Play – Pianodao

Humility and Wonder in Play

A short pause for thought and reflection
Written by ANDREW EALES

Running across the fields, the sun shining on the horizon, the world is ours. Until we run out of breath, that is. As Ian Bogost puts it,

“Play cultivates humility, for it requires us to treat things as they are rather than as we wish them to be.”

Bogost’s book Play Anything (2016) is a rich feast of insight. Even so, the above statement stopped me in my tracks when I first read it, and you may want to take a moment to read again and ponder his point.

The Gamification of Musical Learning

PATHWAYS FOR TEACHING

Supporting Your Piano Pathway
Written by ANDREW EALES

The rise and rise of electronic video, console and computer games over the last two decades has been spectacular. From Pokémon to Grand Theft Auto, and from Minecraft to Wii Sports, games have become hugely popular and lucrative, and some academics even suggest that they are now the dominant cultural form of the 21st century.

In his much-discussed paper Manifesto for a Ludic Century, Eric Zimmerman suggests that while the twentieth century was the age of information and of moving pictures, the twenty-first is the ludic (game-centric) century.

Zimmerman enthuses,

“Increasingly, the ways that people spend their leisure time and consume art, design, and entertainment will be games, or experiences very much like games.”

We certainly see growing evidence of gamification in music education, and in this article I will be considering and reflecting on the transformative impact this may be having, for better or worse…

The Playful Piano Teacher

PATHWAYS FOR TEACHING

Supporting Your Piano Pathway
Written by ANDREW EALES

Are you a piano teacher? If so, let me ask you a question:

Do you enjoy your work? I mean – really enjoy it, all the time?

I’m fairly sure that most of us, if we are honest, will recognise that while we love our work in general, there are times where fatigue, impatience, distraction and even boredom can set in, even very fleetingly. And while we may feel a little guilty or inadequate in those moments, the reality is that in any job (however wildly fulfilling) we all experience “off days” and times when our heart isn’t quite so far into it as usual.

To counter the negative feelings that this can produce, I invite you to consider this wonderful quote from Buddhist teacher Haemin Sunim:

“Those who work in a playful, relaxed manner
tend to work efficiently and creatively;
Those who work non-stop, driven only by stress,
work without joy.”

Haemin Sunim, The Things You Can See Only When You Slow Down (2012)

In this post I am going to consider what it might mean to “work in a playful manner”, and how this could make all the difference for our students.

What Can You Play?

PATHWAYS FOR PLAYING

Supporting Your Piano Pathway
Written by ANDREW EALES

One of the major stumbling blocks for players is that we too often feel that we are struggling, making little progress, and perhaps just haven’t got what it takes to become a “good player” (however we define what that is).

To enjoy playing an instrument, we need to move beyond this negative self-talk. And I suggest that one of the most easy and powerful ways we can achieve this is to adjust the balance between working and playing during our personal piano time.

Which brings us to the question,

“What can you play?”

Playing the Piano “For Fun”?

PATHWAYS FOR TEACHING

Supporting Your Piano Pathway
Written by ANDREW EALES

I recently asked the members of an online piano teaching forum the following question:

“I want to learn to play piano for fun…”
What do you think when pupils/parents say this to you?

Perhaps it’s no surprise that answers ranged from “Get a trampoline!” at one end of the spectrum to “Great, that’s the best reason!” at the other. And the constructive debate which followed proved illuminating.

With this in mind, I would like to share a few of my own views and hope this will encourage further thought and ongoing discussion within the teaching and piano community.