubtedly be a very welcome addition to the pianist’s library, and would ensure that the legacy of this brilliant musical voice endures, not only in our memories, but under our fingers.

In the meantime, I encourage all to listen to Jóhannsson’s music; discover for yourself what a stunning body of work this is. And if you purchase this unique edition, you will own one of the most truly stunning publications of the year.


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Published by

Andrew Eales

Andrew Eales is a widely respected piano educator based in Milton Keynes UK. His many publications include 'How to Practise Music' (Hal Leonard, 2021).