Supporting Your Piano Pathway
Reflection by Andrew Eales
The acclaimed musician, philosopher and writer Stephen Nachmanovitch writes, in his seminal book Free Play (1990):
“There is something energising and challenging about being one-to-one with the audience and creating a piece of work that has both the freshness of the fleeting moment and, when everything is working, the structural tautness and symmetry of a living organism. It can be a remarkable and often moving experience in direct communication.”
Nachmanovitch‘s comments ring true whether, like him, we improvise in front of an audience, or perform the great masterpieces of the classical repertoire, recreating and interpreting them for a live audience, alert to the singularity of the moment and its potential for connection.
It’s a simple, honest, profound truth that musicians and music-lovers the world over all understand. Live performances can be a remarkable and often moving experience in direct communication.
Continue reading Why live performance matters