Who needs piano lessons anyway?

Supporting Your Piano Playing Journey
Written by ANDREW EALES


As Chair of the European Piano Teachers’ Association, Mark Tanner seems an unlikely cheerleader for shunning expert tuition in favour of “teaching” oneself to play the piano. And yet in his new teach-yourself-book for older beginners, The Piano in Black and White (Faber Music, 2021), this is the path he advocates, enthusing:

“Learning to teach ourselves gives us the advantage of becoming masters of our own universe.”

Tanner ignores the obvious point that our own universe, without the guidance and insights of those more experienced and knowledgeable than us, might well prove to be a rather limited, small universe.

Tanner’s teach-yourself book is just the latest in a plethora of new apps, YouTube channels, books and videos claiming that beginners can learn to play the piano without the help (and expense) of a teacher. Popular though these DIY attempts seem to be, and welcome though a diversity of educational resources are, most truthfully recognise that it is beneficial to have personalised guidance from an expert.

Certainly we can cite examples of those rare geniuses who succeeded as pianists without being able to access tuition due to geography, generation, genes or genre. But within most musical traditions, historically and globally, instruction from a teacher has been and remains the norm. There are many compelling reasons for this.

The idea of “going it alone” in preference to learning from an experienced practitioner is neither heroic nor wise. This is true in any field, whether basket-weaving, developing a good golf swing, or learning to play the violin. Piano playing is no lesser a skill, no mere “button pressing”, and must not be portrayed as such.

Those of us who have learnt from good teachers will appreciate and be grateful for that privilege. We naturally support the teaching profession, having ourselves experienced the elevating qualities of a good music education, and are eager for others to enjoy the same benefits as we have.

In this post, I will explore those benefits.

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Mindfulness in Sound

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Mark Tanner’s little book Mindfulness in Music, which I reviewed here, is one of those super-quotable books that has proven not just a wonderful read from cover to cover, but also great for dipping into for inspiration whenever the urge arises.

Now Tanner returns with another book in Leaping Hare Press’s superb series of hardback mindfulness books, Mindfulness in Sound, in which he invites us to Tune in to the world around us.

While this book isn’t directly about music the subject inevitably crops up, and this is another lovely book which I’m sure many Pianodao readers will enjoy immensely…

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Teachers’ Choice Piano Collections

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Hot off the press from Faber Music, and certainly not to be missed, the two books that make up the Teachers’ Choice Piano Collection have just appeared in partnership with EPTA UK, the European Piano Teachers’ Association.

Between them they include 58 pieces ranging in difficulty from Elementary/Grade 1 to Advanced/Grade 8, “selected by piano teachers for piano teachers”.

I must confess that when I first heard about these books a few months ago, my hopes for them were rather modest, but as soon as the finished collections arrived in the post I realised that they far exceeded my expectations. I think they are really wonderful!

So let’s take a closer look…

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The Advanced Pianist

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Karen Marshall’s Piano Trainer Series for Faber Music, which includes The Foundation Pianist (with David Blackwell, reviewed here) and The Intermediate Pianist (with Heather Hammond, reviewed here), has reached its conclusion with the publication of The Advanced Pianist (Books 1 and 2, with Mark Tanner).

Taken as a whole, the complete series of seven books can be used as a core curriculum that can be interspersed with the eight grades of the UK examination boards, or used standalone by those skipping exams.

In this review I will firstly take a look at The Advanced Pianist before drawing a few conclusions about the Piano Trainer series as a whole…

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Mindfulness in Music

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Once upon a time, books were something very special, containers of true magic whose words could unfetter the imagination and conjure into being a genuine sense of wonder. And happily, as the internet age matures, there has been a concurrent if unexpected reappraisal and renewed appreciation of the tactile immersion made possible by a traditional, high-quality physical book.

Riding the crest of an exciting wave of publications crafted to the highest standard, and with a deliberate nod towards the publishing values of an earlier generation, comes a small but highly significant volume by Mark Tanner entitled Mindfulness in Music, published by Leaping Hare Press as an imprint within their ongoing series of mindfulness-related books.

The book is an inspirational delight from cover to cover (and including the covers themselves!) and I highly commend it to Pianodao readers as the “must-read” book of the season…

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Mark Tanner’s ‘The Mindful Pianist’

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Mindfulness” has become one of the buzzwords of the decade. We’ve no doubt all seen the regular articles about it in the popular press, exploring the possible benefits of mindfulness practice for our physical and mental health, productivity, learning, and general happiness.

But what of piano players: how can we benefit from mindfulness practice?

It’s a question for which we might hope to find answers in highly respected teacher, composer and pianist Mark Tanner’s hotly anticipated book and much lauded The Mindful Pianist, published by Faber Music this autumn.

According to the publishers:

The Mindful Pianist presents amateurs and professionals with a fresh perspective on playing and performing. Applying the concept of mindfulness to the piano, this invaluable text explores the crucial connection between mind and body: how an alert, focussed mind fosters playing that is more compelling, more refined and ultimately more rewarding …

Continue reading Mark Tanner’s ‘The Mindful Pianist’